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Notes on Studying Ecuadorian Independent Music: Endogenous Ethnography as Counter-Colonial Practice and the Politics of Affect

image of Notes on Studying Ecuadorian Independent Music: Endogenous Ethnography as Counter-Colonial Practice and the Politics of Affect

Ecuadorian independent music is a localized manifestation of global music genres that mix in multiple ways with local music cultures. Employing ethnography and media production, the author develops a nuanced understanding of the music's cultural significance and the complexities stemming from their mixed heritage. Ecuadorian independent music, encapsulating opposing elements, gives rise to liminal spaces where traditions and modernity, rural and urban, local and global converge. While potential misinterpretations may see Latino versions of international styles as threats to native music, the focus of the argument lies in highlighting the resilience and continual generation of diversity within subaltern locations. The author's ethnographic endeavor seeks to unveil the obscurity defining this musical scene and scrutinize the processes of marginalization. With ethnography approached as a flexible methodology, the author advocates for countering colonial and capitalistic logics, emphasizing a postcolonial/decolonial agency. Reflecting on the challenges of conducting endogenous ethnography, the author queries the thorough familiarity of alternative music experiences, ultimately suggesting the concept of an open-ended creative ethnography.

Keywords: decolonialism ; endogenous ethnography ; Global South ; globalization ; Latin American popular music ; liminality ; mestizaje ; music ethnography ; peripheries ; postcolonialism

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References

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    [Google Scholar]
  4. Cachiguango, Luis (2014), ‘Aya-Huma: La Sabiduría del silencio en los Andes’, in Kuri-Muyu 6: Arte y Sabiduría en las Cultura del Abya-Yala, EDICIONES ELECTRÓCICAS ‘KURI-MUYU’ Ecuador.198
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    [Google Scholar]
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    [Google Scholar]
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    [Google Scholar]
  8. Gagnon, Terese (2019), ‘Ethnography for a new global political economy? Marcus (1995) revisited, through the lens of Tsing and Nash’, Ethnography, 20:2, pp. 28494.
    [Google Scholar]
  9. González, Jorge (2018), Thinking about Music from Latin America: Issues and Questions, Lanham, MD: Lexington Books.
    [Google Scholar]
  10. González, Margarita (2002), ‘¡Viva la Fiesta!’, Revista Diners, 242, July, n.pag.
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    [Google Scholar]
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    [Google Scholar]
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    [Google Scholar]
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    [Google Scholar]
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    [Google Scholar]
  20. Negus, Keith (1998), ‘Cultural production and the corporation: Musical genres and the strategic management of creativity in the US recording industry’, Media, Culture and Society, 20:3, pp. 35979.
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  21. Quijano, Anibal (2019), Aníbal Quijano: ensayos en torno a la colonialidad del poder (El desprendimiento: pensamiento crítico y giro des-colonial), Del Signo.
  22. Skoggard, Ian and Waterston, Alisse (2015), ‘Introduction: Toward an anthropology of affect and evocative ethnography’, Anthropology of Consciousness, 26:2, pp. 10920.
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    [Google Scholar]
  26. Viteri, Juan Pablo (2011), ‘Hardcore y metal en el Quito del siglo XXI’, Masters thesis, Facultad Latinoamericana de Ciencias Sociales, Quito, Ecuador.
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