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  • Source: Dancing Place , pp 125-136
  • Publication Date: February 2026
  • DOI: https://doi.org/10.1386/9781835951842_9
  • Language: English
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References

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  37. Kirby, V. (2014), Telling Flesh: The Substance of the Corporeal, New York: Routledge.
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  38. Lacan, J. and Fink, B. (2006), Ecrits: The First Complete Edition in English, New York: W.W. Norton & Co.
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  44. Martin, N. (2017), ‘Spontaneous dancemaking with beginning improvisers: Foundational practices in presence, stillness, and problem solving’, Journal of Dance Education, 17:1, pp. 27–30, https://doi.org/10.1080/15290824.2016.1228107.
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  45. McKittrick, K. (2006), Demonic Grounds: Black Women and the Cartographies of Struggle, Minneapolis and London: University of Minnesota Press.
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  46. Modaff, D. P. (2019), ‘Mitákuye Oyás'iŋ (we are all related): Connecting communication and culture of the Lakota’, Great Plains Quarterly, 39:4, pp. 341–62, https://doi.org/10.1353/gpq.2019.0055.
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  47. Moraga, C. and Anzaldúa, G. (2015), This Bridge Called My Back: Writings by Radical Women of Color, 4th ed., Albany: State University of New York (SUNY) Press.
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  48. Nail, T. (2019), Being and Motion, New York: Oxford University Press.
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  49. Olsen, A. (2002), Body and Earth: An Experiential Guide, Hanover: Middlebury College Press and University Press of New England.
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  50. Olsen, A. and McHose, C. (1991), Bodystories: A Guide to Experiential Anatomy, Barrytown: Station Hill Press.
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  51. Penniman, L. (2023), Black Earth Wisdom: Soulful Conversations with Black Environmentalists, New York: Harper Collins.132
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  52. Pink, S. (2011), ‘From embodiment to emplacement: Re-thinking competing bodies, sense and spatialities’, Sports, Education and Society, 16:3, pp. 343–55.
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  53. Pratt, S. L. (2002), Native Pragmatism: Rethinking the Roots of American Philosophy, Bloomington: Indiana University Press.
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  56. Sullivan, S. (2001), Living Across and Through Skins: Transactional Bodies, Pragmatism and Feminism, Bloomington: Indiana University Press.
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  57. Tuana, N. (1997), ‘Fleshing gender, sexing the body: Refiguring the sex/gender distinction’, Southern Journal of Philosophy, 35:S1, pp. 53–71.
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  58. Weheliye, A. G. (2002), ‘“Feenin”: Posthuman voices in contemporary Black popular music’, Social Text, 20:2, pp. 21–47.
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  59. Weheliye, A. G. (2014), Habeas Viscus: Racializing Assemblages, Biopolitics, and Black Feminist Theories of the Human, Durham, NC: Duke University Press.
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  60. Wiederholt, E. (2013), ‘A way of life: An interview with Anna Halprin’, Stance on Dance, 25 November, https://stanceondance.com/2013/11/25/a-way-of-life-an-interview-with-anna-halprin/. Accessed 17 December 2024.
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References

  1. Akinleye, A. (2021), Dance, Architecture and Engineering, London: Bloomsbury Academic.
  2. Akinleye, A. (2023), ‘Marking the moment: Documenting dance in coloured water, flesh, sand, and charcoal’, The Journal of Dance and Somatic Practices, 15:2, pp. 159–69.
     [Google Scholar]
  3. Akinleye, A. and Kindred, H. (2018), ‘In-the-between-ness: Decolonising and re-claiming our dancing’, in A. Akinleye (ed.), Narratives in Black British Dance: Embodied Practices, London: Palgrave MacMillan, pp. 65–78.
     [Google Scholar]
  4. Alaimo, S. (2010), Bodily Natures: Science, Environment, and the Material Self, Bloomington: Indiana University Press; Chesham: Combined Academic [distributor].
     [Google Scholar]
  5. Andersson, R.-H. and Posthumus, D. C. (2022), Lakhóta: An Indigenous History, Norman: University of Oklahoma Press.
  6. Barad, K. M. (2007), Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning, Durham, NC: Duke University Press; Chesham: Combined Academic [distributor].
     [Google Scholar]
  7. Barrett, E. and Bolt, B. (2013), Carnal Knowledge: Towards a ‘New Materialism’ Through the Arts, London and New York: I.B. Tauris.
     [Google Scholar]
  8. Battle, M. (2009a), Reconciliation: The Ubuntu Theology of Desmond Tutu, rev. and updated ed., Cleveland: Pilgrim Press.
     [Google Scholar]
  9. Battle, M. (2009b), Ubuntu: I in You and You in Me, New York: Seabury Books.
     [Google Scholar]
  10. Bennett, J. (2010), Vibrant Matter: A Political Ecology of Things, Durham, NC: Duke University Press.
     [Google Scholar]
  11. Buckwalter, M. (2010), Composing While Dancing: An Improviser's Companion, Madison: University of Wisconsin Press.
     [Google Scholar]
  12. Carson, R. and Hubbell, S. (1998), The Edge of the Sea, 1st Mariner Books ed., Boston, MA: Houghton Mifflin Co.
     [Google Scholar]
  13. Casey, E. S. (2009), Getting Back into Place: Toward a Renewed Understanding of the Place-World, 2nd ed., Bloomington: Indiana University Press.
     [Google Scholar]
  14. Chipps, V. (2001), Pray from Your Heart: Teachings of a Lakota Elder, Michigan: Morningstar Publishing Company.
     [Google Scholar]
  15. DeLanda, M. (2021), Materialist Phenomenology: A Philosophy of Perception, London: Bloomsbury Academic.130
     [Google Scholar]
  16. Deleuze, G. (1994), Difference and Repetition, London: Athlone Press.
     [Google Scholar]
  17. Deleuze, G. and Guattari, F. (1986), Kafka: Toward a Minor Literature, Minneapolis: University of Minnesota Press.
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  18. Deleuze, G. and Guattari, F. (1987), A Thousand Plateaus: Capitalism and Schizophrenia, London: Athlone.
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  19. Dewey, J. (1981), The Later Works, 1925–1953, vol. 10, Carbondale: Southern Illinois University Press.
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  20. Dewey, J. (2005), Art as Experience, New York: TarcherPerigee.
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  21. Dewey, J. and Boydston, J. A. (2008a), John Dewey: The Later Works, Vol. 16, 1925–1953: 1949–1952, Essays, Typescripts, and Knowing and the Known, Carbondale: Southern Illinois University Press.
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  23. Dillard, C. B. (2012), Learning to (Re)member the Things We've Learned to Forget: Endarkened Feminisms, Spirituality, and the Sacred Nature of (Re)search and Teaching, New York: Peter Lang.
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  24. Foa, M., Grisewood, J., Hosea, B., and McCall, C. (2020), Performance Drawing: New Practice Since 1945, London: Bloomsbury Visual Arts.
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  25. Fraleigh, S. H. (2024), Somatics in Dance, Ecology, and Ethics: The Flowing Live Present, Bristol: Intellect Books.
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  26. Fraleigh, S. H. and Riley, S. R. (2024), Geographies of Us: Ecosomatic Essays and Practice Pages, London: Bloomsbury.
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  27. Glissant, E. and Wing, B. (1997), Poetics of Relation, Ann Arbor: University of Michigan Press.
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  28. Grosz, E. A. (2005), Time Travels: Feminism, Nature, Power, Durham, NC: Duke University Press.
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  29. Halprin, L. (1969), The RSVP Cycles: Creative Processes in the Human Environment, New York: Braziller.
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  30. Hayles, N. K. (1999), How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics, Chicago: University of Chicago Press.
     [Google Scholar]
  31. Hubbard, P. (2022), Borderland: Identity and Belonging at the Edge of England, Manchester, NH: Manchester University Press.
     [Google Scholar]
  32. Irvine, R. (2016), ‘Contemporaneity and micropolitics in the processes of perception frames’, Choreographic Practices, 7:1, pp. 119–37, https://doi.org/10.1386/chor.7.1.119_1.
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  33. Jackson, Z. I. (2020), Becoming Human: Matter and Meaning in an Antiblack World, New York: New York University Press.
     [Google Scholar]
  34. Jones, F. (2019), Reclaiming Our Space: How Black Feminists Are Changing the World from the Tweets to the Streets, Boston, MA: Beacon Press.131
     [Google Scholar]
  35. Kampe, T., McHugh, J., and Munker, K. (2021), ‘Embodying eco-consciousness: Somatics, aesthetic practices and social action’, Special Issue of Journal of Dance and Somatic Practices, 13:Special Issue, pp. 3–8 https://doi.org/10.1386/jdsp_00063_2.
     [Google Scholar]
  36. Kindred, H. (2022), ‘Dancing the in-between-ness: (Re)articulating Bartenieff fundamentals through improvised dance performance-making’, Ph.D. dissertation, Middlesex:Middlesex University Repository.
     [Google Scholar]
  37. Kirby, V. (2014), Telling Flesh: The Substance of the Corporeal, New York: Routledge.
     [Google Scholar]
  38. Lacan, J. and Fink, B. (2006), Ecrits: The First Complete Edition in English, New York: W.W. Norton & Co.
     [Google Scholar]
  39. Latour, B. (2004), Politics of Nature: How to Bring the Sciences into Democracy, Cambridge, MA: Harvard University Press.
     [Google Scholar]
  40. Magnat, V. (2022), ‘(K)new materialisms: Honouring Indigenous perspectives’, Theatre Research in Canada, 43:1, pp. 24–27
     [Google Scholar]
  41. Māhina, ‘O. (2004), Art as Tā-Vā ‘Time-Space’ Transformation, Auckland: Center for Pacific Studies, University of Auckland.
     [Google Scholar]
  42. Māhina, ‘O., Pa'utu-O-Vava'u-Lahi, Lear, A.,Vaka, S. L., Brien, L. M., and Ka'ili, T. O. (2021), ‘Atamai-Loto moe ‘Aonga-Faka'ofo'ofa: A Tā-Vā time-space philosophy mind-heart and beauty-utility’, Pacific Studies, 44:1/2, pp. 1–12.
     [Google Scholar]
  43. Marranca, B. et al.. (2014), PAJ 107: A Journal of Performance and Art, Vol. 36, 2:107, Cambridge, MA: MIT Press.
     [Google Scholar]
  44. Martin, N. (2017), ‘Spontaneous dancemaking with beginning improvisers: Foundational practices in presence, stillness, and problem solving’, Journal of Dance Education, 17:1, pp. 27–30, https://doi.org/10.1080/15290824.2016.1228107.
     [Google Scholar]
  45. McKittrick, K. (2006), Demonic Grounds: Black Women and the Cartographies of Struggle, Minneapolis and London: University of Minnesota Press.
     [Google Scholar]
  46. Modaff, D. P. (2019), ‘Mitákuye Oyás'iŋ (we are all related): Connecting communication and culture of the Lakota’, Great Plains Quarterly, 39:4, pp. 341–62, https://doi.org/10.1353/gpq.2019.0055.
     [Google Scholar]
  47. Moraga, C. and Anzaldúa, G. (2015), This Bridge Called My Back: Writings by Radical Women of Color, 4th ed., Albany: State University of New York (SUNY) Press.
     [Google Scholar]
  48. Nail, T. (2019), Being and Motion, New York: Oxford University Press.
     [Google Scholar]
  49. Olsen, A. (2002), Body and Earth: An Experiential Guide, Hanover: Middlebury College Press and University Press of New England.
     [Google Scholar]
  50. Olsen, A. and McHose, C. (1991), Bodystories: A Guide to Experiential Anatomy, Barrytown: Station Hill Press.
     [Google Scholar]
  51. Penniman, L. (2023), Black Earth Wisdom: Soulful Conversations with Black Environmentalists, New York: Harper Collins.132
     [Google Scholar]
  52. Pink, S. (2011), ‘From embodiment to emplacement: Re-thinking competing bodies, sense and spatialities’, Sports, Education and Society, 16:3, pp. 343–55.
     [Google Scholar]
  53. Pratt, S. L. (2002), Native Pragmatism: Rethinking the Roots of American Philosophy, Bloomington: Indiana University Press.
     [Google Scholar]
  54. Sennett, R. (1994), Flesh and Stone: The Body and the City in Western Civilization, London: Faber.
     [Google Scholar]
  55. Spillers, H. J. (1987), ‘Mama's baby, Papa's maybe: An American grammar book’, Diacritics, 17:2, pp. 64–81, https://doi.org/10.2307/464747.
     [Google Scholar]
  56. Sullivan, S. (2001), Living Across and Through Skins: Transactional Bodies, Pragmatism and Feminism, Bloomington: Indiana University Press.
     [Google Scholar]
  57. Tuana, N. (1997), ‘Fleshing gender, sexing the body: Refiguring the sex/gender distinction’, Southern Journal of Philosophy, 35:S1, pp. 53–71.
     [Google Scholar]
  58. Weheliye, A. G. (2002), ‘“Feenin”: Posthuman voices in contemporary Black popular music’, Social Text, 20:2, pp. 21–47.
     [Google Scholar]
  59. Weheliye, A. G. (2014), Habeas Viscus: Racializing Assemblages, Biopolitics, and Black Feminist Theories of the Human, Durham, NC: Duke University Press.
     [Google Scholar]
  60. Wiederholt, E. (2013), ‘A way of life: An interview with Anna Halprin’, Stance on Dance, 25 November, https://stanceondance.com/2013/11/25/a-way-of-life-an-interview-with-anna-halprin/. Accessed 17 December 2024.
     [Google Scholar]
  61. Wilson, S. (2001), ‘Self-as-relationship in Indigenous research,’ Canadian Journal of Native Education, 25:2, pp. 91–92.
     [Google Scholar]
  62. Wilson, S. (2008), Research Is Ceremony: Indigenous Research Methods, Black Point: Fernwood Pub.
     [Google Scholar]
  63. Wright, M. M. (2015), Physics of Blackness: Beyond the Middle Passage Epistemology, Minneapolis: University of Minnesota Press.
     [Google Scholar]
  64. Wynter, S. (1990), ‘Afterword; Beyond Miranda's meanings: Un/silencing the “Demonic Ground” of Caliban's “Woman”’, in C. B. Davies and E. S. Fido (eds), Out of the Kumbla: Caribbean Women and Literature, Trenton: Africa World Press, Inc., pp. 355–72.
     [Google Scholar]
  65. Wynter, S. (2003), ‘Unsettling the coloniality of being/power/truth/freedom: Towards the human, after man, its overrepresentation – An argument’, CR: The New Centennial Review, 3:3, pp. 257–337, https://doi.org/10.1353/ncr.2004.0015.
     [Google Scholar]

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