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Using poetry and autoethnography, we examine performances of maternity through the feminist and queer lenses of our lived experience. Diana is a “good” mother, yet disruptions and betrayals challenge my performances of that “good.” The shattering of accepted norms of mothering. Across my life text, the imposition of a patriarchal voice asserts certainty — yet neither has nor delivers any. Steve is a “good” son, theoutcome of mum's doting intelligence, kindness, and presence, often in the absence of father. I adore her yet lament that the many good experiences she produced during my youth will become increasingly rare. In contemporary families, many parents work, even among those who have broken free of binary and social expectations of what families are and can be. How do we negotiate and nurture the ongoing performances of maternity, encourage agency, and make sense of what we become together?
Keywords: Autoethnography ; Betrayals of the good mother ; Family communication ; Feminist experience ; Liminal spaces ; Maternal performances in the age of COVID-19 ; Narrative inquiry ; Performances of Mothering ; Performative inquiry ; Qualitative inquiry ; Queer experience ; Spirit
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https://doi.org/10.1386/9781835950166_7 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.