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The Gospel of Musical Inclusion

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As an institution, music education often inadvertently excludes diverse voices, their experiences, and a range of musical genres. This chapter confronts the urgent need for inclusion by exploring the experiences that countless marginalized individuals experience within music education. Drawing on my personal experiences as a church musician, student, and music professor and administrator, I contend that these experiences can be understood through the lens of struggles with visibility, existence, and essence. This chapter calls for a radical reimagining of music education that centers equity and belonging as fundamental to artistic excellence.

Keywords: compartmentalization of knowledge ; equity in music ; exclusion ; gatekeeping ; inclusive music pedagogy ; marginalized voices ; music and belonging ; music and identity ; music education reform ; musical diversity ; social justice in music ; visibility

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References

  1. Arie, I. (2005). I am not my hair [Recorded by India Arie featuring Akon]. Testimony: Vol. 1, Life & Relationship. Motown.
    [Google Scholar]
  2. Bresler, L. (2009). Research education shaped by musical sensibilities. British Journal of Music Education, 26(1), 725.
    [Google Scholar]
  3. Hall, S. (1997). Representation: Cultural representation and signifying practices (1st ed.). Sage.
    [Google Scholar]
  4. Lester, J. (1984, May 27). James Baldwin: Reflections of a maverick. The New York Times. https://archive.nytimes.com/www.nytimes.com/books/98/03/29/specials/baldwin-reflections.html
    [Google Scholar]
  5. Williams, A. (2014–2016), Color(ed) theory suite [Exhibition]. Museum of Modern Art, Chicago, IL.

References

  1. Arie, I. (2005). I am not my hair [Recorded by India Arie featuring Akon]. Testimony: Vol. 1, Life & Relationship. Motown.
    [Google Scholar]
  2. Bresler, L. (2009). Research education shaped by musical sensibilities. British Journal of Music Education, 26(1), 725.
    [Google Scholar]
  3. Hall, S. (1997). Representation: Cultural representation and signifying practices (1st ed.). Sage.
    [Google Scholar]
  4. Lester, J. (1984, May 27). James Baldwin: Reflections of a maverick. The New York Times. https://archive.nytimes.com/www.nytimes.com/books/98/03/29/specials/baldwin-reflections.html
    [Google Scholar]
  5. Williams, A. (2014–2016), Color(ed) theory suite [Exhibition]. Museum of Modern Art, Chicago, IL.
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