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Raving Potentialities: Navigating Queer Fields in Post-austerity Lisbon

image of Raving Potentialities: Navigating Queer Fields in Post-austerity Lisbon

This chapter examines the potentials and constraints of music research practices centered around queer-feminist techno-spaces in the post-industrial city of Lisbon, Portugal. Taking ‘navigation’ as a key practice of both queer identities and research, this chapter reflects on the performative nature of musical ethnography. Thus, a queer-inspired notion of dis/orientation allows for rethinking how to tell better and less binary stories about ‘the other’ encountered in the research field.

Keywords: Ethnography ; Field Research ; Gender ; Lisbon ; Portugal ; Precarization ; Queer Activism ; Queer Methodology ; Techno ; Techno-space ; Urban Politics

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  2. Ahmed, Sara (2010), The Promise of Happiness, Durham: Duke University Press.
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  3. Barz, Gregory and Cheng, William (eds) (2020), Queering the Field: Sounding Out Ethnomusicology, New York: Oxford University Press.
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  4. Bhardwa, Bina (2013), ‘Alone, Asian and female: The unspoken challenges of conducting fieldwork in dance settings’, Dancecult, 5:1, pp. 3960.
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  5. Bottà, Giacomo and Stahl, Geoff (2019), ‘Introduction: Because the night …’, in G. Bottà and G. Stahl (eds), Nocturnes: Popular Music and the Night, Cham: Springer International Publishing, pp. 118.
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  17. Low, Setha (2017), Spatializing Culture: The Ethnography of Space and Place, London and New York: Routledge.
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  19. Marcus, George (1995), ‘Ethnography in/of the world system: The emergence of multi-sited ethnography’, Annual Review of Anthropology, 24:1, pp. 95117.
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  24. Nofre, Jordi and Malet Calvo, Daniel (2019), ‘Pubcrawling Lisbon: Nocturnal geoethnographies of Bairro Alto’, in G. Bottà and G. Stahl (eds), Nocturnes: Popular Music and the Night, Cham: Springer International Publishing, pp. 4962.50
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  27. Said, Edward (1978), Orientalism, London: Routledge and Kegan Paul.
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  28. Santana, Matthew Leslie (2020), ‘Queer hip hop or hip-hop queerness? Toward a queer of color music studies’, in G. Barz and W. Cheng (eds), Queering the Field: Sounding Out Ethnomusicology, New York: Oxford University Press, pp. 18597.
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  29. Schulze, Gerhard ([1992] 2000), Die Erlebnisgesellschaft: Kultursoziologie der Gegenwart, Frankfurt a. M. and New York: Campus.
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  30. Schwanhäußer, Anja (2010), Kosmonauten des Underground: Ethnografie einer Berliner Szene, Frankfurt a. M. and New York: Campus.
    [Google Scholar]
  31. Sequera, Jorge and Nofre, Jordi (2018), ‘Shaken, not stirred: New debates on touristification and the limits of gentrification’, City, 22:5&6, pp. 84355.
    [Google Scholar]
  32. Slominski, Tes (2020), ‘Fielding the field: Belonging, disciplinarity, and queer scholarly lives’, in G. Barz and W. Cheng (eds), Queering the Field: Sounding Out Ethnomusicology, New York: Oxford University Press, pp. 21732.
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  33. Small, Christopher (1998), Musicking: The Means of Performing and Listening, Hanover: University Press of New England.
    [Google Scholar]
  34. Spivak, Gayatri Chakravorty (1998), ‘Can the subaltern speak?’ in C. Nelson and L. Grossberg (eds), Marxism and the Interpretation of Culture, Chicago, IL: University of Illinois Press, pp. 271313.
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  35. Taylor, Jodie (2011), ‘The intimate insider: Negotiating the ethics of friendship when doing insider research’, Qualitative Research, 11:1, pp. 322.
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  36. Thornton, Sarah ([1995] 2003), Club Cultures: Music, Media and Subcultural Capital, Cambridge: Polity Press.
    [Google Scholar]
  37. Turner, Victor (1982), From Ritual to Theatre: The Human Seriousness of Play, New York: PAJ Publications.
    [Google Scholar]
  38. Ueno, Toshiya (2003), ‘Unlearning to raver: Techno-party as the contact zone in trans-local fomations’, in D. Muggleton and R. Weinzierl (eds), The Post-subcultures Reader, Oxford: Berg, pp. 10118.
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  39. Zebracki, Martin (2016), ‘Embodied techno-space: An auto-ethnography on affective citizenship in the techno electronic dance music scene’, Emotion, Space and Society, 20, pp. 11119.
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