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In 2019, French writer-director Céline Sciamma released her fourth feature film, Portrait of a Lady on Fire. A queer period story about a painter and a model falling in love, set entirely in the world of women, the film won the Queer Palm at Cannes that year – the first film directed by a woman to win the award. In addition, the script won Best Screenplay and the film was selected to compete for the Palme d’Or. Since then, Sciamma has discussed her filmmaking development process, part of which is her innovative theory of screenwriting: driving action through desire rather than conflict. Sciamma aims to take back screen storytelling from the masculinist orthodoxy of conflict, forces of antagonism and the hero’s journey, instead exploring emotion as the key element. It is a radical approach with the potential to revolutionize the way women tell their stories on screen and it challenges the tight grip of the Western form of screen storytelling on global cinema. This chapter argues that Sciamma’s idea of ‘desire scenes’ as the initiator for screenwriting is an exciting and revolutionary addition to screen storytelling and offers screenwriters new tools for writing women’s and queer stories for the screen.
Keywords: Céline Sciamma ; desire scenes ; female gaze ; Portrait of a Lady on Fire ; screenwriting ; women’s and queer screen storytelling
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