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Voicing our opinion: Challenges of female rap artists in North-West Nigeria

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Keywords: female rappers ; indigenous rap ; Nigerian rap ; songwriting

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References

  1. Adams, T. M. and Fuller, D. B. (2006), ‘The words have changed but the ideology remains the same: Misogynistic lyrics in rap music’, Journal of Black Studies, 36, pp. 93857.
    [Google Scholar]
  2. Adnan, M. (2021), Telephone interview with U. Muhammad Hassan, 3 April.
  3. Ali, A. (2015), Women of hip hop: Female rappers’ effect on the attitude of young African American girls’, Psych, 2100, pp. 19.
    [Google Scholar]
  4. Amin, F. (2018), ‘Haba Dai’, digital distribution format, Young Grow.
    [Google Scholar]
  5. Amin, F. (2021), Telephone interview with U. Muhammad Hassan, 2 April.
  6. Armstrong, G. (2001), ‘Gangsta Misogyny: A content analysis of the portrayals of violence against women in rap music, 1987–1993’, Journal of Criminal Justice and Popular Culture, 8, pp. 96126.
    [Google Scholar]
  7. Asemah, E. S., Gujbawu, M., Ekhareafo, D. and Okpanachi, R. A. (2012), Research Methods and Procedures in Mass Communication, 3rd ed. Jos, Nigeria: Matkol Press.
  8. Beadle, J. J. (1993), Will Pop Eat Itself? Pop Music in the Soundbite Era, New York: Faber & Faber.
  9. Chesebro, J., Foulger, D., Nachman, J. and Yanelli, A. (1985), ‘A reading of popular music as a mode of communication, 1955–1982’, Critical Studies in Mass Communication, 2, pp. 11535.
    [Google Scholar]
  10. Hanny, Lady (2021), in-person interview with U. Muhammad Hassan, 3 April.
  11. Haugen, J. D. (2003), ‘Unladylike divas: Language, gender, and female gangsta rappers’, Popular Music and Society, 26, pp. 42943.
    [Google Scholar]
  12. Ishaq, Z. (2021), in-person interview with U. Muhammad Hassan, Gwale Local Government, Kano State, 31 March.
  13. Joseph, S. (2006), ‘Indigenous languages and the postmodern turn: Rap as a generational statement of dissidence’, in F. Egbokahae and C. Kolawole (eds), Globalization and the Future of African Languages, Accra: Oduma, p. 256.
    [Google Scholar]
  14. Kitwana, B. (2002), The Hip Hop Generation, New York: Basic Books.
  15. Krims, A. (2000), Rap Music and the Poetics of Identity, Cambridge: Cambridge University Press.
  16. Kubrin, C. E. and Weitzer, R. (2009), Retaliatory homicide: Concentrated disadvantage and neighbourhood culture’, Social Problems, 50, pp. 15780.
    [Google Scholar]
  17. Lipsitz, G. (1994), ‘Popular music, postmodernism, and the poetics of place’, MA dissertation, Berkeley, CA: University of California.
    [Google Scholar]
  18. Lull, J. (1985), ‘On the communicative properties of music’, Communication Research, 12:3, pp. 36372, https://doi.org/10.1177/009365085012003008.
    [Google Scholar]
  19. McFarland, P. (2003), ‘Challenging the contradictions of Chicanismo in Chicano rap music and male culture’, Race, Gender, and Class, 10, pp. 92107.
    [Google Scholar]
  20. Oikelome, A. O. (2013), ‘Are real women just bad porn? Women in Nigerian hip-hop culture’, Journal of Pan African Studies, 5:9, pp. 8398.
    [Google Scholar]
  21. Ransby, B. and Matthews, T. (1993), ‘Black popular culture and the transcendence of patriarchal illusions’, Race and Class, 35, pp. 5768.
    [Google Scholar]
  22. Rose, T. (1995), Black Noise: Rap Music and Black Culture in Contemporary America, Middletown, CT: Wesleyan University Press.
  23. Stephens, D. and Few, A. (2007), ‘The effects of images of African American women in hip hop on early adolescents: Attitudes toward physical attractiveness and interpersonal relationships’, Sex Roles, 56:25, pp. 251–64.
    [Google Scholar]
  24. Tyree, T. and Jones, M. (2015), ‘The adored woman in rap: An analysis of the presence of philogyny in rap music’, Women’s Studies: An Interdisciplinary Journal, 44:1, pp. 5483.
    [Google Scholar]
  25. Weinstein, S. (2006), ‘A love for the thing: The pleasures of rap as literature practice’, Journal of Adolescent and Adult Literacy, 50:4, pp. 27081.
    [Google Scholar]
  26. Wester, R. S., Crown, L. C., Quatman, L. G. and Heesacker, M. (1997), ‘The influence of sexually violent rap music on attitudes of men with little prior exposure’, Psychology of Women Quarterly, 21, pp. 497508.
    [Google Scholar]
  27. Wimmer, R. D. and Dominick, J. R. (2006), Mass Media Research: An Introduction, 8th ed. Belmont, CA: Thomson Wadsworth.

References

  1. Adams, T. M. and Fuller, D. B. (2006), ‘The words have changed but the ideology remains the same: Misogynistic lyrics in rap music’, Journal of Black Studies, 36, pp. 93857.
    [Google Scholar]
  2. Adnan, M. (2021), Telephone interview with U. Muhammad Hassan, 3 April.
  3. Ali, A. (2015), Women of hip hop: Female rappers’ effect on the attitude of young African American girls’, Psych, 2100, pp. 19.
    [Google Scholar]
  4. Amin, F. (2018), ‘Haba Dai’, digital distribution format, Young Grow.
    [Google Scholar]
  5. Amin, F. (2021), Telephone interview with U. Muhammad Hassan, 2 April.
  6. Armstrong, G. (2001), ‘Gangsta Misogyny: A content analysis of the portrayals of violence against women in rap music, 1987–1993’, Journal of Criminal Justice and Popular Culture, 8, pp. 96126.
    [Google Scholar]
  7. Asemah, E. S., Gujbawu, M., Ekhareafo, D. and Okpanachi, R. A. (2012), Research Methods and Procedures in Mass Communication, 3rd ed. Jos, Nigeria: Matkol Press.
  8. Beadle, J. J. (1993), Will Pop Eat Itself? Pop Music in the Soundbite Era, New York: Faber & Faber.
  9. Chesebro, J., Foulger, D., Nachman, J. and Yanelli, A. (1985), ‘A reading of popular music as a mode of communication, 1955–1982’, Critical Studies in Mass Communication, 2, pp. 11535.
    [Google Scholar]
  10. Hanny, Lady (2021), in-person interview with U. Muhammad Hassan, 3 April.
  11. Haugen, J. D. (2003), ‘Unladylike divas: Language, gender, and female gangsta rappers’, Popular Music and Society, 26, pp. 42943.
    [Google Scholar]
  12. Ishaq, Z. (2021), in-person interview with U. Muhammad Hassan, Gwale Local Government, Kano State, 31 March.
  13. Joseph, S. (2006), ‘Indigenous languages and the postmodern turn: Rap as a generational statement of dissidence’, in F. Egbokahae and C. Kolawole (eds), Globalization and the Future of African Languages, Accra: Oduma, p. 256.
    [Google Scholar]
  14. Kitwana, B. (2002), The Hip Hop Generation, New York: Basic Books.
  15. Krims, A. (2000), Rap Music and the Poetics of Identity, Cambridge: Cambridge University Press.
  16. Kubrin, C. E. and Weitzer, R. (2009), Retaliatory homicide: Concentrated disadvantage and neighbourhood culture’, Social Problems, 50, pp. 15780.
    [Google Scholar]
  17. Lipsitz, G. (1994), ‘Popular music, postmodernism, and the poetics of place’, MA dissertation, Berkeley, CA: University of California.
    [Google Scholar]
  18. Lull, J. (1985), ‘On the communicative properties of music’, Communication Research, 12:3, pp. 36372, https://doi.org/10.1177/009365085012003008.
    [Google Scholar]
  19. McFarland, P. (2003), ‘Challenging the contradictions of Chicanismo in Chicano rap music and male culture’, Race, Gender, and Class, 10, pp. 92107.
    [Google Scholar]
  20. Oikelome, A. O. (2013), ‘Are real women just bad porn? Women in Nigerian hip-hop culture’, Journal of Pan African Studies, 5:9, pp. 8398.
    [Google Scholar]
  21. Ransby, B. and Matthews, T. (1993), ‘Black popular culture and the transcendence of patriarchal illusions’, Race and Class, 35, pp. 5768.
    [Google Scholar]
  22. Rose, T. (1995), Black Noise: Rap Music and Black Culture in Contemporary America, Middletown, CT: Wesleyan University Press.
  23. Stephens, D. and Few, A. (2007), ‘The effects of images of African American women in hip hop on early adolescents: Attitudes toward physical attractiveness and interpersonal relationships’, Sex Roles, 56:25, pp. 251–64.
    [Google Scholar]
  24. Tyree, T. and Jones, M. (2015), ‘The adored woman in rap: An analysis of the presence of philogyny in rap music’, Women’s Studies: An Interdisciplinary Journal, 44:1, pp. 5483.
    [Google Scholar]
  25. Weinstein, S. (2006), ‘A love for the thing: The pleasures of rap as literature practice’, Journal of Adolescent and Adult Literacy, 50:4, pp. 27081.
    [Google Scholar]
  26. Wester, R. S., Crown, L. C., Quatman, L. G. and Heesacker, M. (1997), ‘The influence of sexually violent rap music on attitudes of men with little prior exposure’, Psychology of Women Quarterly, 21, pp. 497508.
    [Google Scholar]
  27. Wimmer, R. D. and Dominick, J. R. (2006), Mass Media Research: An Introduction, 8th ed. Belmont, CA: Thomson Wadsworth.
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