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Handbook of Documentary

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Keywords: anthropocene ; definition ; Digital platforms ; documentary today ; interdisciplinarity ; streaming histories

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References

  1. Aston, Judith and Odorico, Stefano (2018), ‘The poetics and politics of polyphony: Towards a research method for interactive documentary’, Alphaville, 15, pp. 63–93, https://www.alphavillejournal.com/Issue15/ArticleAstonOdorico.pdf. Accessed 21 December 2023.
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  2. Aufderheide, Pat (2016), ‘Mainstream documentary since 1999’, in C. Lucia, R. Grundmann and A. Simon (eds), American Film History: Selected Readings, 1960 to the Present, Chichester, West Sussex: Wiley-Blackwell, pp. 376–92.
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  3. Cizek, Kat and Uricchio, William (eds) (2022), Collective Wisdom: Co-creating Media for Equity and Justice, Cambridge, MA and London: MIT Press.
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  4. Corner, John (2008), ‘Documentary studies: Dimensions of transition and continuity’, in T. Austin and W. de Jong (eds), Rethinking Documentary: New Perspectives New Practices, New York: McGraw Hill, pp. 13–28.
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  5. Corner, John (2002), ‘Performing the real: Documentary diversions’, Television and New Media, 3:3, pp. 255–69.
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  6. Dahlgren, Peter (2009), Media and Political Engagement: Citizens, Communication and Democracy, Cambridge: Cambridge University Press.
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  7. FitzSimons, Trish (2009), ‘Braided channels: A genealogy of the voice of documentary’, Studies in Documentary Film, 3:2, pp. 131–46.
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  8. Juhasz, Alexandra and Lebow, Alisa (2022), ‘Beyond story: An on-line, community-based manifesto’, World Records, 5, https://worldrecordsjournal.org/beyond-story-an-online-community-based-manifesto/. Accessed 21 December 2023.
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  9. Lagerway, Jorie and Nygaard, Taylor (2022), ‘Netflix's docuseries style: Generic chaos and affect in Tiger King’, in J. Baron and K. Fuhs (eds), Tiger King: Murder, Mayhem and Madness, London and New York: Routledge, pp. 28–46.
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  10. Lebow, Alisa (2018), Filming Revolution, Stanford, CA: Stanford University Press, https://www.sup.org/books/title/?id=29289. Accessed 21 December 2023.
     [Google Scholar]
  11. Nash, Kate (2022), Interactive Documentary: Theory and Debate, London: Routledge.
     [Google Scholar]
  12. Nichols, Bill (1983), ‘The voice of documentary’, Film Quarterly, 36:3 (Spring), pp. 17–30.
     [Google Scholar]
  13. Nichols, Bill (1991), Representing Reality: Issues and Concepts in Documentary, Bloomington, IN: Indiana University Press.
     [Google Scholar]
  14. Winston, Brian (1995), Claiming the Real: The Griersonian Documentary and Its Limitations, London: British Film Institute.
     [Google Scholar]
  15. Winston, Brian (2013), ‘Afterword’, in B. Winston (ed.), The Documentary Film Book, London: British Film Institute, p. 383.
     [Google Scholar]
  16. Winston, Brian, Vanstone, Gail and Chi, Wang (2017), The Act of Documenting: Documentary in the 21st Century, London: Bloomsbury.
     [Google Scholar]
  17. Zimmerman, Patricia and De Michiel, Helen (2018), Open Space New Media Documentary: A Toolkit for Theory and Practice, New York: Routledge.
     [Google Scholar]

References

  1. Aston, Judith and Odorico, Stefano (2018), ‘The poetics and politics of polyphony: Towards a research method for interactive documentary’, Alphaville, 15, pp. 63–93, https://www.alphavillejournal.com/Issue15/ArticleAstonOdorico.pdf. Accessed 21 December 2023.
     [Google Scholar]
  2. Aufderheide, Pat (2016), ‘Mainstream documentary since 1999’, in C. Lucia, R. Grundmann and A. Simon (eds), American Film History: Selected Readings, 1960 to the Present, Chichester, West Sussex: Wiley-Blackwell, pp. 376–92.
     [Google Scholar]
  3. Cizek, Kat and Uricchio, William (eds) (2022), Collective Wisdom: Co-creating Media for Equity and Justice, Cambridge, MA and London: MIT Press.
     [Google Scholar]
  4. Corner, John (2008), ‘Documentary studies: Dimensions of transition and continuity’, in T. Austin and W. de Jong (eds), Rethinking Documentary: New Perspectives New Practices, New York: McGraw Hill, pp. 13–28.
     [Google Scholar]
  5. Corner, John (2002), ‘Performing the real: Documentary diversions’, Television and New Media, 3:3, pp. 255–69.
     [Google Scholar]
  6. Dahlgren, Peter (2009), Media and Political Engagement: Citizens, Communication and Democracy, Cambridge: Cambridge University Press.
     [Google Scholar]
  7. FitzSimons, Trish (2009), ‘Braided channels: A genealogy of the voice of documentary’, Studies in Documentary Film, 3:2, pp. 131–46.
     [Google Scholar]
  8. Juhasz, Alexandra and Lebow, Alisa (2022), ‘Beyond story: An on-line, community-based manifesto’, World Records, 5, https://worldrecordsjournal.org/beyond-story-an-online-community-based-manifesto/. Accessed 21 December 2023.
     [Google Scholar]
  9. Lagerway, Jorie and Nygaard, Taylor (2022), ‘Netflix's docuseries style: Generic chaos and affect in Tiger King’, in J. Baron and K. Fuhs (eds), Tiger King: Murder, Mayhem and Madness, London and New York: Routledge, pp. 28–46.
     [Google Scholar]
  10. Lebow, Alisa (2018), Filming Revolution, Stanford, CA: Stanford University Press, https://www.sup.org/books/title/?id=29289. Accessed 21 December 2023.
     [Google Scholar]
  11. Nash, Kate (2022), Interactive Documentary: Theory and Debate, London: Routledge.
     [Google Scholar]
  12. Nichols, Bill (1983), ‘The voice of documentary’, Film Quarterly, 36:3 (Spring), pp. 17–30.
     [Google Scholar]
  13. Nichols, Bill (1991), Representing Reality: Issues and Concepts in Documentary, Bloomington, IN: Indiana University Press.
     [Google Scholar]
  14. Winston, Brian (1995), Claiming the Real: The Griersonian Documentary and Its Limitations, London: British Film Institute.
     [Google Scholar]
  15. Winston, Brian (2013), ‘Afterword’, in B. Winston (ed.), The Documentary Film Book, London: British Film Institute, p. 383.
     [Google Scholar]
  16. Winston, Brian, Vanstone, Gail and Chi, Wang (2017), The Act of Documenting: Documentary in the 21st Century, London: Bloomsbury.
     [Google Scholar]
  17. Zimmerman, Patricia and De Michiel, Helen (2018), Open Space New Media Documentary: A Toolkit for Theory and Practice, New York: Routledge.
     [Google Scholar]

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