Skip to content
1981

f End Matter

image of End Matter
Preview this chapter:
Loading full text...

Full text loading...

/deliver/fulltext/9781835952412/9781835952436-bm01.html?itemId=/content/books/9781835952412.bm01&mimeType=html&fmt=ahah

References

  1. 221‘24C: Emerging Trends in Lower-Limb Prosthetics: Research and Development | O&P Virtual Library.’ Accessed 13 September 2024. http://www.oandplibrary.org/alp/chap24-03.asp.
  2. Agamben, Giorgio. The Open: Man and Animal. Translated by Kevin Attell. Stanford: Stanford University Press, 2003.
    [Google Scholar]
  3. Altena, Arie. ‘Articles, Essays, Interviews, Reviews, Lectures.’ TXT || ariealt. Accessed 1 October 2024. https://ariealt.home.xs4all.nl/index.html.
  4. Amori, Matteo. Forme dell'esperienza e persona. La filosofia di Max Scheler dai primi scritti al ‘Formalismus.’ Soveria Mannelli: Rubbettino, 2010.
    [Google Scholar]
  5. Anceschi, Giovanni. ‘Fondamenta del design.’ Doppiozero (blog). Accessed 12 April 2011. https://www.doppiozero.com/fondamenta-del-design.
    [Google Scholar]
  6. Antonelli, Paola. AC/DC: Contemporary Art/Contemporary Design. Edited by Paul Ardenne, Anthony Dunne and Paola Antonelli. Genève: JRP|Ringier, 2009.
    [Google Scholar]
  7. Antonelli, Paola and Ala Tannir, eds. Broken Nature: Design Takes on Human Survival. Milano: Electa, 2019.
    [Google Scholar]
  8. Arendt, Hannah. The Human Condition (Charles R. Walgreen Foundation Lectures). Chicago: University of Chicago Press, 1958.
    [Google Scholar]
  9. Ashton, Thomas S. The Industrial Revolution, 1760–1830. Oxford: Oxford University Press, 1998.
    [Google Scholar]
  10. Barad, Karen. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham: Duke University Press, 2007.
    [Google Scholar]
  11. Barad, Karen. ‘Nature's Queer Performativity.’ Qui Parle 19, no. 2 (1 December 2011): 12158. https://doi.org/10.5250/quiparle.19.2.0121.
    [Google Scholar]
  12. Barad, Karen. ‘Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter.’ Signs: Journal of Women in Culture and Society 28, no. 3 (March 2003): 80131. https://doi.org/10.1086/345321.
    [Google Scholar]
  13. Barrow, John D. and J. Tipler Frank. The Anthropic Cosmological Principle. Rev. ed. Oxford: Oxford University Press, 1988.
    [Google Scholar]
  14. Bateson, William. ‘The Progress of Genetic Research.’ In Hybridisation, the Cross-Breeding of Genera or Species, the Cross-Breeding of Varieties, and General Plant-Breeding: Report of the Third International Conference on Genetics, edited by William Wilks, 73738. London: Royal Horticultural Society, 1907.222
    [Google Scholar]
  15. Beauvoir, Simone de. The Second Sex. London: Vintage Classics, 1997.
    [Google Scholar]
  16. Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Durham: Duke University Press, 2010. https://doi.org/10.2307/j.ctv111jh6w.
    [Google Scholar]
  17. Benyus, Janine M. Biomimicry: Innovation Inspired by Nature. New York: Harper Perennial, 2002.
    [Google Scholar]
  18. Bergamo, Francesco. ‘Verso un'estetica ecologica per il design dell'interazione.’ Scuola di dottorato, Università Iuav di Venezia, 2013.
  19. Biohack.me. ‘Virtual Home of Grinders Everywhere.’ Accessed 6 October 2024. https://biohack.me/.
  20. Biro, Matthew. The Dada Cyborg: Visions of the New Human in Weimar Berlin. Minneapolis: University of Minnesota Press, 2009.
    [Google Scholar]
  21. Bostrom, Nick. ‘A History of Transhumanist Thought.’ Journal of Evolution and Technology 14, no. 1 (2005): 125.
    [Google Scholar]
  22. Bostrom, Nick. Superintelligence: Paths, Dangers, Strategies. Oxford: Oxford University Press, 2016.
    [Google Scholar]
  23. Bostrom, Nick and M. Cirkovic Milan. Global Catastrophic Risks. Oxford: Oxford University Press, 2011.
    [Google Scholar]
  24. Braidotti, Rosi. Materialismo radicale. Itinerari etici per cyborg e cattive ragazze. Milano: Meltemi, 2019.
    [Google Scholar]
  25. Braidotti, Rosi. Metamorphoses: Towards a Materialist Theory of Becoming. Cambridge: Polity, 2002.
    [Google Scholar]
  26. Braidotti, Rosi. Nomadic Theory: The Portable Rosi Braidotti. New York: Columbia University Press, 2011. https://www.jstor.org/stable/10.7312/brai15190.
    [Google Scholar]
  27. Braidotti, Rosi. The Posthuman. Cambridge: Polity Press, 2013.
    [Google Scholar]
  28. Brand, Stewart. The Media Lab: Inventing the Future at MIT. New York: Viking, 1987.
    [Google Scholar]
  29. Brglez, Živa. ‘Margherita Pevere, the Leaky Performative Biomatter.’ CLOT Magazine (blog), 20 February 2020. https://clotmag.com/interviews/margherita-pevere-the-leaky-character-of-the-performative-biomatter.
    [Google Scholar]
  30. Browne, Simone, Heather Dewey-Hagborg and Joerg Blumtritt. ‘Biopunk: Subverting Biopolitics.’ The New Inquiry (blog), 10 July 2017. https://thenewinquiry.com/biopunk-subverting-biopolitics/.
    [Google Scholar]
  31. Bryant, Levi R.The Interior of Things: The Origami of Being.’ Przegląd Kulturoznawczy 29, no. 3 (2016): 290304.
    [Google Scholar]
  32. Butler, Judith. Bodies That Matter: On the Discursive Limits of Sex. New York: Routledge, 2011.
    [Google Scholar]
  33. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 2006.
    [Google Scholar]
  34. Butler, Judith. ‘Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.’ Theatre Journal 40, no. 4 (1988): 51931. https://doi.org/10.2307/3207893.
    [Google Scholar]
  35. Carmagnola, Fulvio. Design. La fabbrica del desiderio. Milano: Lupetti, 2009.
    [Google Scholar]
  36. Caronia, Antonio. Il cyborg. Saggio sull'uomo artificiale. Milano: ShaKe, 2007.
    [Google Scholar]
  37. Carter, Brandon. ‘Large Number Coincidences and the Anthropic Principle in Cosmology.’ Confrontation of Cosmological Theories with Observational Data 63 (1974): 29198.223
    [Google Scholar]
  38. Casoni, Giorgio and Flaviano Celaschi. ‘Il designer allo specchio.’ In Human Body Design. Corpo e progetto nell'economia della trasformatività, edited by Giorgio Casoni and Flaviano Celaschi. Milano: Franco Angeli, 2020.
    [Google Scholar]
  39. Cassotta, Manuela and Valentina Marchi. Le nuove frontiere della scienza. Modelli sperimentali per la ricerca biomedica del XXI secolo. Roma: Aracne, 2019.
    [Google Scholar]
  40. Chardin, Pierre Teilhard de. The Human Phenomenon. Translated by Sarah Appleton-Weber. Liverpool: Liverpool University Press, 2003.
    [Google Scholar]
  41. Chardin, Teilhard de. The Future of Man. New York: Image Books, 2004.
    [Google Scholar]
  42. Chiapponi, Medardo. Ambiente: Gestione e strategia. Un contributo alla teoria della progettazione ambientale. Milano: Feltrinelli, 1997.
    [Google Scholar]
  43. Ciammaichella, Massimiliano, ed. Il corpo umano sulla scena del design. Padova: Il Poligrafo, 2015.
    [Google Scholar]
  44. Ciammaichella, Massimiliano. ‘Rappresentare il corpo fra dissezione e innovazione tecnologica.’ In Il corpo umano sulla scena del design, edited by Massimiliano Ciammaichella. Padova: Il Poligrafo, 2015.
    [Google Scholar]
  45. Clark, Andy. Natural-Born Cyborgs: Minds, Technologies, and the Future of Human Intelligence. Oxford: Oxford University Press, 2004.
    [Google Scholar]
  46. Clynes, Manfred E. Sentics: The Touch of Emotions. Bridport: Prism Press, 1989.
    [Google Scholar]
  47. Clynes, Manfred E. and Nathan S. Kline. ‘Cyborgs and Space.’ Astronautics, September 1960, 2676. https://doi.org/10.1007/978-1-4020-8265-8_1210.
    [Google Scholar]
  48. Coles, Alex, ed. Design and Art: Documents of Contemporary Art Series. Cambridge: MIT Press, 2007.
    [Google Scholar]
  49. Contemporary Art of Today: The Body, 2017. https://www.youtube.com/watch?v=QyZX7sCK_24.
  50. Coole, Diana. ‘The Inertia of Matter and the Generativity of Flesh.’ In New Materialisms: Ontology, Agency, and Politics, edited by Diana Coole and Samantha Frost, 92115. Durham: Duke University Press, 2010. https://doi.org/10.1515/9780822392996-005.
    [Google Scholar]
  51. Cooter, Roger and John Pickstone, eds. Medicine in the Twentieth Century. London: Taylor & Francis, 2020. https://doi.org/10.4324/9781003078456.
    [Google Scholar]
  52. Crawford, Kate and Trevor Paglen. ‘Excavating AI: The Politics of Images in Machine Learning Training Sets.’ AI & SOCIETY 36, no. 4 (1 December 2021): 1399. https://doi.org/10.1007/s00146-021-01301-1.
    [Google Scholar]
  53. Critical Art Ensamble. ‘Biotechnology in the Public Interest: The Open Futures.’ Edited by Marco Mancuso. MCD. Magazine Des Cultures Digitales, no. 68 (November 2012): 4345.
    [Google Scholar]
  54. Cryonics Archive. ‘What Is Vitrification?’ Accessed 6 October 2024. https://www.cryonicsarchive.org/library/what-is-vitrification/.
  55. Cyborg Foundation. ‘Solar Crown.’ https://media.ccc.de/v/Camp2019-10312-cyborg_foundation.
  56. Dawn, Nafus, ed. Quantified Biosensing Technologies in Everyday Life. Cambridge, MA: MIT Press, 2016.
    [Google Scholar]
  57. De Wit, Dirk and Nele Samyn, eds. Media Art and Digital Culture in Flanders, Belgium. Ghent: BAM, Flemish Institute for Visual, Audiovisual and Media Art, 2011.224
    [Google Scholar]
  58. Dekker, Annet. ‘The End of the Media Lab as We Know It.’ In A Blueprint for a Lab of the Future, edited by Annet Dekker and Annette Wolfsberger, 27684. Eindhoven: Baltan Laboratories, 2011.
    [Google Scholar]
  59. DeLanda, Manuel. ‘Nonorganic Life.’ In Incorporations, edited by Jonathan Crary and Sanford Kwinter, 12867. New York: Zone Books, 1992.
    [Google Scholar]
  60. Deleuze, Gilles and Felix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press, 1987.
    [Google Scholar]
  61. Delfanti, Alessandro. Biohackers: The Politics of Open Science. London: Pluto Press, 2013.
    [Google Scholar]
  62. Department of Neuroscience. ‘About Neuroscience.’ Accessed 6 October 2024. https://neuro.georgetown.edu/about-neuroscience/.
  63. Derrida, Jacques. The Animal That Therefore I Am. Translated by David Wills. New York: Fordham University Press, 2008.
    [Google Scholar]
  64. Dewey-Hagborg, Heather. ‘Hacking Biopolitics.’ E-Flux (blog), 13 February 2017. https://conversations.e-flux.com/t/heather-dewey-hagborg-hacking-biopolitics/6045.
    [Google Scholar]
  65. Dewey-Hagborg, Heather. ‘Postgenomic Identity: Art and Biopolitics.’ Leonardo 50, no. 5 (1 October 2017): 531. https://doi.org/10.1162/LEON_a_01490.
    [Google Scholar]
  66. ‘DNA Phenotyping.’ In Wikipedia, 6 February 2024. https://en.wikipedia.org/w/index.php?title=DNA_phenotyping&oldid=1204141416.
  67. Dolezal, Luna. ‘Representing Posthuman Embodiment: Considering Disability and the Case of Aimee Mullins.’ Women's Studies 46, no. 1 (2 January 2017): 6075. https://doi.org/10.1080/00497878.2017.1252569.
    [Google Scholar]
  68. Dolphijn, Rick and Iris Tuin. New Materialism: Interviews and Cartographies. London: Open Humanities Press, 2013.
    [Google Scholar]
  69. Donnarumma, Marco. ‘Artists Wanted: To Question, Imagine and Reflect on the Relationship of Humans and Technology. (Or Suffer the Consequences …).’ Edited by Olga Mink. Baltan Quarterly, no. 4 (2016): 3.
    [Google Scholar]
  70. Donnarumma, Marco. ‘Beyond the Cyborg: Performance, Attunement and Autonomous Computation.’ International Journal of Performance Arts and Digital Media 13, no. 2 (3 July 2017): 10519. https://doi.org/10.1080/14794713.2017.1338828.
    [Google Scholar]
  71. Dourish, Paul. ‘Embodied Interaction: Exploring the Foundations of a New Approach to HCI.’ Xerox Palo Alto Research Center, 1 January 1999.
    [Google Scholar]
  72. Dourish, Paul. Where the Action Is: The Foundations of Embodied Interaction. Cambridge: Bradford Books, 2001.
    [Google Scholar]
  73. Drexler, Eric. Engines of Creation: The Coming Era of Nanotechnology. New York: Knopf Publishing Group, 1987.
    [Google Scholar]
  74. Dreyfus, Hubert L. Husserl, Intentionality, and Cognitive Science. Cambridge: MIT Press, 1982. http://archive.org/details/husserlintention0000unse_l4r7.
    [Google Scholar]
  75. Dyson, George. Darwin Among the Machines: The Evolution of Global Intelligence. New York: Basic Books, 2012.225
    [Google Scholar]
  76. Easterling, Keller. ‘No You're Not.’ In Superhumanity: Design of the Self, edited by Nick Axel, Beatriz Colomina, Nikolaus Hirsch, Anton Vidokle and Mark Wigley. Minneapolis: University of Minnesota Press, 2018.
    [Google Scholar]
  77. EPFL. ‘Blue Brain Project.’ Accessed 6 October 2024. https://www.epfl.ch/research/domains/bluebrain/.
  78. Evolution 2045. ‘“Evolution 2045” – The Party of Intellectual, Technological and Spiritual Breakthrough. Manifesto.’ 22 August 2012. http://evolution.2045.com/.
  79. Faste, Haakon. ‘A Post-Human World Is Coming: Design Has Never Mattered More.’ Fast Company (blog), 9 June 2016. https://www.fastcompany.com/3060742/a-post-human-world-is-coming-design-has-never-mattered-more/.
    [Google Scholar]
  80. Ferrando, Francesca. ‘Postumanesimo, Alteritá e Differenze.’ Lo Sguardo – Rivista di Filosofia II, no. 24 (2017): 5161.
    [Google Scholar]
  81. Findeli, Alain. ‘Rethinking Design Education for the 21st Century: Theoretical, Methodological, and Ethical Discussion.’ Design Issues 17, no. 1 (January 2001): 517. https://doi.org/10.1162/07479360152103796.
    [Google Scholar]
  82. Flusser, Vilém. ‘About the Word Design.’ In Design and Art: Documents of Contemporary Art Series, edited by Alex Coles. Cambridge: MIT Press, 2007.
    [Google Scholar]
  83. Fm-2030. Are You a Transhuman?: Monitoring and Stimulating Your Personal Rate of Growth in a Rapidly Changing World. New York: Grand Central Pub, 1989.
    [Google Scholar]
  84. Fontana, Federica. ‘Non tutto il Dada vien per nuocere. Corpi e cyborg nel primo dopoguerra.’ Inanimanti (blog), 26 February 2020. https://inanimanti.com/2020/02/26/non-tutto-il-dada-vien-per-nuocere-corpi-e-cyborg-nel-primo-dopoguerra/.
    [Google Scholar]
  85. Forlano, Laura. ‘Posthumanism and Design.’ She Ji: The Journal of Design, Economics, and Innovation 3, no. 1 (1 March 2017): 1629. https://doi.org/10.1016/j.sheji.2017.08.001.
    [Google Scholar]
  86. Fortunati, Leopoldina. ‘Verso il corpo artificiale.’ In Corpo futuro. Il corpo umano tra tecnologie, comunicazione e moda, edited by Leopoldina Fortunati, James Katz and Raimonda Riccini. Milano: Franco Angeli, 2002.
    [Google Scholar]
  87. Foster, Hal. Design and Crime and Other Diatribes. London: Verso Books, 2002.
    [Google Scholar]
  88. Furtherfield. ‘Media Lab Culture in the UK’, 28 August 2012. https://www.furtherfield.org/media-lab-culture-in-the-uk/.
  89. Future of Life Institute. ‘Our Mission.’ Accessed 6 October 2024. https://futureoflife.org/.
  90. Gamboni, Dario. AC/DC: Contemporary Art/Contemporary Design. Edited by Paul Ardenne, Anthony Dunne and Paola Antonelli. Genève: JRP|Ringier, 2009.
    [Google Scholar]
  91. Garcia-Sottile, Eugenia. ‘Il Contro Corpo: I Limiti del Corpo Futurista.’ In Sport and the Sense of the Body's Limits. Università di Pisa, 2009.
    [Google Scholar]
  92. Good, Irving John. ‘Speculations Concerning the First Ultraintelligent Machine.’ In Advances in Computers, edited by Franz L. Alt and Morris Rubinoff. Vol. 6, 3188. Elsevier, 1966. https://doi.org/10.1016/S0065-2458(08)60418-0.
    [Google Scholar]
  93. Greff, Jean-Pierre. AC/DC: Contemporary Art/Contemporary Design. Edited by Paul Ardenne, Anthony Dunne and Paola Antonelli. Genève: JRP|Ringier, 2009.226
    [Google Scholar]
  94. Gregory, Judith and Geoffrey C. Bowker. ‘The Data Citizen, the Quantified Self, and Personal Genomics.’ In Quantified: Biosensing Technologies in Everyday Life, edited by Dawn Nafus. The MIT Press, 2016. https://doi.org/10.7551/mitpress/9780262034173.003.0012.
    [Google Scholar]
  95. Gropius, Walter. ‘Bauhaus Manifesto and Programme’, April 1919.
  96. Guattari, Felix. Chaosmosis: An Ethicoaesthetic Paradigm. Bloomington: Indiana University Press, 1995.
    [Google Scholar]
  97. Guattari, Felix. The Three Ecologies. London: Bloomsbury Publishing, 2000.
    [Google Scholar]
  98. Hackteria. ‘Welcome to the Hackteria.Org/Wiki.’ Hackteria Wiki. Accessed 1 October 2024. https://www.hackteria.org/wiki/Main_Page.
  99. Harari, Yuval Noah. Homo Deus A Brief History Of Tomorrow. New York: Harper Collins, 2016.
    [Google Scholar]
  100. Harari, Yuval Noah. Homo deus. Breve storia del futuro. Translated by Marco Piani. Bompiani, 2017.
  101. Haraway, Donna J.A Cyborg Manifesto: An Ironic Dream of a Common Language for Women in the Integrated Circuit.’ In The Transgender Studies Reader Remix, edited by Susan Stryker and Dylan McCarthy Blackston. London: Routledge, 2022.
    [Google Scholar]
  102. Haraway, Donna J.Anthropocene, Capitalocene, Plantationocene, Chthulucene: Making Kin.’ Environmental Humanities 6, no. 1 (1 May 2015): 15965. https://doi.org/10.1215/22011919-3615934.
    [Google Scholar]
  103. Haraway, Donna J.La molteplicità: Un'etica per la nostra epoca, oppure meglio cyborg che dea.’ In Manifesto cyborg: Donne, tecnologie e biopolitiche del corpo, 938. Milano: Feltrinelli, 2018.
    [Google Scholar]
  104. Haraway, Donna J. Manifestly Haraway. Minneapolis: University of Minnesota Press, 2016.
    [Google Scholar]
  105. Haraway, Donna J.A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s.’ Socialist Review, no. 80 (1985): 65108.
    [Google Scholar]
  106. Haraway, Donna J. Modest_Witness@Second_Millennium.FemaleMan_Meets_OncoMouse. New York: Routledge, 1997.
    [Google Scholar]
  107. Haraway, Donna J. Simians, Cyborgs, and Women: The Reinvention of Nature. New York: Routledge, 1990.
    [Google Scholar]
  108. Haraway, Donna J. Staying with the Trouble: Making Kin in the Chthulucene. Durham: Duke University Press, 2016.
    [Google Scholar]
  109. Haraway, Donna J.The Promises of Monsters: A Regenerative Politics for Inappropriate/d Others.’ In Cultural Studies, edited by Paula Treichler, Cary Nelson and Lawrence Grossberg. Routledge, 1991.
    [Google Scholar]
  110. Haraway, Donna J. When Species Meet. Minneapolis: University of Minnesota Press, 2007.
    [Google Scholar]
  111. Harbisson, Neil. ‘I Listen to Colors.’ TEDGlobal 2012, Giugno 2012.
  112. Harman, Graham. Object-Oriented Ontology: A New Theory of Everything. London: Penguin Books, 2018.
    [Google Scholar]
  113. Hassan, Ihab. ‘Prometheus as Performer: Toward a Posthumanist Culture?The Georgia Review 31, no. 4 (1977): 83050.227
    [Google Scholar]
  114. Hauser, Jens. ‘La biotecnologia nell'arte. Incubo dei tassonomi.’ In Art Biotech, edited by Jens Hauser and translated by Pier Luigi Capucci and Franco Torriani. Bologna: Clueb, 2007.
    [Google Scholar]
  115. Hayles, N. Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press, 1999. https://press.uchicago.edu/ucp/books/book/chicago/H/bo3769963.html.
    [Google Scholar]
  116. Hayles, N. Katherine. Unthought: The Power of the Cognitive Nonconscious. Chicago: University of Chicago Press, 2017.
    [Google Scholar]
  117. Hester, Helen. Xenofeminism. Cambridge: Polity Press, 2018.
    [Google Scholar]
  118. Hoppe-Sailer, Richard. ‘Organismi/Arte. Le radici dell'arte biotecnologica.’ In Art Biotech, edited by Jens Hauser and translated by Pier Luigi Capucci and Franco Torriani. Bologna: Clueb, 2007.
    [Google Scholar]
  119. Human Brain Project. ‘Human Brain Project.’ Accessed 6 October 2024. https://www.humanbrainproject.eu/en/.
  120. Husserl, Edmund. Phenomenology and the Foundations of the Sciences. Springer Science & Business Media, 2001.
    [Google Scholar]
  121. Huxley, Julian. New Bottles for New Wine. Vol. 80. London: Chatto & Windus, 1957. https://www.jstor.org/stable/2844485.
    [Google Scholar]
  122. Iliadis, Andrew. ‘Computer Guts and Swallowed Sensors: Ingestibles Made Palatable in an Era of Embodied Computing.’ In Embodied Computing: Wearables, Implantables, Embeddables, Ingestibles, edited by Isabel Pedersen and Andrew Iliadis, 120. Cambridge: MIT Press, 2020. https://ieeexplore.ieee.org/document/9085547.
    [Google Scholar]
  123. Ingold, Tim. Ecologia della cultura. Edited by C. Grasseni and F. Ronzon. Milano: Meltemi, 2016.
    [Google Scholar]
  124. Ingold, Tim. Lines: A Brief History. New York: Routledge, 2007.
    [Google Scholar]
  125. Ingold, Tim. Making: Anthropology, Archaeology, Art and Architecture. New York: Routledge, 2013.
    [Google Scholar]
  126. Kline, Nathan S. and Manfred E. Clynes. ‘Drugs, Space, and Cybernetics.’ In Psychophysiological Aspects of Space Flight, edited by Bernard E. Flaherty, 34572. New York: Columbia University Press, 1961.
    [Google Scholar]
  127. Kolbert, Elizabeth. ‘Enter the Anthropocene – Age of Man.’ National Geographic (blog), March 2011. https://www.nationalgeographic.com/magazine/article/age-of-man.
    [Google Scholar]
  128. Kurzweil, Ray. The Singularity Is Near: When Humans Transcend Biology. New York: Penguin Books, 2005.
    [Google Scholar]
  129. Langella, Carla. ‘Design Biomimetico per l'innovazione Sostenibile.’ Digimag, no. 40 (December 2008): 1726.
    [Google Scholar]
  130. Langella, Carla. ‘La dissoluzione del confine tra biologico e sintetico.’ Digicult | Digital Art, Design and Culture (blog), 30 May 2017. https://digicult.it/news/blurry-edge-biological-synthetic/.
    [Google Scholar]
  131. Langella, Carla. ‘Science Premia la Biomimetica. L'immagine Scientifica Come Arte.’ Digimag, no. 53 (April 2010): 1721.
    [Google Scholar]
  132. Langella, Carla. ‘Strategie Biologiche a Servizio del Design.’ Digicult | Digital Art, Design and Culture (blog), 2 February 2009. https://digicult.it/it/design/biological-strategies-at-the-service-of-design/.228
    [Google Scholar]
  133. Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford: Oxford University Press, 2007.
    [Google Scholar]
  134. Latour, Bruno. We Have Never Been Modern. Cambridge: Harvard University Press, 1993.
    [Google Scholar]
  135. Latour, Bruno and Steve Woolgar. Laboratory Life: The Construction of Scientific Facts. Reprint. Princeton: Princeton University Press, 1986.
    [Google Scholar]
  136. Lauretis, Teresa de. ‘Queer Theory: Lesbian and Gay Sexualities. An Introduction.’ Differences 3, no. 2 (1 July 1991): iiixviii. https://doi.org/10.1215/10407391-3-2-iii.
    [Google Scholar]
  137. Lewis, Charlton Thomas and Charles Short. ‘Ars.’ In A Latin Dictionary. London: Nigel Gourlay, 2020.
    [Google Scholar]
  138. Lovelock, James. Novacene: The Coming Age of Hyperintelligence. London: Penguin, 2020.
    [Google Scholar]
  139. Macrì, Teresa. Il Corpo Postorganico. Sconfinamenti della Performance. Milano: Costa & Nolan, 1996.
    [Google Scholar]
  140. Maldonado, Tomás. ‘Corpo: artificializzazione e trasparenza.’ In Corpo futuro. Il corpo umano tra tecnologie, comunicazione e moda, edited by Leopoldina Fortunati, James Katz and Raimonda Riccini. Milano: Franco Angeli, 2002.
    [Google Scholar]
  141. Maldonado, Tomás. ‘Corpo tecnologico e scienza.’ In Il corpo tecnologico. L'influenza delle tecnologie sul corpo e sulle sue facoltà, edited by Pier Luigi Capucci, 7879. Bologna: Baskerville, 1993.
    [Google Scholar]
  142. Maldonado, Tomás. ‘The Body: Artificialization and Transparency.’ In Mediating the Human Body: Technology, Communication, and Fashion, edited by Leopoldina Fortunati, James E. Katz and Raimonda Riccini. New York: Routledge, 2003. https://doi.org/10.4324/9781410607768.
    [Google Scholar]
  143. Maldonado, Tomás and Hans Ulrich Obrist. Arte e artefatti. Milano: Feltrinelli, 2009.
    [Google Scholar]
  144. Mancuso, Marco. Arte, tecnologia e scienza. Le art industries e i nuovi paradigmi di produzione nella new media art contemporanea. Milano: Mimesis Edizioni, 2018.
    [Google Scholar]
  145. Mancuso, Marco. ‘Michael John Gorman: Il Progetto Science Gallery International.’ Mimesis Edizioni, 1 January 2018. https://www.academia.edu/83700311/Michael_John_Gorman_il_progetto_Science_Gallery_International.
    [Google Scholar]
  146. Mann, Samuel. ‘Wearable Computing as a Means for Personal Empowerment.’ University of Toronto, 1998.
  147. Marazzi, Antonio. Uomini, cyborg e robot umanoidi. Antropologia dell'uomo artificiale. Roma: Carocci, 2012.
    [Google Scholar]
  148. Marchand, Jeffrey Scott. ‘Non-Human Agency.’ In Posthuman Glossary, edited by Rosi Braidotti and Maria Hlavajova. London: Bloomsbury Academic, 2018.
    [Google Scholar]
  149. Marchesini, Roberto. Post-Human. Verso nuovi modelli di esistenza. Torino: Bollati Boringhieri, 2002.
    [Google Scholar]
  150. Marinetti, Filippo Tommaso. ‘Danza Futurista: Manifesto Futurista.’ L'Italia Futurista, July, 1917.
    [Google Scholar]
  151. Marinetti, Filippo Tommaso. ‘il Manifesto della Cucina Futurista.’ Gazzetta del Popolo di Torino, December 1930.229
    [Google Scholar]
  152. Marinetti, Filippo Tommaso. ‘L'Uomo Moltiplicato e il Regno della Macchina.’ In Manifesti Futuristi 1909–1944, edited by Luciano Caruso. Firenze: SPES Salimbeni, 1980.
    [Google Scholar]
  153. Marinetti, Filippo Tommaso. Manifesti del Futurismo. Edited by Viviana Birolli. Milano: Abscondita, 2008.
    [Google Scholar]
  154. Martins, Hermínio. The Technocene: Reflections on Bodies, Minds, and Markets. Edited by S. Ravi Rajan and Danielle Crawford. London: Anthem Press, 2018.
    [Google Scholar]
  155. McCarthy, John, Marvin L. Minsky, Nathaniel Rochester and Claude E. Shannon. ‘A Proposal for the Dartmouth Summer Research Project on Artificial Intelligence (August 31, 1955).’ AI Magazine 27, no. 4 (15 December 2006): 12. https://doi.org/10.1609/aimag.v27i4.1904.
    [Google Scholar]
  156. Mecacci, Andrea. Estetica e design. Bologna: Il Mulino, 2012.
    [Google Scholar]
  157. Mechanical Marvels: Clockwork Dreams. Documentary. Furnace, British Broadcasting Corporation (BBC), 2013.
  158. Meillassoux, Quentin. After Finitude: An Essay on the Necessity of Contingency. Translated by Ray Brassier. London: Continuum International Publishing Group, 2009.
    [Google Scholar]
  159. Merleau-Ponty, Maurice. Phenomenology of Perception. Translated by Donald Landes. New York: Routledge, 2011.
    [Google Scholar]
  160. Midal, Alexandra. AC/DC: Contemporary Art/Contemporary Design. Edited by Paul Ardenne, Anthony Dunne and Paola Antonelli. Genève: JRP|Ringier, 2009.
    [Google Scholar]
  161. Mink, Olga, ed. ‘Hack the Body: Critical Reflection on the Blurry Boundaries Between Intimacy, Privacy and Technology.’ Baltan Quarterly, no. 4 (2016): 27.
    [Google Scholar]
  162. Moggridge, Bill. Designing Interactions. Cambridge: MIT Press, 2007.
    [Google Scholar]
  163. Mometti, Maddalena. ‘Dresses, natural elements and weather in the age of high-tech fashion.’ Digicult | Digital Art, Design and Culture (blog), 25 February 2016. https://digicult.it/news/dresses-natural-elements-and-weather-in-the-age-of-high-tech-fashion/.
    [Google Scholar]
  164. Moore, Jason W. Antropocene o capitalocene? Scenari di ecologia-mondo nella crisi planetaria. Edited by Alessandro Barbero and Emanuele Leonardi. Verona: Ombre Corte, 2017.
    [Google Scholar]
  165. Moravec, Hans. Mind Children: The Future of Robot and Human Intelligence. Cambridge: Harvard University Press, 1988.
    [Google Scholar]
  166. More, Max. ‘A Letter to Mother Nature.’ In The Transhumanist Reader: Classical and Contemporary Essays on the Science, Technology, and Philosophy of the Human Future, edited by Max More and Natasha Vita-More, 44950. Hoboken: Wiley-Blackwell, 2013.
    [Google Scholar]
  167. More, Max. ‘The Philosophy of Transhumanism.’ In The Transhumanist Reader: Classical and Contemporary Essays on the Science, Technology, and Philosophy of the Human Future, edited by Max More and Natasha Vita-More, 317. Hoboken: Wiley-Blackwell, 2013.
    [Google Scholar]
  168. Morin, Edgar. La sfida della complessità. Bagno a Ripoli (FI): Le Lettere, 2017.
    [Google Scholar]
  169. Morselli, Valeria. La danza e la sua storia. Valenze culturali, sociali ed estetiche dell'arte della danza in Occidente. Dalle civiltà greca e romana al XVII secolo. Roma: Audino, 2018.
    [Google Scholar]
  170. Morton, Timothy. Dark Ecology: For a Logic of Future Coexistence. New York: Columbia University Press, 2016.230
    [Google Scholar]
  171. Morton, Timothy. Hyperobjects: Philosophy and Ecology After the End of the World. Minneapolis: University of Minnesota Press, 2013.
    [Google Scholar]
  172. Morton, Timothy. Realist Magic: Objects, Ontology, Causality. Ann Arbor: Open Humanities Press, 2013.
    [Google Scholar]
  173. Myers, Brad. ‘A Brief History of Human Computer Interaction Technology.’ ACM Interactions 5, no. 2 (24 September 2001): 4454. https://doi.org/10.1145/274430.274436.
    [Google Scholar]
  174. Nafus, Dawn, ed. Quantified Biosensing Technologies in Everyday Life (Mit Press, 2016).
  175. Nicolescu, Basarab. Manifesto of Transdisciplinarity. Albany: State University of New York Press, 2022.
    [Google Scholar]
  176. Nowak, Dobrosława. ‘Representing the body in art.’ Kabul Magazine (blog), 19 November 2020. https://www.kabulmagazine.com/rappresentare-corpo-arte/.
    [Google Scholar]
  177. Ochsner, Beate, Markus Spöhrer and Robert Stock. ‘Human, Non-Human, and Beyond: Cochlear Implants in Socio-Technological Environments.’ NanoEthics 9, no. 3 (1 December 2015): 23750. https://doi.org/10.1007/s11569-015-0242-1.
    [Google Scholar]
  178. O'Reilly, Sally. The Body in Contemporary Art. London: Thames & Hudson, 2009.
    [Google Scholar]
  179. Oxman, Neri. ‘Age of Entanglement.’ Journal of Design and Science 1 (13 January 2016). https://doi.org/10.21428/7e0583ad.
    [Google Scholar]
  180. Patterson, Meredith. ‘A Biopunk Manifesto.’ Presented at the Outlaw Biology? Public Participation in the Age of Big Bio, UCLA Center for Society and Genetics, 29 January 2010.
  181. Pedersen, Isabel and Andrew Iliadis, eds. Embodied Computing: Wearables, Implantables, Embeddables, Ingestibles. Cambridge: MIT Press, 2020. https://ieeexplore.ieee.org/document/9085547.
    [Google Scholar]
  182. Pellegrino, Gianfranco. ‘Introduzione.’ In Ecologia oscura. Logica della coesistenza futura, edited by Timothy Morton, translated by Vincenzo Santarcangelo. Luiss University Press, 2022.
    [Google Scholar]
  183. Pepperell, Robert. ‘The PostHuman Manifesto (1995).’ Kainos (blog), 2006. http://www.kainos.it/numero6/emergenze/emergenze-pepperell-ing.html.
    [Google Scholar]
  184. Piaget, Jean. Insights and Illusions of Philosophy. Cleveland: The World Publishing Company, 1972.
    [Google Scholar]
  185. Pinker, Steven. The Language Instinct: How the Mind Creates Language. New York: Harper Collins, 1995.
    [Google Scholar]
  186. Plant, Sadie. Zeros and Ones: Digital Women and the New Technoculture. London: Fourth Estate, 2016.
    [Google Scholar]
  187. Plohman, Angela and Clare Butcher. The Future of the Lab. Eindhoven: Baltan Laboratories, 2010.
    [Google Scholar]
  188. Politi, Giancarlo and Helena Kontova. ‘L'arte può ancora cambiare il mondo? Una conversazione con Jeffrey Deitch su Post Human.’ Flash Art, no. 170 (November 1992). https://flash---art.it/article/jeffrey-deitch/.
    [Google Scholar]
  189. Pondspecial, Geoffrey. ‘Young Scientist Leads Two Lives.’ The New York Times, 20 March 1960, sec. Archives. https://www.nytimes.com/1960/03/20/archives/young-scientist-leads-two-lives-medical-pioneer-at-state-hospital.html.
    [Google Scholar]
  190. Preciado, Paul B. Countersexual Manifesto. Translated by Kevin Gerry Dunn. Foreword by Jack Halberstam. New York: Columbia University Press, 2018.231
    [Google Scholar]
  191. Preciado, Paul B.Multitudes queer: Notes pour une politiques des “anormaux”.’ Multitudes 12, no. 2 (2003): 1725. https://doi.org/10.3917/mult.012.0017.
    [Google Scholar]
  192. Pritham, Charles H.Special Considerations: Emerging Trends in Lower-Limb Prosthetics: Research and Development.’ In Atlas of Limb Prosthetics: Surgical, Prosthetic, and Rehabilitation Principles, edited by John H. Bowker and John W. Michael. Rosemont: American Academy of Orthopaedic Surgeons, 1992.
    [Google Scholar]
  193. Ranisch, Robert and Stefan Lorenz Sorgner. Post- and Transhumanism: An Introduction. Frankfurt am Main: Peter Lang Verlag, 2014.
    [Google Scholar]
  194. Riccini, Raimonda. ‘Artificio e trasparenza: Il corpo sulla scena degli oggetti.’ In Il corpo umano sulla scena del design, edited by Massimiliano Ciammaichella. Padova: Il Poligrafo, 2015.
    [Google Scholar]
  195. Richardson, Robert G. and E. Ashworth Underwood. ‘Medicine in the 20th Century.’ In Encyclopedia Britannica, 21 August 2024. https://www.britannica.com/science/history-of-medicine/Medicine-in-the-20th-century.
    [Google Scholar]
  196. Romano, Zoe. ‘Al makerspace con l'inventrice del primo tessuto vivente: Lining Yao.’ Digicult | Digital Art, Design and Culture (blog), 22 June 2017. https://digicult.it/news/meeting-makerspace-living-textile-inventor-lining-yao/.
    [Google Scholar]
  197. Roncoletta, Mariana Rachel. ‘Fashion Design for Health: A Multidisciplinary Approach.’ In Universal Access in Human-Computer Interaction: Access to Learning, Health and Well-Being, 352. Springer International Publishing, 2015.
    [Google Scholar]
  198. Salter, Chris and Andrew Pickering. Alien Agency: Experimental Encounters with Art in the Making. Cambridge: MIT Press, 2015.
    [Google Scholar]
  199. Sanneke, Huisman, Marga van Mechelen and Arie Altena, eds. ‘Research in Technological Art at V2_.’ In A Critical History of Media Art in the Netherlands: Platforms, Policies, Technologies. Prinsenbeek: Jap Sam Books, 2019.
    [Google Scholar]
  200. Schaffer, Simon. ‘Enlightened Automata.’ In The Sciences in Enlightened Europe, edited by William Clark, Jan Golinski and Simon Schaffer, 12665. Chicago: University of Chicago Press, 1999. https://press.uchicago.edu/ucp/books/book/chicago/S/bo3623650.html.
    [Google Scholar]
  201. Schep, Tijmen and Michel Langendijk, eds. Virtueel Platform: The New Explorer Guide to Dutch Digital Culture. Rotterdam: Het Nieuwe Instituut, 2013.
    [Google Scholar]
  202. Schmidhuber, Jürgen. ‘A Computer Scientist's View of Life, the Universe, and Everything.’ In Foundations of Computer Science: Potential—Theory—Cognition, edited by Christian Freksa, Matthias Jantzen and Rüdiger Valk, 20108. Berlin: Springer, 1997. https://doi.org/10.1007/BFb0052088.
    [Google Scholar]
  203. ScienceDirect Topics. ‘Krebs Cycle – An Overview | ScienceDirect Topics’, 2001. https://www.sciencedirect.com/topics/biochemistry-genetics-and-molecular-biology/krebs-cycle.
  204. Seung, Sebastian. Connectome: How the Brain's Wiring Makes Us Who We Are. London: Penguin Books, 2012.
    [Google Scholar]
  205. Shannon, Claude Elwood. ‘A Mathematical Theory of Communication.’ Bell System Technical Journal 27, no. 3 (1948): 379423. https://doi.org/10.1002/j.1538-7305.1948.tb01338.x.232
    [Google Scholar]
  206. Shildrick, Margrit. Embodying the Monster: Encounters with the Vulnerable Self. London: SAGE Publications, 2002.
    [Google Scholar]
  207. Silvestrin, Daniela. ‘Dialogues on “Bioart” #1. A conversation with Jens Hauser.’ Digicult | Digital Art, Design and Culture (blog), 10 December 2012. https://digicult.it/news/dialogues-on-bioart-1-a-conversation-with-jens-hauser/.
    [Google Scholar]
  208. Smith, Marquard and William Gibson. Stelarc: The Monograph. Cambridge: MIT Press, 2007.
    [Google Scholar]
  209. Snow, Charles Percy. The Two Cultures. Canto Classics. Cambridge: Cambridge University Press, 2012. https://doi.org/10.1017/CBO9781139196949.002.
    [Google Scholar]
  210. Spaendonck, Floor van. ‘Introduction to the Guide.’ In Virtueel Platform: The New Explorer Guide to Dutch Digital Culture, edited by Tijmen Schep and Michel Langendijk, 57. Rotterdam: Het Nieuwe Instituut, 2013.
    [Google Scholar]
  211. Steinhart, Eric. ‘Teilhard de Chardin and Transhumanism.’ Journal of Evolution and Technology 20, no. 1 (2008): 122.
    [Google Scholar]
  212. Stelarc. ‘Prosthetics, Robotics and Remote Existence: Postevolutionary Strategies.’ Leonardo 24, no. 5 (1991): 59195. https://doi.org/10.2307/1575667.
    [Google Scholar]
  213. Sterpellone, Luciano. Storia della medicina del XX secolo. Roma: Newton Compton Editori, 1997.
    [Google Scholar]
  214. Stock, Robert, Beate Ochsner and Markus Spöhrer. ‘Human, Non-Human, and Beyond: Cochlear Implants in Socio-Technological Environments’, 1 January 2015. https://www.academia.edu/17400432/Human_Non_Human_and_Beyond_Cochlear_Implants_in_Socio_Technological_Environments.
  215. Sulopuisto, Olli, Philip Dean and Kati Åberg. Media Lab 20 Helsinki. Tallin: Aalto University, 2014. https://research.aalto.fi/en/publications/media-lab-20-helsinki.
    [Google Scholar]
  216. Svanæs, Dag. ‘Interaction Design for and with He Lived Body: Some Implications of Merleau-Ponty's Phenomenology.’ ACM Transactions on Computer-Human Interaction 20, no. 1 (March 2013): 130. https://doi.org/10.1145/2442106.2442114.
    [Google Scholar]
  217. Tanaka, Atau. ‘Situating within Society: Blueprints and Strategies for Media Labs.’ In A Blueprint for a Lab of the Future, edited by Annet Dekker and Annette Wolfsberger. Eindhoven: Baltan Laboratories, 2011.
    [Google Scholar]
  218. The Alternative Limb Project. ‘Crystal Leg.’ Accessed 30 September 2024. https://thealternativelimbproject.com/limbs/crystal/.
  219. The Neurorobotics Platform. ‘The Ultimate Embodied Simulation Experience’, n.d. https://neurorobotics.net.
  220. Tipler, Frank J. The Physics of Immortality: Modern Cosmology, God and the Resurrection of the Dead. New York: Knopf Publishing Group, 1997.
    [Google Scholar]
  221. Tocchetti, Sara. ‘Hackteria: Interview with Marc Dusseiller.’ Edited by Marco Mancuso. MCD. Magazine Des Cultures Digitales, no. 68(November 2012): 4649.
    [Google Scholar]
  222. Torselli, Vilma. ‘Post-Human.’ Artonweb (blog), 3 April 2007. http://www.artonweb.it/artemoderna/artedopo60/articolo28.htm.
    [Google Scholar]
  223. Turing, Alan. ‘Computing Machinery and Intelligence.’ Mind LIX, no. 236 (1 October 1950): 43360. https://doi.org/10.1093/mind/LIX.236.433.233
    [Google Scholar]
  224. Turing, Alan. ‘On Computable Numbers, with an Application to the Entscheidungs Problem.’ Proceedings of the London Mathematical Society s2–42, no. 1 (1937): 23065. https://doi.org/10.1112/plms/s2-42.1.230.
    [Google Scholar]
  225. Udsen, Lars Erik and Anker Helms Jørgensen. ‘The Aesthetic Turn: Unravelling Recent Aesthetic Approaches to Human-Computer Interaction.’ Digital Creativity 16, no. 4 (1 January 2005): 20516. https://doi.org/10.1080/14626260500476564.
    [Google Scholar]
  226. Uexküll, Jakob von. A Foray Into the Worlds of Animals and Humans. Translated by Joseph D. O'Neil. Minneapolis: University of Minnesota Press, 2010.
    [Google Scholar]
  227. Ulrico, Aichelburg. Rivoluzioni della medicina nel XX secolo. Dai trapianti all'ingegneria genetica. Torino: La Stampa, 1996.
    [Google Scholar]
  228. Vall, Marta du and Marta Majorek. ‘Media Labs–Creative Cooperation and Mutual Learning: Case Studies Across Europe.’ SHS Web of Conferences 48 (2018): 01044. https://doi.org/10.1051/shsconf/20184801044.
    [Google Scholar]
  229. Vergine, Lea. Dall'informale alla body art: Dieci voci dell'arte contemporanea, 1960–1970. Firenze: Forma Edizioni, 1976.
    [Google Scholar]
  230. Vinge, Vernor. ‘First Word.’ Edited by Richard Teresi and Ellen Datlow. Omni Magazine 5, no. 4 (1983): 1016, Omni Publications International Ltd.
    [Google Scholar]
  231. Vinge, Vernor. ‘The Coming Technological Singularity: How to Survive in the Post-Human Era.’ In NASA. Lewis Research Center, Vision 21: Interdisciplinary Science and Engineering in the Era of Cyberspace, 1993. https://ntrs.nasa.gov/citations/19940022856.
    [Google Scholar]
  232. Viola, Sabrina. ‘Le Body Extensions di Rebecca Horn, Mani in Esplorazione.’ Con il Corpo Vivo (blog), May 2018. https://conilcorpovivo.blogspot.com/2018/05/le-body-extensions-di-rebecca-horn-mani.html.
    [Google Scholar]
  233. Vita-More, Natasha. ‘The Transhumanist Manifesto.’ Humanity+, 2020. https://www.humanityplus.org/the-transhumanist-manifesto.
  234. Wang, Xiandi, Lin Dong, Hanlu Zhang, Ruomeng Yu, Caofeng Pan and Zhong Lin Wang. ‘Recent Progress in Electronic Skin.’ Advanced Science 2, no. 10 (2015): 1500169. https://doi.org/10.1002/advs.201500169.
    [Google Scholar]
  235. Warwick, Kevin. ‘Cyborg 1.0.’ Wired, 1 February 2000.
    [Google Scholar]
  236. Wipprecht, Anouk. ‘FashionTech.’ Anouk Wipprecht FashionTech. Accessed 1 October 2024. http://www.anoukwipprecht.nl.
    [Google Scholar]
  237. Wolf, Gary. ‘The Quantified Self: Reverse Engineering: Biosensing Technologies in Everyday Life.’ In Quantified: Biosensing Technologies in Everyday Life, edited by Dawn Nafus, 6772. MIT Press, 2016.
    [Google Scholar]
  238. Zylinska, Joanna. ‘Extending McLuhan Into the New Media Age: An Introduction.’ In The Cyborg Experiments. The Extensions of the Body in the Media Age, edited by Joanna Zylinska, 112. London: Continuum International Publishing Group, 2002.
    [Google Scholar]
  239. Zylinska, Joanna. Minimal Ethics for the Anthropocene. Ann Arbor: Open Humanities Press, 2014.
    [Google Scholar]

References

  1. 221‘24C: Emerging Trends in Lower-Limb Prosthetics: Research and Development | O&P Virtual Library.’ Accessed 13 September 2024. http://www.oandplibrary.org/alp/chap24-03.asp.
  2. Agamben, Giorgio. The Open: Man and Animal. Translated by Kevin Attell. Stanford: Stanford University Press, 2003.
    [Google Scholar]
  3. Altena, Arie. ‘Articles, Essays, Interviews, Reviews, Lectures.’ TXT || ariealt. Accessed 1 October 2024. https://ariealt.home.xs4all.nl/index.html.
  4. Amori, Matteo. Forme dell'esperienza e persona. La filosofia di Max Scheler dai primi scritti al ‘Formalismus.’ Soveria Mannelli: Rubbettino, 2010.
    [Google Scholar]
  5. Anceschi, Giovanni. ‘Fondamenta del design.’ Doppiozero (blog). Accessed 12 April 2011. https://www.doppiozero.com/fondamenta-del-design.
    [Google Scholar]
  6. Antonelli, Paola. AC/DC: Contemporary Art/Contemporary Design. Edited by Paul Ardenne, Anthony Dunne and Paola Antonelli. Genève: JRP|Ringier, 2009.
    [Google Scholar]
  7. Antonelli, Paola and Ala Tannir, eds. Broken Nature: Design Takes on Human Survival. Milano: Electa, 2019.
    [Google Scholar]
  8. Arendt, Hannah. The Human Condition (Charles R. Walgreen Foundation Lectures). Chicago: University of Chicago Press, 1958.
    [Google Scholar]
  9. Ashton, Thomas S. The Industrial Revolution, 1760–1830. Oxford: Oxford University Press, 1998.
    [Google Scholar]
  10. Barad, Karen. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham: Duke University Press, 2007.
    [Google Scholar]
  11. Barad, Karen. ‘Nature's Queer Performativity.’ Qui Parle 19, no. 2 (1 December 2011): 12158. https://doi.org/10.5250/quiparle.19.2.0121.
    [Google Scholar]
  12. Barad, Karen. ‘Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter.’ Signs: Journal of Women in Culture and Society 28, no. 3 (March 2003): 80131. https://doi.org/10.1086/345321.
    [Google Scholar]
  13. Barrow, John D. and J. Tipler Frank. The Anthropic Cosmological Principle. Rev. ed. Oxford: Oxford University Press, 1988.
    [Google Scholar]
  14. Bateson, William. ‘The Progress of Genetic Research.’ In Hybridisation, the Cross-Breeding of Genera or Species, the Cross-Breeding of Varieties, and General Plant-Breeding: Report of the Third International Conference on Genetics, edited by William Wilks, 73738. London: Royal Horticultural Society, 1907.222
    [Google Scholar]
  15. Beauvoir, Simone de. The Second Sex. London: Vintage Classics, 1997.
    [Google Scholar]
  16. Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Durham: Duke University Press, 2010. https://doi.org/10.2307/j.ctv111jh6w.
    [Google Scholar]
  17. Benyus, Janine M. Biomimicry: Innovation Inspired by Nature. New York: Harper Perennial, 2002.
    [Google Scholar]
  18. Bergamo, Francesco. ‘Verso un'estetica ecologica per il design dell'interazione.’ Scuola di dottorato, Università Iuav di Venezia, 2013.
  19. Biohack.me. ‘Virtual Home of Grinders Everywhere.’ Accessed 6 October 2024. https://biohack.me/.
  20. Biro, Matthew. The Dada Cyborg: Visions of the New Human in Weimar Berlin. Minneapolis: University of Minnesota Press, 2009.
    [Google Scholar]
  21. Bostrom, Nick. ‘A History of Transhumanist Thought.’ Journal of Evolution and Technology 14, no. 1 (2005): 125.
    [Google Scholar]
  22. Bostrom, Nick. Superintelligence: Paths, Dangers, Strategies. Oxford: Oxford University Press, 2016.
    [Google Scholar]
  23. Bostrom, Nick and M. Cirkovic Milan. Global Catastrophic Risks. Oxford: Oxford University Press, 2011.
    [Google Scholar]
  24. Braidotti, Rosi. Materialismo radicale. Itinerari etici per cyborg e cattive ragazze. Milano: Meltemi, 2019.
    [Google Scholar]
  25. Braidotti, Rosi. Metamorphoses: Towards a Materialist Theory of Becoming. Cambridge: Polity, 2002.
    [Google Scholar]
  26. Braidotti, Rosi. Nomadic Theory: The Portable Rosi Braidotti. New York: Columbia University Press, 2011. https://www.jstor.org/stable/10.7312/brai15190.
    [Google Scholar]
  27. Braidotti, Rosi. The Posthuman. Cambridge: Polity Press, 2013.
    [Google Scholar]
  28. Brand, Stewart. The Media Lab: Inventing the Future at MIT. New York: Viking, 1987.
    [Google Scholar]
  29. Brglez, Živa. ‘Margherita Pevere, the Leaky Performative Biomatter.’ CLOT Magazine (blog), 20 February 2020. https://clotmag.com/interviews/margherita-pevere-the-leaky-character-of-the-performative-biomatter.
    [Google Scholar]
  30. Browne, Simone, Heather Dewey-Hagborg and Joerg Blumtritt. ‘Biopunk: Subverting Biopolitics.’ The New Inquiry (blog), 10 July 2017. https://thenewinquiry.com/biopunk-subverting-biopolitics/.
    [Google Scholar]
  31. Bryant, Levi R.The Interior of Things: The Origami of Being.’ Przegląd Kulturoznawczy 29, no. 3 (2016): 290304.
    [Google Scholar]
  32. Butler, Judith. Bodies That Matter: On the Discursive Limits of Sex. New York: Routledge, 2011.
    [Google Scholar]
  33. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 2006.
    [Google Scholar]
  34. Butler, Judith. ‘Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.’ Theatre Journal 40, no. 4 (1988): 51931. https://doi.org/10.2307/3207893.
    [Google Scholar]
  35. Carmagnola, Fulvio. Design. La fabbrica del desiderio. Milano: Lupetti, 2009.
    [Google Scholar]
  36. Caronia, Antonio. Il cyborg. Saggio sull'uomo artificiale. Milano: ShaKe, 2007.
    [Google Scholar]
  37. Carter, Brandon. ‘Large Number Coincidences and the Anthropic Principle in Cosmology.’ Confrontation of Cosmological Theories with Observational Data 63 (1974): 29198.223
    [Google Scholar]
  38. Casoni, Giorgio and Flaviano Celaschi. ‘Il designer allo specchio.’ In Human Body Design. Corpo e progetto nell'economia della trasformatività, edited by Giorgio Casoni and Flaviano Celaschi. Milano: Franco Angeli, 2020.
    [Google Scholar]
  39. Cassotta, Manuela and Valentina Marchi. Le nuove frontiere della scienza. Modelli sperimentali per la ricerca biomedica del XXI secolo. Roma: Aracne, 2019.
    [Google Scholar]
  40. Chardin, Pierre Teilhard de. The Human Phenomenon. Translated by Sarah Appleton-Weber. Liverpool: Liverpool University Press, 2003.
    [Google Scholar]
  41. Chardin, Teilhard de. The Future of Man. New York: Image Books, 2004.
    [Google Scholar]
  42. Chiapponi, Medardo. Ambiente: Gestione e strategia. Un contributo alla teoria della progettazione ambientale. Milano: Feltrinelli, 1997.
    [Google Scholar]
  43. Ciammaichella, Massimiliano, ed. Il corpo umano sulla scena del design. Padova: Il Poligrafo, 2015.
    [Google Scholar]
  44. Ciammaichella, Massimiliano. ‘Rappresentare il corpo fra dissezione e innovazione tecnologica.’ In Il corpo umano sulla scena del design, edited by Massimiliano Ciammaichella. Padova: Il Poligrafo, 2015.
    [Google Scholar]
  45. Clark, Andy. Natural-Born Cyborgs: Minds, Technologies, and the Future of Human Intelligence. Oxford: Oxford University Press, 2004.
    [Google Scholar]
  46. Clynes, Manfred E. Sentics: The Touch of Emotions. Bridport: Prism Press, 1989.
    [Google Scholar]
  47. Clynes, Manfred E. and Nathan S. Kline. ‘Cyborgs and Space.’ Astronautics, September 1960, 2676. https://doi.org/10.1007/978-1-4020-8265-8_1210.
    [Google Scholar]
  48. Coles, Alex, ed. Design and Art: Documents of Contemporary Art Series. Cambridge: MIT Press, 2007.
    [Google Scholar]
  49. Contemporary Art of Today: The Body, 2017. https://www.youtube.com/watch?v=QyZX7sCK_24.
  50. Coole, Diana. ‘The Inertia of Matter and the Generativity of Flesh.’ In New Materialisms: Ontology, Agency, and Politics, edited by Diana Coole and Samantha Frost, 92115. Durham: Duke University Press, 2010. https://doi.org/10.1515/9780822392996-005.
    [Google Scholar]
  51. Cooter, Roger and John Pickstone, eds. Medicine in the Twentieth Century. London: Taylor & Francis, 2020. https://doi.org/10.4324/9781003078456.
    [Google Scholar]
  52. Crawford, Kate and Trevor Paglen. ‘Excavating AI: The Politics of Images in Machine Learning Training Sets.’ AI & SOCIETY 36, no. 4 (1 December 2021): 1399. https://doi.org/10.1007/s00146-021-01301-1.
    [Google Scholar]
  53. Critical Art Ensamble. ‘Biotechnology in the Public Interest: The Open Futures.’ Edited by Marco Mancuso. MCD. Magazine Des Cultures Digitales, no. 68 (November 2012): 4345.
    [Google Scholar]
  54. Cryonics Archive. ‘What Is Vitrification?’ Accessed 6 October 2024. https://www.cryonicsarchive.org/library/what-is-vitrification/.
  55. Cyborg Foundation. ‘Solar Crown.’ https://media.ccc.de/v/Camp2019-10312-cyborg_foundation.
  56. Dawn, Nafus, ed. Quantified Biosensing Technologies in Everyday Life. Cambridge, MA: MIT Press, 2016.
    [Google Scholar]
  57. De Wit, Dirk and Nele Samyn, eds. Media Art and Digital Culture in Flanders, Belgium. Ghent: BAM, Flemish Institute for Visual, Audiovisual and Media Art, 2011.224
    [Google Scholar]
  58. Dekker, Annet. ‘The End of the Media Lab as We Know It.’ In A Blueprint for a Lab of the Future, edited by Annet Dekker and Annette Wolfsberger, 27684. Eindhoven: Baltan Laboratories, 2011.
    [Google Scholar]
  59. DeLanda, Manuel. ‘Nonorganic Life.’ In Incorporations, edited by Jonathan Crary and Sanford Kwinter, 12867. New York: Zone Books, 1992.
    [Google Scholar]
  60. Deleuze, Gilles and Felix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press, 1987.
    [Google Scholar]
  61. Delfanti, Alessandro. Biohackers: The Politics of Open Science. London: Pluto Press, 2013.
    [Google Scholar]
  62. Department of Neuroscience. ‘About Neuroscience.’ Accessed 6 October 2024. https://neuro.georgetown.edu/about-neuroscience/.
  63. Derrida, Jacques. The Animal That Therefore I Am. Translated by David Wills. New York: Fordham University Press, 2008.
    [Google Scholar]
  64. Dewey-Hagborg, Heather. ‘Hacking Biopolitics.’ E-Flux (blog), 13 February 2017. https://conversations.e-flux.com/t/heather-dewey-hagborg-hacking-biopolitics/6045.
    [Google Scholar]
  65. Dewey-Hagborg, Heather. ‘Postgenomic Identity: Art and Biopolitics.’ Leonardo 50, no. 5 (1 October 2017): 531. https://doi.org/10.1162/LEON_a_01490.
    [Google Scholar]
  66. ‘DNA Phenotyping.’ In Wikipedia, 6 February 2024. https://en.wikipedia.org/w/index.php?title=DNA_phenotyping&oldid=1204141416.
  67. Dolezal, Luna. ‘Representing Posthuman Embodiment: Considering Disability and the Case of Aimee Mullins.’ Women's Studies 46, no. 1 (2 January 2017): 6075. https://doi.org/10.1080/00497878.2017.1252569.
    [Google Scholar]
  68. Dolphijn, Rick and Iris Tuin. New Materialism: Interviews and Cartographies. London: Open Humanities Press, 2013.
    [Google Scholar]
  69. Donnarumma, Marco. ‘Artists Wanted: To Question, Imagine and Reflect on the Relationship of Humans and Technology. (Or Suffer the Consequences …).’ Edited by Olga Mink. Baltan Quarterly, no. 4 (2016): 3.
    [Google Scholar]
  70. Donnarumma, Marco. ‘Beyond the Cyborg: Performance, Attunement and Autonomous Computation.’ International Journal of Performance Arts and Digital Media 13, no. 2 (3 July 2017): 10519. https://doi.org/10.1080/14794713.2017.1338828.
    [Google Scholar]
  71. Dourish, Paul. ‘Embodied Interaction: Exploring the Foundations of a New Approach to HCI.’ Xerox Palo Alto Research Center, 1 January 1999.
    [Google Scholar]
  72. Dourish, Paul. Where the Action Is: The Foundations of Embodied Interaction. Cambridge: Bradford Books, 2001.
    [Google Scholar]
  73. Drexler, Eric. Engines of Creation: The Coming Era of Nanotechnology. New York: Knopf Publishing Group, 1987.
    [Google Scholar]
  74. Dreyfus, Hubert L. Husserl, Intentionality, and Cognitive Science. Cambridge: MIT Press, 1982. http://archive.org/details/husserlintention0000unse_l4r7.
    [Google Scholar]
  75. Dyson, George. Darwin Among the Machines: The Evolution of Global Intelligence. New York: Basic Books, 2012.225
    [Google Scholar]
  76. Easterling, Keller. ‘No You're Not.’ In Superhumanity: Design of the Self, edited by Nick Axel, Beatriz Colomina, Nikolaus Hirsch, Anton Vidokle and Mark Wigley. Minneapolis: University of Minnesota Press, 2018.
    [Google Scholar]
  77. EPFL. ‘Blue Brain Project.’ Accessed 6 October 2024. https://www.epfl.ch/research/domains/bluebrain/.
  78. Evolution 2045. ‘“Evolution 2045” – The Party of Intellectual, Technological and Spiritual Breakthrough. Manifesto.’ 22 August 2012. http://evolution.2045.com/.
  79. Faste, Haakon. ‘A Post-Human World Is Coming: Design Has Never Mattered More.’ Fast Company (blog), 9 June 2016. https://www.fastcompany.com/3060742/a-post-human-world-is-coming-design-has-never-mattered-more/.
    [Google Scholar]
  80. Ferrando, Francesca. ‘Postumanesimo, Alteritá e Differenze.’ Lo Sguardo – Rivista di Filosofia II, no. 24 (2017): 5161.
    [Google Scholar]
  81. Findeli, Alain. ‘Rethinking Design Education for the 21st Century: Theoretical, Methodological, and Ethical Discussion.’ Design Issues 17, no. 1 (January 2001): 517. https://doi.org/10.1162/07479360152103796.
    [Google Scholar]
  82. Flusser, Vilém. ‘About the Word Design.’ In Design and Art: Documents of Contemporary Art Series, edited by Alex Coles. Cambridge: MIT Press, 2007.
    [Google Scholar]
  83. Fm-2030. Are You a Transhuman?: Monitoring and Stimulating Your Personal Rate of Growth in a Rapidly Changing World. New York: Grand Central Pub, 1989.
    [Google Scholar]
  84. Fontana, Federica. ‘Non tutto il Dada vien per nuocere. Corpi e cyborg nel primo dopoguerra.’ Inanimanti (blog), 26 February 2020. https://inanimanti.com/2020/02/26/non-tutto-il-dada-vien-per-nuocere-corpi-e-cyborg-nel-primo-dopoguerra/.
    [Google Scholar]
  85. Forlano, Laura. ‘Posthumanism and Design.’ She Ji: The Journal of Design, Economics, and Innovation 3, no. 1 (1 March 2017): 1629. https://doi.org/10.1016/j.sheji.2017.08.001.
    [Google Scholar]
  86. Fortunati, Leopoldina. ‘Verso il corpo artificiale.’ In Corpo futuro. Il corpo umano tra tecnologie, comunicazione e moda, edited by Leopoldina Fortunati, James Katz and Raimonda Riccini. Milano: Franco Angeli, 2002.
    [Google Scholar]
  87. Foster, Hal. Design and Crime and Other Diatribes. London: Verso Books, 2002.
    [Google Scholar]
  88. Furtherfield. ‘Media Lab Culture in the UK’, 28 August 2012. https://www.furtherfield.org/media-lab-culture-in-the-uk/.
  89. Future of Life Institute. ‘Our Mission.’ Accessed 6 October 2024. https://futureoflife.org/.
  90. Gamboni, Dario. AC/DC: Contemporary Art/Contemporary Design. Edited by Paul Ardenne, Anthony Dunne and Paola Antonelli. Genève: JRP|Ringier, 2009.
    [Google Scholar]
  91. Garcia-Sottile, Eugenia. ‘Il Contro Corpo: I Limiti del Corpo Futurista.’ In Sport and the Sense of the Body's Limits. Università di Pisa, 2009.
    [Google Scholar]
  92. Good, Irving John. ‘Speculations Concerning the First Ultraintelligent Machine.’ In Advances in Computers, edited by Franz L. Alt and Morris Rubinoff. Vol. 6, 3188. Elsevier, 1966. https://doi.org/10.1016/S0065-2458(08)60418-0.
    [Google Scholar]
  93. Greff, Jean-Pierre. AC/DC: Contemporary Art/Contemporary Design. Edited by Paul Ardenne, Anthony Dunne and Paola Antonelli. Genève: JRP|Ringier, 2009.226
    [Google Scholar]
  94. Gregory, Judith and Geoffrey C. Bowker. ‘The Data Citizen, the Quantified Self, and Personal Genomics.’ In Quantified: Biosensing Technologies in Everyday Life, edited by Dawn Nafus. The MIT Press, 2016. https://doi.org/10.7551/mitpress/9780262034173.003.0012.
    [Google Scholar]
  95. Gropius, Walter. ‘Bauhaus Manifesto and Programme’, April 1919.
  96. Guattari, Felix. Chaosmosis: An Ethicoaesthetic Paradigm. Bloomington: Indiana University Press, 1995.
    [Google Scholar]
  97. Guattari, Felix. The Three Ecologies. London: Bloomsbury Publishing, 2000.
    [Google Scholar]
  98. Hackteria. ‘Welcome to the Hackteria.Org/Wiki.’ Hackteria Wiki. Accessed 1 October 2024. https://www.hackteria.org/wiki/Main_Page.
  99. Harari, Yuval Noah. Homo Deus A Brief History Of Tomorrow. New York: Harper Collins, 2016.
    [Google Scholar]
  100. Harari, Yuval Noah. Homo deus. Breve storia del futuro. Translated by Marco Piani. Bompiani, 2017.
  101. Haraway, Donna J.A Cyborg Manifesto: An Ironic Dream of a Common Language for Women in the Integrated Circuit.’ In The Transgender Studies Reader Remix, edited by Susan Stryker and Dylan McCarthy Blackston. London: Routledge, 2022.
    [Google Scholar]
  102. Haraway, Donna J.Anthropocene, Capitalocene, Plantationocene, Chthulucene: Making Kin.’ Environmental Humanities 6, no. 1 (1 May 2015): 15965. https://doi.org/10.1215/22011919-3615934.
    [Google Scholar]
  103. Haraway, Donna J.La molteplicità: Un'etica per la nostra epoca, oppure meglio cyborg che dea.’ In Manifesto cyborg: Donne, tecnologie e biopolitiche del corpo, 938. Milano: Feltrinelli, 2018.
    [Google Scholar]
  104. Haraway, Donna J. Manifestly Haraway. Minneapolis: University of Minnesota Press, 2016.
    [Google Scholar]
  105. Haraway, Donna J.A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s.’ Socialist Review, no. 80 (1985): 65108.
    [Google Scholar]
  106. Haraway, Donna J. Modest_Witness@Second_Millennium.FemaleMan_Meets_OncoMouse. New York: Routledge, 1997.
    [Google Scholar]
  107. Haraway, Donna J. Simians, Cyborgs, and Women: The Reinvention of Nature. New York: Routledge, 1990.
    [Google Scholar]
  108. Haraway, Donna J. Staying with the Trouble: Making Kin in the Chthulucene. Durham: Duke University Press, 2016.
    [Google Scholar]
  109. Haraway, Donna J.The Promises of Monsters: A Regenerative Politics for Inappropriate/d Others.’ In Cultural Studies, edited by Paula Treichler, Cary Nelson and Lawrence Grossberg. Routledge, 1991.
    [Google Scholar]
  110. Haraway, Donna J. When Species Meet. Minneapolis: University of Minnesota Press, 2007.
    [Google Scholar]
  111. Harbisson, Neil. ‘I Listen to Colors.’ TEDGlobal 2012, Giugno 2012.
  112. Harman, Graham. Object-Oriented Ontology: A New Theory of Everything. London: Penguin Books, 2018.
    [Google Scholar]
  113. Hassan, Ihab. ‘Prometheus as Performer: Toward a Posthumanist Culture?The Georgia Review 31, no. 4 (1977): 83050.227
    [Google Scholar]
  114. Hauser, Jens. ‘La biotecnologia nell'arte. Incubo dei tassonomi.’ In Art Biotech, edited by Jens Hauser and translated by Pier Luigi Capucci and Franco Torriani. Bologna: Clueb, 2007.
    [Google Scholar]
  115. Hayles, N. Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press, 1999. https://press.uchicago.edu/ucp/books/book/chicago/H/bo3769963.html.
    [Google Scholar]
  116. Hayles, N. Katherine. Unthought: The Power of the Cognitive Nonconscious. Chicago: University of Chicago Press, 2017.
    [Google Scholar]
  117. Hester, Helen. Xenofeminism. Cambridge: Polity Press, 2018.
    [Google Scholar]
  118. Hoppe-Sailer, Richard. ‘Organismi/Arte. Le radici dell'arte biotecnologica.’ In Art Biotech, edited by Jens Hauser and translated by Pier Luigi Capucci and Franco Torriani. Bologna: Clueb, 2007.
    [Google Scholar]
  119. Human Brain Project. ‘Human Brain Project.’ Accessed 6 October 2024. https://www.humanbrainproject.eu/en/.
  120. Husserl, Edmund. Phenomenology and the Foundations of the Sciences. Springer Science & Business Media, 2001.
    [Google Scholar]
  121. Huxley, Julian. New Bottles for New Wine. Vol. 80. London: Chatto & Windus, 1957. https://www.jstor.org/stable/2844485.
    [Google Scholar]
  122. Iliadis, Andrew. ‘Computer Guts and Swallowed Sensors: Ingestibles Made Palatable in an Era of Embodied Computing.’ In Embodied Computing: Wearables, Implantables, Embeddables, Ingestibles, edited by Isabel Pedersen and Andrew Iliadis, 120. Cambridge: MIT Press, 2020. https://ieeexplore.ieee.org/document/9085547.
    [Google Scholar]
  123. Ingold, Tim. Ecologia della cultura. Edited by C. Grasseni and F. Ronzon. Milano: Meltemi, 2016.
    [Google Scholar]
  124. Ingold, Tim. Lines: A Brief History. New York: Routledge, 2007.
    [Google Scholar]
  125. Ingold, Tim. Making: Anthropology, Archaeology, Art and Architecture. New York: Routledge, 2013.
    [Google Scholar]
  126. Kline, Nathan S. and Manfred E. Clynes. ‘Drugs, Space, and Cybernetics.’ In Psychophysiological Aspects of Space Flight, edited by Bernard E. Flaherty, 34572. New York: Columbia University Press, 1961.
    [Google Scholar]
  127. Kolbert, Elizabeth. ‘Enter the Anthropocene – Age of Man.’ National Geographic (blog), March 2011. https://www.nationalgeographic.com/magazine/article/age-of-man.
    [Google Scholar]
  128. Kurzweil, Ray. The Singularity Is Near: When Humans Transcend Biology. New York: Penguin Books, 2005.
    [Google Scholar]
  129. Langella, Carla. ‘Design Biomimetico per l'innovazione Sostenibile.’ Digimag, no. 40 (December 2008): 1726.
    [Google Scholar]
  130. Langella, Carla. ‘La dissoluzione del confine tra biologico e sintetico.’ Digicult | Digital Art, Design and Culture (blog), 30 May 2017. https://digicult.it/news/blurry-edge-biological-synthetic/.
    [Google Scholar]
  131. Langella, Carla. ‘Science Premia la Biomimetica. L'immagine Scientifica Come Arte.’ Digimag, no. 53 (April 2010): 1721.
    [Google Scholar]
  132. Langella, Carla. ‘Strategie Biologiche a Servizio del Design.’ Digicult | Digital Art, Design and Culture (blog), 2 February 2009. https://digicult.it/it/design/biological-strategies-at-the-service-of-design/.228
    [Google Scholar]
  133. Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford: Oxford University Press, 2007.
    [Google Scholar]
  134. Latour, Bruno. We Have Never Been Modern. Cambridge: Harvard University Press, 1993.
    [Google Scholar]
  135. Latour, Bruno and Steve Woolgar. Laboratory Life: The Construction of Scientific Facts. Reprint. Princeton: Princeton University Press, 1986.
    [Google Scholar]
  136. Lauretis, Teresa de. ‘Queer Theory: Lesbian and Gay Sexualities. An Introduction.’ Differences 3, no. 2 (1 July 1991): iiixviii. https://doi.org/10.1215/10407391-3-2-iii.
    [Google Scholar]
  137. Lewis, Charlton Thomas and Charles Short. ‘Ars.’ In A Latin Dictionary. London: Nigel Gourlay, 2020.
    [Google Scholar]
  138. Lovelock, James. Novacene: The Coming Age of Hyperintelligence. London: Penguin, 2020.
    [Google Scholar]
  139. Macrì, Teresa. Il Corpo Postorganico. Sconfinamenti della Performance. Milano: Costa & Nolan, 1996.
    [Google Scholar]
  140. Maldonado, Tomás. ‘Corpo: artificializzazione e trasparenza.’ In Corpo futuro. Il corpo umano tra tecnologie, comunicazione e moda, edited by Leopoldina Fortunati, James Katz and Raimonda Riccini. Milano: Franco Angeli, 2002.
    [Google Scholar]
  141. Maldonado, Tomás. ‘Corpo tecnologico e scienza.’ In Il corpo tecnologico. L'influenza delle tecnologie sul corpo e sulle sue facoltà, edited by Pier Luigi Capucci, 7879. Bologna: Baskerville, 1993.
    [Google Scholar]
  142. Maldonado, Tomás. ‘The Body: Artificialization and Transparency.’ In Mediating the Human Body: Technology, Communication, and Fashion, edited by Leopoldina Fortunati, James E. Katz and Raimonda Riccini. New York: Routledge, 2003. https://doi.org/10.4324/9781410607768.
    [Google Scholar]
  143. Maldonado, Tomás and Hans Ulrich Obrist. Arte e artefatti. Milano: Feltrinelli, 2009.
    [Google Scholar]
  144. Mancuso, Marco. Arte, tecnologia e scienza. Le art industries e i nuovi paradigmi di produzione nella new media art contemporanea. Milano: Mimesis Edizioni, 2018.
    [Google Scholar]
  145. Mancuso, Marco. ‘Michael John Gorman: Il Progetto Science Gallery International.’ Mimesis Edizioni, 1 January 2018. https://www.academia.edu/83700311/Michael_John_Gorman_il_progetto_Science_Gallery_International.
    [Google Scholar]
  146. Mann, Samuel. ‘Wearable Computing as a Means for Personal Empowerment.’ University of Toronto, 1998.
  147. Marazzi, Antonio. Uomini, cyborg e robot umanoidi. Antropologia dell'uomo artificiale. Roma: Carocci, 2012.
    [Google Scholar]
  148. Marchand, Jeffrey Scott. ‘Non-Human Agency.’ In Posthuman Glossary, edited by Rosi Braidotti and Maria Hlavajova. London: Bloomsbury Academic, 2018.
    [Google Scholar]
  149. Marchesini, Roberto. Post-Human. Verso nuovi modelli di esistenza. Torino: Bollati Boringhieri, 2002.
    [Google Scholar]
  150. Marinetti, Filippo Tommaso. ‘Danza Futurista: Manifesto Futurista.’ L'Italia Futurista, July, 1917.
    [Google Scholar]
  151. Marinetti, Filippo Tommaso. ‘il Manifesto della Cucina Futurista.’ Gazzetta del Popolo di Torino, December 1930.229
    [Google Scholar]
  152. Marinetti, Filippo Tommaso. ‘L'Uomo Moltiplicato e il Regno della Macchina.’ In Manifesti Futuristi 1909–1944, edited by Luciano Caruso. Firenze: SPES Salimbeni, 1980.
    [Google Scholar]
  153. Marinetti, Filippo Tommaso. Manifesti del Futurismo. Edited by Viviana Birolli. Milano: Abscondita, 2008.
    [Google Scholar]
  154. Martins, Hermínio. The Technocene: Reflections on Bodies, Minds, and Markets. Edited by S. Ravi Rajan and Danielle Crawford. London: Anthem Press, 2018.
    [Google Scholar]
  155. McCarthy, John, Marvin L. Minsky, Nathaniel Rochester and Claude E. Shannon. ‘A Proposal for the Dartmouth Summer Research Project on Artificial Intelligence (August 31, 1955).’ AI Magazine 27, no. 4 (15 December 2006): 12. https://doi.org/10.1609/aimag.v27i4.1904.
    [Google Scholar]
  156. Mecacci, Andrea. Estetica e design. Bologna: Il Mulino, 2012.
    [Google Scholar]
  157. Mechanical Marvels: Clockwork Dreams. Documentary. Furnace, British Broadcasting Corporation (BBC), 2013.
  158. Meillassoux, Quentin. After Finitude: An Essay on the Necessity of Contingency. Translated by Ray Brassier. London: Continuum International Publishing Group, 2009.
    [Google Scholar]
  159. Merleau-Ponty, Maurice. Phenomenology of Perception. Translated by Donald Landes. New York: Routledge, 2011.
    [Google Scholar]
  160. Midal, Alexandra. AC/DC: Contemporary Art/Contemporary Design. Edited by Paul Ardenne, Anthony Dunne and Paola Antonelli. Genève: JRP|Ringier, 2009.
    [Google Scholar]
  161. Mink, Olga, ed. ‘Hack the Body: Critical Reflection on the Blurry Boundaries Between Intimacy, Privacy and Technology.’ Baltan Quarterly, no. 4 (2016): 27.
    [Google Scholar]
  162. Moggridge, Bill. Designing Interactions. Cambridge: MIT Press, 2007.
    [Google Scholar]
  163. Mometti, Maddalena. ‘Dresses, natural elements and weather in the age of high-tech fashion.’ Digicult | Digital Art, Design and Culture (blog), 25 February 2016. https://digicult.it/news/dresses-natural-elements-and-weather-in-the-age-of-high-tech-fashion/.
    [Google Scholar]
  164. Moore, Jason W. Antropocene o capitalocene? Scenari di ecologia-mondo nella crisi planetaria. Edited by Alessandro Barbero and Emanuele Leonardi. Verona: Ombre Corte, 2017.
    [Google Scholar]
  165. Moravec, Hans. Mind Children: The Future of Robot and Human Intelligence. Cambridge: Harvard University Press, 1988.
    [Google Scholar]
  166. More, Max. ‘A Letter to Mother Nature.’ In The Transhumanist Reader: Classical and Contemporary Essays on the Science, Technology, and Philosophy of the Human Future, edited by Max More and Natasha Vita-More, 44950. Hoboken: Wiley-Blackwell, 2013.
    [Google Scholar]
  167. More, Max. ‘The Philosophy of Transhumanism.’ In The Transhumanist Reader: Classical and Contemporary Essays on the Science, Technology, and Philosophy of the Human Future, edited by Max More and Natasha Vita-More, 317. Hoboken: Wiley-Blackwell, 2013.
    [Google Scholar]
  168. Morin, Edgar. La sfida della complessità. Bagno a Ripoli (FI): Le Lettere, 2017.
    [Google Scholar]
  169. Morselli, Valeria. La danza e la sua storia. Valenze culturali, sociali ed estetiche dell'arte della danza in Occidente. Dalle civiltà greca e romana al XVII secolo. Roma: Audino, 2018.
    [Google Scholar]
  170. Morton, Timothy. Dark Ecology: For a Logic of Future Coexistence. New York: Columbia University Press, 2016.230
    [Google Scholar]
  171. Morton, Timothy. Hyperobjects: Philosophy and Ecology After the End of the World. Minneapolis: University of Minnesota Press, 2013.
    [Google Scholar]
  172. Morton, Timothy. Realist Magic: Objects, Ontology, Causality. Ann Arbor: Open Humanities Press, 2013.
    [Google Scholar]
  173. Myers, Brad. ‘A Brief History of Human Computer Interaction Technology.’ ACM Interactions 5, no. 2 (24 September 2001): 4454. https://doi.org/10.1145/274430.274436.
    [Google Scholar]
  174. Nafus, Dawn, ed. Quantified Biosensing Technologies in Everyday Life (Mit Press, 2016).
  175. Nicolescu, Basarab. Manifesto of Transdisciplinarity. Albany: State University of New York Press, 2022.
    [Google Scholar]
  176. Nowak, Dobrosława. ‘Representing the body in art.’ Kabul Magazine (blog), 19 November 2020. https://www.kabulmagazine.com/rappresentare-corpo-arte/.
    [Google Scholar]
  177. Ochsner, Beate, Markus Spöhrer and Robert Stock. ‘Human, Non-Human, and Beyond: Cochlear Implants in Socio-Technological Environments.’ NanoEthics 9, no. 3 (1 December 2015): 23750. https://doi.org/10.1007/s11569-015-0242-1.
    [Google Scholar]
  178. O'Reilly, Sally. The Body in Contemporary Art. London: Thames & Hudson, 2009.
    [Google Scholar]
  179. Oxman, Neri. ‘Age of Entanglement.’ Journal of Design and Science 1 (13 January 2016). https://doi.org/10.21428/7e0583ad.
    [Google Scholar]
  180. Patterson, Meredith. ‘A Biopunk Manifesto.’ Presented at the Outlaw Biology? Public Participation in the Age of Big Bio, UCLA Center for Society and Genetics, 29 January 2010.
  181. Pedersen, Isabel and Andrew Iliadis, eds. Embodied Computing: Wearables, Implantables, Embeddables, Ingestibles. Cambridge: MIT Press, 2020. https://ieeexplore.ieee.org/document/9085547.
    [Google Scholar]
  182. Pellegrino, Gianfranco. ‘Introduzione.’ In Ecologia oscura. Logica della coesistenza futura, edited by Timothy Morton, translated by Vincenzo Santarcangelo. Luiss University Press, 2022.
    [Google Scholar]
  183. Pepperell, Robert. ‘The PostHuman Manifesto (1995).’ Kainos (blog), 2006. http://www.kainos.it/numero6/emergenze/emergenze-pepperell-ing.html.
    [Google Scholar]
  184. Piaget, Jean. Insights and Illusions of Philosophy. Cleveland: The World Publishing Company, 1972.
    [Google Scholar]
  185. Pinker, Steven. The Language Instinct: How the Mind Creates Language. New York: Harper Collins, 1995.
    [Google Scholar]
  186. Plant, Sadie. Zeros and Ones: Digital Women and the New Technoculture. London: Fourth Estate, 2016.
    [Google Scholar]
  187. Plohman, Angela and Clare Butcher. The Future of the Lab. Eindhoven: Baltan Laboratories, 2010.
    [Google Scholar]
  188. Politi, Giancarlo and Helena Kontova. ‘L'arte può ancora cambiare il mondo? Una conversazione con Jeffrey Deitch su Post Human.’ Flash Art, no. 170 (November 1992). https://flash---art.it/article/jeffrey-deitch/.
    [Google Scholar]
  189. Pondspecial, Geoffrey. ‘Young Scientist Leads Two Lives.’ The New York Times, 20 March 1960, sec. Archives. https://www.nytimes.com/1960/03/20/archives/young-scientist-leads-two-lives-medical-pioneer-at-state-hospital.html.
    [Google Scholar]
  190. Preciado, Paul B. Countersexual Manifesto. Translated by Kevin Gerry Dunn. Foreword by Jack Halberstam. New York: Columbia University Press, 2018.231
    [Google Scholar]
  191. Preciado, Paul B.Multitudes queer: Notes pour une politiques des “anormaux”.’ Multitudes 12, no. 2 (2003): 1725. https://doi.org/10.3917/mult.012.0017.
    [Google Scholar]
  192. Pritham, Charles H.Special Considerations: Emerging Trends in Lower-Limb Prosthetics: Research and Development.’ In Atlas of Limb Prosthetics: Surgical, Prosthetic, and Rehabilitation Principles, edited by John H. Bowker and John W. Michael. Rosemont: American Academy of Orthopaedic Surgeons, 1992.
    [Google Scholar]
  193. Ranisch, Robert and Stefan Lorenz Sorgner. Post- and Transhumanism: An Introduction. Frankfurt am Main: Peter Lang Verlag, 2014.
    [Google Scholar]
  194. Riccini, Raimonda. ‘Artificio e trasparenza: Il corpo sulla scena degli oggetti.’ In Il corpo umano sulla scena del design, edited by Massimiliano Ciammaichella. Padova: Il Poligrafo, 2015.
    [Google Scholar]
  195. Richardson, Robert G. and E. Ashworth Underwood. ‘Medicine in the 20th Century.’ In Encyclopedia Britannica, 21 August 2024. https://www.britannica.com/science/history-of-medicine/Medicine-in-the-20th-century.
    [Google Scholar]
  196. Romano, Zoe. ‘Al makerspace con l'inventrice del primo tessuto vivente: Lining Yao.’ Digicult | Digital Art, Design and Culture (blog), 22 June 2017. https://digicult.it/news/meeting-makerspace-living-textile-inventor-lining-yao/.
    [Google Scholar]
  197. Roncoletta, Mariana Rachel. ‘Fashion Design for Health: A Multidisciplinary Approach.’ In Universal Access in Human-Computer Interaction: Access to Learning, Health and Well-Being, 352. Springer International Publishing, 2015.
    [Google Scholar]
  198. Salter, Chris and Andrew Pickering. Alien Agency: Experimental Encounters with Art in the Making. Cambridge: MIT Press, 2015.
    [Google Scholar]
  199. Sanneke, Huisman, Marga van Mechelen and Arie Altena, eds. ‘Research in Technological Art at V2_.’ In A Critical History of Media Art in the Netherlands: Platforms, Policies, Technologies. Prinsenbeek: Jap Sam Books, 2019.
    [Google Scholar]
  200. Schaffer, Simon. ‘Enlightened Automata.’ In The Sciences in Enlightened Europe, edited by William Clark, Jan Golinski and Simon Schaffer, 12665. Chicago: University of Chicago Press, 1999. https://press.uchicago.edu/ucp/books/book/chicago/S/bo3623650.html.
    [Google Scholar]
  201. Schep, Tijmen and Michel Langendijk, eds. Virtueel Platform: The New Explorer Guide to Dutch Digital Culture. Rotterdam: Het Nieuwe Instituut, 2013.
    [Google Scholar]
  202. Schmidhuber, Jürgen. ‘A Computer Scientist's View of Life, the Universe, and Everything.’ In Foundations of Computer Science: Potential—Theory—Cognition, edited by Christian Freksa, Matthias Jantzen and Rüdiger Valk, 20108. Berlin: Springer, 1997. https://doi.org/10.1007/BFb0052088.
    [Google Scholar]
  203. ScienceDirect Topics. ‘Krebs Cycle – An Overview | ScienceDirect Topics’, 2001. https://www.sciencedirect.com/topics/biochemistry-genetics-and-molecular-biology/krebs-cycle.
  204. Seung, Sebastian. Connectome: How the Brain's Wiring Makes Us Who We Are. London: Penguin Books, 2012.
    [Google Scholar]
  205. Shannon, Claude Elwood. ‘A Mathematical Theory of Communication.’ Bell System Technical Journal 27, no. 3 (1948): 379423. https://doi.org/10.1002/j.1538-7305.1948.tb01338.x.232
    [Google Scholar]
  206. Shildrick, Margrit. Embodying the Monster: Encounters with the Vulnerable Self. London: SAGE Publications, 2002.
    [Google Scholar]
  207. Silvestrin, Daniela. ‘Dialogues on “Bioart” #1. A conversation with Jens Hauser.’ Digicult | Digital Art, Design and Culture (blog), 10 December 2012. https://digicult.it/news/dialogues-on-bioart-1-a-conversation-with-jens-hauser/.
    [Google Scholar]
  208. Smith, Marquard and William Gibson. Stelarc: The Monograph. Cambridge: MIT Press, 2007.
    [Google Scholar]
  209. Snow, Charles Percy. The Two Cultures. Canto Classics. Cambridge: Cambridge University Press, 2012. https://doi.org/10.1017/CBO9781139196949.002.
    [Google Scholar]
  210. Spaendonck, Floor van. ‘Introduction to the Guide.’ In Virtueel Platform: The New Explorer Guide to Dutch Digital Culture, edited by Tijmen Schep and Michel Langendijk, 57. Rotterdam: Het Nieuwe Instituut, 2013.
    [Google Scholar]
  211. Steinhart, Eric. ‘Teilhard de Chardin and Transhumanism.’ Journal of Evolution and Technology 20, no. 1 (2008): 122.
    [Google Scholar]
  212. Stelarc. ‘Prosthetics, Robotics and Remote Existence: Postevolutionary Strategies.’ Leonardo 24, no. 5 (1991): 59195. https://doi.org/10.2307/1575667.
    [Google Scholar]
  213. Sterpellone, Luciano. Storia della medicina del XX secolo. Roma: Newton Compton Editori, 1997.
    [Google Scholar]
  214. Stock, Robert, Beate Ochsner and Markus Spöhrer. ‘Human, Non-Human, and Beyond: Cochlear Implants in Socio-Technological Environments’, 1 January 2015. https://www.academia.edu/17400432/Human_Non_Human_and_Beyond_Cochlear_Implants_in_Socio_Technological_Environments.
  215. Sulopuisto, Olli, Philip Dean and Kati Åberg. Media Lab 20 Helsinki. Tallin: Aalto University, 2014. https://research.aalto.fi/en/publications/media-lab-20-helsinki.
    [Google Scholar]
  216. Svanæs, Dag. ‘Interaction Design for and with He Lived Body: Some Implications of Merleau-Ponty's Phenomenology.’ ACM Transactions on Computer-Human Interaction 20, no. 1 (March 2013): 130. https://doi.org/10.1145/2442106.2442114.
    [Google Scholar]
  217. Tanaka, Atau. ‘Situating within Society: Blueprints and Strategies for Media Labs.’ In A Blueprint for a Lab of the Future, edited by Annet Dekker and Annette Wolfsberger. Eindhoven: Baltan Laboratories, 2011.
    [Google Scholar]
  218. The Alternative Limb Project. ‘Crystal Leg.’ Accessed 30 September 2024. https://thealternativelimbproject.com/limbs/crystal/.
  219. The Neurorobotics Platform. ‘The Ultimate Embodied Simulation Experience’, n.d. https://neurorobotics.net.
  220. Tipler, Frank J. The Physics of Immortality: Modern Cosmology, God and the Resurrection of the Dead. New York: Knopf Publishing Group, 1997.
    [Google Scholar]
  221. Tocchetti, Sara. ‘Hackteria: Interview with Marc Dusseiller.’ Edited by Marco Mancuso. MCD. Magazine Des Cultures Digitales, no. 68(November 2012): 4649.
    [Google Scholar]
  222. Torselli, Vilma. ‘Post-Human.’ Artonweb (blog), 3 April 2007. http://www.artonweb.it/artemoderna/artedopo60/articolo28.htm.
    [Google Scholar]
  223. Turing, Alan. ‘Computing Machinery and Intelligence.’ Mind LIX, no. 236 (1 October 1950): 43360. https://doi.org/10.1093/mind/LIX.236.433.233
    [Google Scholar]
  224. Turing, Alan. ‘On Computable Numbers, with an Application to the Entscheidungs Problem.’ Proceedings of the London Mathematical Society s2–42, no. 1 (1937): 23065. https://doi.org/10.1112/plms/s2-42.1.230.
    [Google Scholar]
  225. Udsen, Lars Erik and Anker Helms Jørgensen. ‘The Aesthetic Turn: Unravelling Recent Aesthetic Approaches to Human-Computer Interaction.’ Digital Creativity 16, no. 4 (1 January 2005): 20516. https://doi.org/10.1080/14626260500476564.
    [Google Scholar]
  226. Uexküll, Jakob von. A Foray Into the Worlds of Animals and Humans. Translated by Joseph D. O'Neil. Minneapolis: University of Minnesota Press, 2010.
    [Google Scholar]
  227. Ulrico, Aichelburg. Rivoluzioni della medicina nel XX secolo. Dai trapianti all'ingegneria genetica. Torino: La Stampa, 1996.
    [Google Scholar]
  228. Vall, Marta du and Marta Majorek. ‘Media Labs–Creative Cooperation and Mutual Learning: Case Studies Across Europe.’ SHS Web of Conferences 48 (2018): 01044. https://doi.org/10.1051/shsconf/20184801044.
    [Google Scholar]
  229. Vergine, Lea. Dall'informale alla body art: Dieci voci dell'arte contemporanea, 1960–1970. Firenze: Forma Edizioni, 1976.
    [Google Scholar]
  230. Vinge, Vernor. ‘First Word.’ Edited by Richard Teresi and Ellen Datlow. Omni Magazine 5, no. 4 (1983): 1016, Omni Publications International Ltd.
    [Google Scholar]
  231. Vinge, Vernor. ‘The Coming Technological Singularity: How to Survive in the Post-Human Era.’ In NASA. Lewis Research Center, Vision 21: Interdisciplinary Science and Engineering in the Era of Cyberspace, 1993. https://ntrs.nasa.gov/citations/19940022856.
    [Google Scholar]
  232. Viola, Sabrina. ‘Le Body Extensions di Rebecca Horn, Mani in Esplorazione.’ Con il Corpo Vivo (blog), May 2018. https://conilcorpovivo.blogspot.com/2018/05/le-body-extensions-di-rebecca-horn-mani.html.
    [Google Scholar]
  233. Vita-More, Natasha. ‘The Transhumanist Manifesto.’ Humanity+, 2020. https://www.humanityplus.org/the-transhumanist-manifesto.
  234. Wang, Xiandi, Lin Dong, Hanlu Zhang, Ruomeng Yu, Caofeng Pan and Zhong Lin Wang. ‘Recent Progress in Electronic Skin.’ Advanced Science 2, no. 10 (2015): 1500169. https://doi.org/10.1002/advs.201500169.
    [Google Scholar]
  235. Warwick, Kevin. ‘Cyborg 1.0.’ Wired, 1 February 2000.
    [Google Scholar]
  236. Wipprecht, Anouk. ‘FashionTech.’ Anouk Wipprecht FashionTech. Accessed 1 October 2024. http://www.anoukwipprecht.nl.
    [Google Scholar]
  237. Wolf, Gary. ‘The Quantified Self: Reverse Engineering: Biosensing Technologies in Everyday Life.’ In Quantified: Biosensing Technologies in Everyday Life, edited by Dawn Nafus, 6772. MIT Press, 2016.
    [Google Scholar]
  238. Zylinska, Joanna. ‘Extending McLuhan Into the New Media Age: An Introduction.’ In The Cyborg Experiments. The Extensions of the Body in the Media Age, edited by Joanna Zylinska, 112. London: Continuum International Publishing Group, 2002.
    [Google Scholar]
  239. Zylinska, Joanna. Minimal Ethics for the Anthropocene. Ann Arbor: Open Humanities Press, 2014.
    [Google Scholar]
/content/books/9781835952412.bm01
dcterms_title,dcterms_subject,pub_keyword
-contentType:Contributor -contentType:Concept -contentType:Institution
10
5
Chapter
content/books/9781835952412
Book
false
en
Loading
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error
Please enter a valid_number test