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References

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  4. Drysdale, Kerryn (2015), ‘When scenes fade’, Cultural Studies, 29:3, pp. 34562.
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  5. Khubchandani, Kareem (2020), Ishstyle: Accenting Gay Indian Nightlife, Ann Arbor: University of Michigan Press.
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  6. Peterson, Richard A. and White, Howard G. (1979), ‘The simplex located in art worlds’, Urban Life, 7:4, pp. 41139.
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  7. Picaud, Myrtille (2021), Mettre la ville en musique: Paris–Berlin, Paris: Cairn Info.
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  8. Raine, Sarah (2020), Authenticity and Belonging in the Northern Soul Scene: The Role of History and Identity in a Multigenerational Music Culture, Basingstoke: Palgrave Macmillan.
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  9. Salkind, Micah E. (2019), Do You Remember House? Chicago's Queer of Color Undergrounds, Oxford: Oxford University Press.
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  10. Straw, Will (2020), ‘An urbanized cultural studies?’ in E. Maigret and L. Martin (eds), Les Cultural Studies: Au-delà des politiques des identités, Le Bord de l'Eau éditions, pp. 15162.
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  11. Tomlinson, Gary (2007), ‘Musicology, anthropology, history’, in M. Clayton, T. Herbert and R. Middleton (eds), The Cultural Study of Music: A Critical Introduction, New York and London: Routledge, pp. 3144.xviii
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References

  1. Adeyemi, Kemi, Khubchandani, Kareem and Rivera-Servera, Ramon (eds) (2021), Queer Nightlife, Ann Arbor: Michigan University Press.
    [Google Scholar]
  2. Amin, Ash (2006), Collective Culture and Urban Public Space, Barcelona: Centre of Contemporary Culture of Barcelona (CCCB), available online at: http://www.publicspace.org/en/text-library/eng/b003-collective-culture-and-urban-public-space. Accessed 9 October 2023.
    [Google Scholar]
  3. Armstrong, Justin (2010), ‘On the possibility of spectral ethnography’, Cultural Studies ↔ Critical Methodologies, 10:3, pp. 24350.
    [Google Scholar]
  4. Drysdale, Kerryn (2015), ‘When scenes fade’, Cultural Studies, 29:3, pp. 34562.
    [Google Scholar]
  5. Khubchandani, Kareem (2020), Ishstyle: Accenting Gay Indian Nightlife, Ann Arbor: University of Michigan Press.
    [Google Scholar]
  6. Peterson, Richard A. and White, Howard G. (1979), ‘The simplex located in art worlds’, Urban Life, 7:4, pp. 41139.
    [Google Scholar]
  7. Picaud, Myrtille (2021), Mettre la ville en musique: Paris–Berlin, Paris: Cairn Info.
    [Google Scholar]
  8. Raine, Sarah (2020), Authenticity and Belonging in the Northern Soul Scene: The Role of History and Identity in a Multigenerational Music Culture, Basingstoke: Palgrave Macmillan.
    [Google Scholar]
  9. Salkind, Micah E. (2019), Do You Remember House? Chicago's Queer of Color Undergrounds, Oxford: Oxford University Press.
    [Google Scholar]
  10. Straw, Will (2020), ‘An urbanized cultural studies?’ in E. Maigret and L. Martin (eds), Les Cultural Studies: Au-delà des politiques des identités, Le Bord de l'Eau éditions, pp. 15162.
    [Google Scholar]
  11. Tomlinson, Gary (2007), ‘Musicology, anthropology, history’, in M. Clayton, T. Herbert and R. Middleton (eds), The Cultural Study of Music: A Critical Introduction, New York and London: Routledge, pp. 3144.xviii
    [Google Scholar]
/content/books/9781835950579.fm01
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