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Performing Multi-species Maternal(s)

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  • Source: Matrescence and Performance , pp 108-125
  • Publication Date: April 2026
  • DOI: https://doi.org/10.1386/9781835952269_8
  • Language: English
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Performing Multi-species Maternal(s)
Intellect , 108 (2026); https://doi.org/10.1386/9781835952269_8
/content/books/9781835952269.c06
/content/books/9781835952269.c06
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References

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  5. Baker, Steve (2000), The Postmodern Animal, London: Reaktion Books.
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  7. Chambers, Paula and Woolley, Dawn (2025), Going Feral: Speculative Approaches to Animism in the Arts, Wilmington: Vernon Press.
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  8. Chaudhuri, Una (2016), The Stage Lives of Animals: Zooesis and Performance, London: Routledge.
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  9. Corrieri, Augusto (2017), ‘The rock, the butterfly, the moon, and the cloud: Notes on dramaturgy in an ecological age’, in K. Georgelou , E. Protopapa , D. Theodoridou (eds), The Practice of Dramaturgy: Working on Actions in Performance, Amsterdam: Anagram Books.
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  30. O'Reilly, Kira (2024), Correspondence with author, not published.
  31. Palmer, Gabrielle ([1988] 2000), The Politics of Breastfeeding, London: Pandora Press.
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  32. Parker-Starbuck, Jennifer (2006), ‘Becoming-animate: On the performed limits of “Human”’, Theatre Journal, Johns Hopkins University Press, 58:4, pp. 649–68.
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  33. Parker-Starbuck, Jennifer (2008), ‘Pig bodies and vegetative states: Diagnosing the symptoms of a culture of excess’, Women & Performance: A Journal of Feminist Theory, 18:2, pp. 133–47.
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  34. Pick, Anat (2006), ‘Pigscripts: The indignities of species in Marie Darrieussecq's Pig Tales’, Parallax, 12:1, pp. 43–56, https://doi.org/10.1080/13534640500448718.
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  35. Raphael, Dana (1975), Being Female: Reproduction, Power, and Change, Berlin and New York: De Gruyter Mouton.
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  36. Reckitt, Helena (2010), ‘Touching animals’, C Magazine, 107, pp. 34–39.
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  37. Ruddick, Sara (1980), ‘Maternal thinking’, Feminist Studies, 6:2, pp. 342–67, https://doi.org/10.2307/3177749.
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  38. Ruddick, Sara (1989), Maternal Thinking: Toward a Politics of Peace, Boston, MA: Beacon Press.
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  39. Simoons, Frederick J. and Baldwin, James A. (1982), ‘Breast-feeding of animals by women: Its socio-cultural context and geographic occurrence’, Anthropos, 77:3/4, pp. 421–48, JSTOR, http://www.jstor.org/stable/40460478. Accessed 11 October 2023 .125
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  40. Smrekar, Maja (2015), ‘INVOLUTION OF (m)OTHER blog post 3’, Maja Smrekar Website, https://www.majasmrekar.org/p-o-s-t-n-o-3-i-n-v-o-l-u-t-i-o-n-o-f-m-o-t-h-e-r. Accessed 30 October 2023 .
  41. Smrekar Maja (2016), K-9_topology: Hybrid Family, Produced by Kapelica Gallery and Freies Museum Berlin, Presented attransmediale/CTM Vorspiel 2016 festival 15 January–7 February.
  42. Smrekar, Maja (n.d.), ‘Hybrid Family’, Maja Smrekar Website, https://www.majasmrekar.org/k-9topology-hybrid-family. Accessed 26 November 2023 .
  43. Stevens, Emily E. , Patrick, Thelma E. and Pickler, Rita (2009), ‘A history of infant feeding’, The Journal of Perinatal Education, 18:2, pp. 32–9, https://doi.org/10.1624/105812409x426314.
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  44. Tait, Peta (2020), ‘Animals in drama and theatrical performance: Anthropocentric emotionalism’, Animal Studies Journal, 9:2, pp. 213–39.
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  45. Yoder, Rachel (2021), Nightbitch, London: Penguin Random House.
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References

  1. Adams, Carol J. ([1990] 2015), The Sexual Politics of Meat, London: Bloomsbury.
     [Google Scholar]
  2. Adams, Carol J. and Donovan, Josephine (eds) (1995), Animals and Women: Feminist Theoretical Explorations, Durham, NC: Duke University Press.
     [Google Scholar]
  3. Adebayo, Mojisola (2023), Family Tree, London: Bloomsbury.
     [Google Scholar]
  4. Armstrong, Josh , Lakind, Alexandra , Adsit-Morris, Chessa and Saeter, Rebekka (2021), Becoming Feral, Glasgow: Objet-a Creative Studio.
     [Google Scholar]
  5. Baker, Steve (2000), The Postmodern Animal, London: Reaktion Books.
     [Google Scholar]
  6. Barad, Karen (2011), ‘Nature's queer performativity’, Qui Parle, 19:2, pp. 121–58, https://doi.org/10.5250/quiparle.19.2.0121.
     [Google Scholar]
  7. Chambers, Paula and Woolley, Dawn (2025), Going Feral: Speculative Approaches to Animism in the Arts, Wilmington: Vernon Press.
     [Google Scholar]
  8. Chaudhuri, Una (2016), The Stage Lives of Animals: Zooesis and Performance, London: Routledge.
     [Google Scholar]
  9. Corrieri, Augusto (2017), ‘The rock, the butterfly, the moon, and the cloud: Notes on dramaturgy in an ecological age’, in K. Georgelou , E. Protopapa , D. Theodoridou (eds), The Practice of Dramaturgy: Working on Actions in Performance, Amsterdam: Anagram Books.
     [Google Scholar]
  10. Daily Mail (2006), ‘It's art, says the naked woman who'll hug a dead pig on stage’, 18 August, https://www.dailymail.co.uk/news/article-401165/Its-art-says-naked-woman-wholl-hug-dead-pig-stage.html. Accessed 30 January 2023 .
  11. Deleuze, Giles and Guattari, Félix ([1987] 2004), A Thousand Plateaus, London: The Athlone Press.
     [Google Scholar]
  12. Derrida, Jacques (2008), The Animal That Therefore I Am (ed. M.-L. Mallet , trans. D. Wills), New York: Fordham University Press, https://www.jstor.org/stable/j.ctt13x09fn. Accessed 28 May 2025 .
     [Google Scholar]
  13. Elkin, Lauren (2023), Art Monsters: Unruly Bodies in Feminist Art, London: Chatto and Windus.
     [Google Scholar]
  14. Fitzgerald-Allsopp, Florence (2019), ‘Becoming-with-animal: Cultivating a feminist understanding of human-animal transformation in contemporary performance art’, master's thesis, Contemporary Theatre Dance & Dramaturgy, Utrecht: Utrecht University.
     [Google Scholar]
  15. Haraway, Donna J. (1991), Simians, Cyborgs, and Women, London: Free Association Books.
     [Google Scholar]
  16. Haraway, Donna J. (2007), When Species Meet, Minnesota: University of Minnesota Press.
     [Google Scholar]
  17. Haraway, Donna J. (2016), Staying with the Trouble: Making Kin in the Chthulucene, Durham, NC: Duke University Press.
     [Google Scholar]
  18. Hauser, Jens (2015), ‘Jens Hauser on History of Tears’, Maja Smrekar Website, https://www.majasmrekar.org/p-o-s-t-n-o-2-j-e-n-s-h-a-u-s-e-r-o-n-h-i-s-t-o-r-y-o-f-t-e-a-r-s. Accessed 20 October 2023 .
  19. Hill, Patricia ([1990] 2000), Black Feminist Thought: Knowledge, Consciousness and the Politics of Empowerment, New York: Routledge.
     [Google Scholar]
  20. Hirst, Damien (1993), Mother and Child (Divided), Presented at Venice Bienalle 13 June to 10 October.124
  21. Igwe, Sandra (2002), My Black Motherhood, London: Jessica Kingsley Publishers.
     [Google Scholar]
  22. Johnson, Miranda (2016), ‘“The Other Who Precedes and Possesses Me”: Confronting the maternal/animal divide through the art of botched taxidermy’, Feral Feminisms, 6, pp. 68–81, https://feralfeminisms.com/the-other-who-precedes-and-possesses-me/. Accessed 20 October 2023 .
     [Google Scholar]
  23. Jones, Lucy (2023), Matrescence: On the Metamorphosis of Pregnancy, Childbirth and Motherhood, London: Penguin Books.
     [Google Scholar]
  24. Krings, Victoria C. , Dhont, Kristof and Salmen, Alina (2021), ‘The moral divide between high- and low-status animals: The role of human supremacy beliefs’, Anthrozoös, 34:6, pp. 787–802.
     [Google Scholar]
  25. Loveless, Natalie (ed.) (2018), New Maternalisms: Redux, Alberta: University of Alberta.
     [Google Scholar]
  26. Morgan, Stuart (1996), No Sense of Absolute Corruption, Damien Hirst Exhibition Catalogue, New York: Gagosian Gallery.
     [Google Scholar]
  27. Obarska, Marcelina (2020), ‘Of the body and flesh: The animals of Romeo Castellucci’, Didaskalia. Gazeta Teatralna, English Issue 2020, https://didaskalia.pl/en/article/body-and-flesh-animals-romeo-castellucci. Accessed 5 June 2025 .
     [Google Scholar]
  28. O'Reilly, Kira (2005), inthewrongplaceness, HOME, London.
     [Google Scholar]
  29. O'Reilly, Kira (2008), ‘Marsyas – Beside myself’, in J. Hauser (ed.), Sk-Interfaces: Exploding Borders – Creating Membranes in Art, Technology and Society, Liverpool: Liverpool University Press, pp. 122–7.
     [Google Scholar]
  30. O'Reilly, Kira (2024), Correspondence with author, not published.
  31. Palmer, Gabrielle ([1988] 2000), The Politics of Breastfeeding, London: Pandora Press.
     [Google Scholar]
  32. Parker-Starbuck, Jennifer (2006), ‘Becoming-animate: On the performed limits of “Human”’, Theatre Journal, Johns Hopkins University Press, 58:4, pp. 649–68.
     [Google Scholar]
  33. Parker-Starbuck, Jennifer (2008), ‘Pig bodies and vegetative states: Diagnosing the symptoms of a culture of excess’, Women & Performance: A Journal of Feminist Theory, 18:2, pp. 133–47.
     [Google Scholar]
  34. Pick, Anat (2006), ‘Pigscripts: The indignities of species in Marie Darrieussecq's Pig Tales’, Parallax, 12:1, pp. 43–56, https://doi.org/10.1080/13534640500448718.
     [Google Scholar]
  35. Raphael, Dana (1975), Being Female: Reproduction, Power, and Change, Berlin and New York: De Gruyter Mouton.
     [Google Scholar]
  36. Reckitt, Helena (2010), ‘Touching animals’, C Magazine, 107, pp. 34–39.
     [Google Scholar]
  37. Ruddick, Sara (1980), ‘Maternal thinking’, Feminist Studies, 6:2, pp. 342–67, https://doi.org/10.2307/3177749.
     [Google Scholar]
  38. Ruddick, Sara (1989), Maternal Thinking: Toward a Politics of Peace, Boston, MA: Beacon Press.
     [Google Scholar]
  39. Simoons, Frederick J. and Baldwin, James A. (1982), ‘Breast-feeding of animals by women: Its socio-cultural context and geographic occurrence’, Anthropos, 77:3/4, pp. 421–48, JSTOR, http://www.jstor.org/stable/40460478. Accessed 11 October 2023 .125
     [Google Scholar]
  40. Smrekar, Maja (2015), ‘INVOLUTION OF (m)OTHER blog post 3’, Maja Smrekar Website, https://www.majasmrekar.org/p-o-s-t-n-o-3-i-n-v-o-l-u-t-i-o-n-o-f-m-o-t-h-e-r. Accessed 30 October 2023 .
  41. Smrekar Maja (2016), K-9_topology: Hybrid Family, Produced by Kapelica Gallery and Freies Museum Berlin, Presented attransmediale/CTM Vorspiel 2016 festival 15 January–7 February.
  42. Smrekar, Maja (n.d.), ‘Hybrid Family’, Maja Smrekar Website, https://www.majasmrekar.org/k-9topology-hybrid-family. Accessed 26 November 2023 .
  43. Stevens, Emily E. , Patrick, Thelma E. and Pickler, Rita (2009), ‘A history of infant feeding’, The Journal of Perinatal Education, 18:2, pp. 32–9, https://doi.org/10.1624/105812409x426314.
     [Google Scholar]
  44. Tait, Peta (2020), ‘Animals in drama and theatrical performance: Anthropocentric emotionalism’, Animal Studies Journal, 9:2, pp. 213–39.
     [Google Scholar]
  45. Yoder, Rachel (2021), Nightbitch, London: Penguin Random House.
     [Google Scholar]

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