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Between the Piano and the Gayageum: From Reversal to Empowerment

image of Between the Piano and the Gayageum: From Reversal to Empowerment

As a Korean immigrant music educator, I describe my personal journey of transformation from polarization-reversal, a tendency to devalue one's own culture but value majority cultures, to empowerment, a process of becoming confident in representing oneself. Although I grew up in a family dedicated to traditional Korean music in South Korea, I was heavily influenced by social conformity to aspiring Western music culture. The pressure to assimilate into Westernized culture continued in the United States. Thus, I favored the piano over the gayageum in my early immigrant years based on the reversal mindset. After the Black Lives Matter movement occurred that called attention to racial discrimination and inequality that Black people in the US experienced, I began actively confronting the institutional structures that valued majority cultures while, simultaneously, devaluing my own cultural heritage. I gradually became empowered to more boldly represent my culture that was symbolized by my musical instrument, the gayageum.

Keywords: Asian American Experience ; Conscientization ; Critical Pedagogy ; Cultural Competence ; Culturally Relevant Pedagogy ; Culturally Responsive Teaching ; Diversity ; Equity ; Inclusion ; Woke

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References

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References

  1. Bennett, M. J. (2017). Developmental model of intercultural sensitivity. The International Encyclopedia of Intercultural Communication, 1, 110. https://doi.org/10.1002/9781118783665.ieicc0182
    [Google Scholar]
  2. Freire, P. (2005). Pedagogy of the oppressed. Bloomsbury Publishing.
    [Google Scholar]
  3. Hess, J. (2021). Cultural competence or the mapping of racialized space: Cartographies of music education. Bulletin of the Council for Research in Music Education, 227, 728.
    [Google Scholar]
  4. Kang, S. (2022). Intercultural development among music students and teachers: A literature review. Update: Applications of Research in Music Education, 41(1), 4553.
    [Google Scholar]
  5. Kang, S. (2024). Moving beyond the western lens: Transcultural approaches in general music methods courses. In M. Haning, J. Pandergast, & B. Weider (Eds.), Disruption points in music education (pp. 1934). Routledge.
    [Google Scholar]
  6. Kang, S. (2025). Adaptations, code-switching, and novelty with cultural integrity: Musicians performing and learning musical instruments in different musical traditions. Journal of Research in Music Education, Advanced online publication. https://doi.org/10.1177/00224294251317170
    [Google Scholar]
  7. Kang, S., Fung, C. V., & Yoo, H. (2023). Preservice music teachers’ world music preference for taught pieces and its transfer to untaught pieces. Journal of Research in Music Education, 71(1), 91110. https://doi.org/10.1177/00224294221108497118
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