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This biographical overview traces the life and career of artist and scholar Ken Gonzales-Day, highlighting the intersections of his personal history, activism, and artistic practice. Raised in a bicultural, socially conscious household in Santa Clara, California, his early experiences with civil rights demonstrations, the Chicano movement, the AIDS crisis, and queer activism shaped both his worldview and artistic trajectory. Gonzales-Day's interdisciplinary practice interrogates colonial histories, racial violence, and queer representation through his acclaimed series such as “Erased Lynching,” “Profiled,” and “Bone-Grass Boy,” he sheds light on marginalized histories and challenges how race and belonging are represented in American art and memory.
Keywords: Chicano movement ; Civil rights ; Mexican American ; Public art ; Public memory ; Queer Activism ; Visual Culture
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https://doi.org/10.1386/9781835951378_4 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.