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The Tully Collective

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References

  1. Jackson, J.. ( 2017), ‘Dancing the Invisible’, University of Surrey website, https://openresearch.surrey.ac.uk/esploro/outputs/99513448502346. Accessed 23 April 2023.98
  2. Preston-Dunlop, V., and Sanchez-Colberg, A.. (eds) ( 2002), Dance and the Performative: A Choreological Perspective: Laban and Beyond, Alton, UK: Verve Publishing.
  3. York-Pryce, Sonia. ( 2014), ‘Ageism and the mature dancer’, conference time space & the body 3 inter-disciplinary /probing-the-boundaries/making-sense-of/time-space-and-the-body, Mansfield College, Oxford University, UK, https://www.researchgate.net/publication/298787187_Ageism_and_the_Mature_Dancer. Accessed 30 March 2022.
  4. York-Pryce, Sonia. ( 2016), ‘ Dancers and technology: A collaboration celebrating “corporeal difference”. ’, in S. York-Pryce., CreateWorld: The Creativity of Things, Brisbane:: Griffith University;, n.pag.
    [Google Scholar]
  5. York-Pryce, Sonia. ( 2020a), ‘ Ageism and the mature dancer. ’, Doctor of Visual Arts (DVA) thesis (Professional Doctorate), Brisbane:: Griffith University;.
    [Google Scholar]
  6. York-Pryce, Sonia. ( 2020;b), ‘ A body of work. ’, Dance, Movement and Spiritualities, 6, pp. 13353.
    [Google Scholar]
  7. York-Pryce, Sonia. ( 2020c), ‘Musings on the older female professional dancer’, Issuu, Women's Work Digital Publications, Critical Path, Sidney, 11 March, https://issuu.com/critical_path/docs/womens_work_publication. Accessed 23 April 2022.
  8. York-Pryce, Sonia. ( 2016), ‘ Dancers and technology: A collaboration celebrating “corporeal difference”. ’, CreateWorld: The Creativity of Things, Brisbane:: Griffith University;.
    [Google Scholar]
  9. York-Pryce, Sonia. ( 2020a), ‘ Ageism and the mature dancer. ’, Doctor of Visual Arts (DVA) thesis (Professional Doctorate), Brisbane:: Griffith University;.
    [Google Scholar]
  10. York-Pryce, Sonia. ( 2020;c), ‘ Musings on the older female professional dancer. ’, Issuu, Women's Work Digital Publications, Critical Path, Sidney, 11 March, https://issuu.com/critical_path/docs/womens_work_publication. Accessed 23 April 2022.
    [Google Scholar]
  11. York-Pryce, Sonia. ( 2023), ‘ Too old to dance! Says who?. ’ in S. Burridge, and C. S. Nielsen. (eds), Dance On! Dancing through Life, London and New York:: Routledge;, pp. 4749.
    [Google Scholar]
  12. York-Pryce, Sonia. ( 2014), ‘Ageism and the mature dancer’, conference time space & the body 3 inter-disciplinary /probing-the-boundaries/making-sense-of/time-space-and-the-body, Mansfield College, Oxford University, UK, https://www.researchgate.net/publication/298787187_Ageism_and_the_Mature_Dancer. Accessed 30 March 2022.
  13. York-Pryce, Sonia. ( 2016), ‘ Dancers and technology: A collaboration celebrating “corporeal difference”. ’, in CreateWorld: The Creativity of Things, Brisbane:: Griffith University;.
    [Google Scholar]
  14. York-Pryce, Sonia. ( 2020a), ‘ Ageism and the mature dancer. ’, Doctor of Visual Arts (DVA) thesis (Professional Doctorate), Brisbane:: Griffith University;.
    [Google Scholar]

References

  1. Jackson, J.. ( 2017), ‘Dancing the Invisible’, University of Surrey website, https://openresearch.surrey.ac.uk/esploro/outputs/99513448502346. Accessed 23 April 2023.98
  2. Preston-Dunlop, V., and Sanchez-Colberg, A.. (eds) ( 2002), Dance and the Performative: A Choreological Perspective: Laban and Beyond, Alton, UK: Verve Publishing.
  3. York-Pryce, Sonia. ( 2014), ‘Ageism and the mature dancer’, conference time space & the body 3 inter-disciplinary /probing-the-boundaries/making-sense-of/time-space-and-the-body, Mansfield College, Oxford University, UK, https://www.researchgate.net/publication/298787187_Ageism_and_the_Mature_Dancer. Accessed 30 March 2022.
  4. York-Pryce, Sonia. ( 2016), ‘ Dancers and technology: A collaboration celebrating “corporeal difference”. ’, in S. York-Pryce., CreateWorld: The Creativity of Things, Brisbane:: Griffith University;, n.pag.
    [Google Scholar]
  5. York-Pryce, Sonia. ( 2020a), ‘ Ageism and the mature dancer. ’, Doctor of Visual Arts (DVA) thesis (Professional Doctorate), Brisbane:: Griffith University;.
    [Google Scholar]
  6. York-Pryce, Sonia. ( 2020;b), ‘ A body of work. ’, Dance, Movement and Spiritualities, 6, pp. 13353.
    [Google Scholar]
  7. York-Pryce, Sonia. ( 2020c), ‘Musings on the older female professional dancer’, Issuu, Women's Work Digital Publications, Critical Path, Sidney, 11 March, https://issuu.com/critical_path/docs/womens_work_publication. Accessed 23 April 2022.
  8. York-Pryce, Sonia. ( 2016), ‘ Dancers and technology: A collaboration celebrating “corporeal difference”. ’, CreateWorld: The Creativity of Things, Brisbane:: Griffith University;.
    [Google Scholar]
  9. York-Pryce, Sonia. ( 2020a), ‘ Ageism and the mature dancer. ’, Doctor of Visual Arts (DVA) thesis (Professional Doctorate), Brisbane:: Griffith University;.
    [Google Scholar]
  10. York-Pryce, Sonia. ( 2020;c), ‘ Musings on the older female professional dancer. ’, Issuu, Women's Work Digital Publications, Critical Path, Sidney, 11 March, https://issuu.com/critical_path/docs/womens_work_publication. Accessed 23 April 2022.
    [Google Scholar]
  11. York-Pryce, Sonia. ( 2023), ‘ Too old to dance! Says who?. ’ in S. Burridge, and C. S. Nielsen. (eds), Dance On! Dancing through Life, London and New York:: Routledge;, pp. 4749.
    [Google Scholar]
  12. York-Pryce, Sonia. ( 2014), ‘Ageism and the mature dancer’, conference time space & the body 3 inter-disciplinary /probing-the-boundaries/making-sense-of/time-space-and-the-body, Mansfield College, Oxford University, UK, https://www.researchgate.net/publication/298787187_Ageism_and_the_Mature_Dancer. Accessed 30 March 2022.
  13. York-Pryce, Sonia. ( 2016), ‘ Dancers and technology: A collaboration celebrating “corporeal difference”. ’, in CreateWorld: The Creativity of Things, Brisbane:: Griffith University;.
    [Google Scholar]
  14. York-Pryce, Sonia. ( 2020a), ‘ Ageism and the mature dancer. ’, Doctor of Visual Arts (DVA) thesis (Professional Doctorate), Brisbane:: Griffith University;.
    [Google Scholar]
/content/books/9781835951811.c07
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