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Records, Subjects and Agents: Exploring Archives of Popular Music through Critical Archival Studies

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  • By Kirsty Fife
  • Source: The Intellect Handbook of Popular Music Methodologies , pp 162-177
  • Publication Date: June 2025
  • DOI: https://doi.org/10.1386/9781835951033_12
  • Language: English
  • Accessibility Summary:  EPUB 3 and pdf file included; compatible with devices and software which can read these formats. Adjustable font size, spacing, contrast, text justification, number of columns (ePUB only). Alternative text for images. Tagged with a logical reading order to assist screen readers. Navigation between in-text citations and reference list, and endnotes and endnote markers.

This chapter examines how methods and theories drawn from critical archival studies – which “builds a critical stance regarding the role of archives in the production of knowledge and different types of narratives, as well as identity construction” (Caswell, Punzalan and Sangwand, 2017, p. 2) – can be applied to studies of popular music archives in Information Studies and allied fields (e.g. Heritage Studies, Museum Studies). The chapter introduces key ideas from this framework, before exploring how these can be embedded within methodologies for the study of popular music heritage in three themed sections – archival sources, subjects of the record, and archival agents.

Keywords: archives ; community heritage critical archival studies ; DIY culture ; DIY music ; heritage ; popular music heritage

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Records, Subjects and Agents: Exploring Archives of Popular Music through Critical Archival Studies
Intellect , 162 (2025); https://doi.org/10.1386/9781835951033_12
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/content/books/9781835951033.c10
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