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Research Methods in Live Electronic Music and Audio-Visual Performance

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  • By Kirsten Hermes
  • Source: The Intellect Handbook of Popular Music Methodologies , pp 638-655
  • Publication Date: June 2025
  • DOI: https://doi.org/10.1386/9781835951033_40
  • Language: English
  • Accessibility Summary:  EPUB 3 and pdf file included; compatible with devices and software which can read these formats. Adjustable font size, spacing, contrast, text justification, number of columns (ePUB only). Alternative text for images. Tagged with a logical reading order to assist screen readers. Navigation between in-text citations and reference list, and endnotes and endnote markers.
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Research Methods in Live Electronic Music and Audio-Visual Performance
Intellect , 638 (2025); https://doi.org/10.1386/9781835951033_40
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References

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References

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  2. Blanning, Lisa (2017), ‘A/V interchange: Performing music with visuals’, Ableton Blog, 5 September 2017, https://www.ableton.com/es/blog/performing-music-with-visuals/. Accessed 1 March 2023 .
  3. Boyce-Tillman, June (2013), ‘Music and well-being: Music as integrative experience’, Journal of Urban Culture Research, 7, pp. 48–71.
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  5. Canfer, Tim (2017), ‘Visual agency and liveness in the performance of electronic music’, in R. Hepworth-Sawyer , J. Hodgson , J. Paterson and R. Toulson (eds), Innovation in Music: Performance, Production, Technology and Business, Abingdon: Taylor and Francis, pp. 100–12.
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  21. Frith, Simon (2001), ‘Pop music’, in S. Frith , W. Straw and J. Street (eds), The Cambridge Companion to Pop and Rock, Cambridge: Cambridge University Press, pp. 93–108.
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     [Google Scholar]
  26. Grierson, Mick (2018), ‘Creative coding for audiovisual art: The CodeCircle platform’, in S. Emmerson (ed.), The Routledge Research Companion to Electronic Music: Reaching out with Technology, Abingdon: Routledge, 312–335 .
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  29. Healey, Matthew (2008), What Is Branding, London: RotoVision.
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  30. Helmholtz, Hermann (1863), Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik, Braunschweig: F. Vieweg.
     [Google Scholar]
  31. Hermes, Kirsten (2020), ‘Creative considerations for on-screen visuals in popular electronic music performances’, in R. Hepworth-Sawyer , J. Hodgson , J. Paterson and R. Toulson 654(eds), Innovation in Music, New York: Routledge, pp. 370–388.
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  32. Hermes, Kirsten (2022), Performing Electronic Music Live, New York: Routledge.
     [Google Scholar]
  33. Huttu-Hiltunen, Ilmari (2020), ‘Evolution of animated characters in League of Legends World Championship opening ceremonies: Which technologies are used to impress the audience, and how does the use of technology evolve between 2017 to 2019?’ master's thesis, Tampere: Tampere University of Applied Sciences, https://www.theseus.fi/handle/10024/343430. Accessed 1 March 2023 .
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  46. Ponsford , Matthew (2014), ‘See the music: How astonishing visuals are revolutionizing concert experience’, CNN, 20 November 2014, http://edition.cnn.com/2014/11/20/world/the-greatest-stage-spectacles-on-earth/index.html. Accessed 1 December 2022 .
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     [Google Scholar]
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  49. Rambarran, Shara (2021), Virtual Music: Sound, Music, and Image in the Digital Era, New York: Bloomsbury Publishing.
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  58. Stanford, Nigel (2014), ‘CYMATICS: Science vs. Music. Music video’, YouTube, 12 November, https://www.youtube.com/watch?v=Q3oItpVa9fs. Accessed 1 April 2023 .
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