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Suzannah Bedford discusses her long-term relationship with Bodies in Flight in the context of live art and performance and dance in Nottingham since the 1990s. She concludes by considering the new perspectives brought to Gymnast and Life Class by Bodies in Flight's co-creating with participants.
Keywords: co-creating with communities ; live art and performance in Nottingham ; live art funding structures ; live art in 1990s
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https://doi.org/10.1386/9781835950715_42 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.