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Artificial wombs in science fiction are overwhelmingly cast in a negative light and involve either absent mothers or the absence of mothers, adding to the stigmatization of individuals who seek reproductive interventions and assistance. In this chapter I join the conversation on technology, politics, and reproduction through a feminist visual rhetorical comparative analysis using The Surrogacy (bodies are not machines), a womb sculpture created by research-based artist-mother and speculative technologist Ani Liu, as a lens for (re)looking at M'xima Medical Center's ‘first artificial womb for humans’, and drawing upon the rhetoric of science fiction in the West's pop cultural imaginary as my frame of reference for analysis.
Keywords: artificial wombs ; feminist rhetorics ; motherhood studies ; performance rhetorics ; performance studies ; reproductive justice ; science fiction rhetorics ; Visual analysis ; visual rhetoric ; women and gender studies
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