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Who's Who in Research: Performing Arts
Who's Who in Research: Film Studies
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Who's Who in Research: Media Studies
World Film Locations: Vancouver
World Film Locations: Vancouver highlights the work of such Canadian filmmakers who have received less attention than they merit, whilst bringing insight into how so-called ‘runaway’ productions from Hollywood use Vancouver to stand in for other locations, from Seattle, USA to Lagos, Nigeria. Analyses of 38 different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the creativity and contradictions of Vancouver’s film industry throughout the ages. The essays examine the following topics: the masking of Vancouver’s indigenous stories in filmic representations of the city; Australian screenwriter James Clavell’s Vancouver-set debut The Sweet and the Bitter; Sylvia Spring’s Madeleine Is..., the first female-directed feature in Canada; Jonathan Kaplan’s The Accused, for which Jodie Foster won an Oscar; and, the use of Vancouver locations in a number of US television crime series. World Film Locations: Vancouver offers new perspectives on the west coast city and in doing so sheds further light upon the relationship between the movies and the metropolis.
World Film Locations: Glasgow
World Film Locations: Venice
Why I Buy
Self, Taste, and Consumer Society in America
Balancing psychological, conceptual and historical analyses with examples drawn from popular culture and mass media, Rami Gabriel traces the ways in which beliefs about the self – including dualism, individualism, and expressivism – influence consumer behaviour. These understandings of the self, Gabriel argues, structure the values that Americans seek and find in consumer society; they therefore have structural consequences for our cultural, political and economic lives. For example, Gabriel describes how imbalances in the institutions of participatory politics have directly resulted from a consumer society centered on powerful nongovernmental institutions and a scattered body of disengaged citizens whose social and individual needs are not primarily satisfied through civic involvement. By exploring the relationship between our individual needs and our institutions, Gabriel ultimately points the way toward transformations that could lead to a more sustaining and sustainable society.
World Film Locations: Chicago
While some call it the Second City, Chicago is no stranger to the silver screen. Director Christopher Nolan transformed Chicago into the darkly foreboding Gotham City for The Dark Knight . Ferris Bueller rode a parade float down Dearborn and made stops during his epic day off at a host of landmarks, from Buckingham Fountain to Wrigley Field. Everyone’s favourite foul-mouthed blues act ended their film’s climactic chase by taking the Bluesmobile through the plate-glass windows of the Richard J. Daley Center. With World Film Locations: Chicago , critic Scott Jordan Harris takes readers on a cinematic tour of the city, featuring modern blockbusters and beloved classics. Along the way, scenes from almost fifty films made or set in the city are discussed, accompanied by full-colour stills and interspersed with essays examining the city’s unique character onscreen. Among the contributors are Gordon Quinn, cofounder of Chicago’s Kartemquim Films; Elizabeth Weitzman, film critic for the New York Daily News; the BBC’s Samira Ahmed; and Steve James, director of the coming-of-age classic Hoop Dreams. For readers hoping to locate landmarks from favourite films, the book also includes detailed maps that point out key scenes. A fun and fact-packed read, World Film Locations: Chicago will be welcomed by film fans and anyone planning a trip to the Windy City.
World Film Locations: Marseilles
As France’s oldest city, Marseilles has a significant cinematic culture, dating back to the 1890s when the Lumière brothers shot many films there. Due to its prolific film industry in the 1920s, Marseilles was referred to as 'the French Los Angeles'. This volume showcases Marseilles’s diversity as articulated onscreen: from the winding streets of the Panier to the Old Port’s noisy markets, from the bustling Canebière to the dockyards of the Grand Port Maritime, from the cliffs of Provençal encircling the city to sun-drenched calanques leading to the dazzling cerulean sea. Marseilles, France’s oldest city, has a significant cinematic culture, dating back to the 1890s when the Lumière brothers shot many films there. Due to its prolific film industry in the 1920s, Marseilles was referred to as ‘the French Los Angeles’. World Film Locations: Marseilles features maps of film scenes, high quality screengrabs, and images of movie locations as they appear today, accompanied by original texts penned by leading international film scholars and critics. Essays treat Marcel Pagnol’s classic trilogy, firmly ensconced within the French collective unconscious; cinematic adaptations of the Marseillais novelist Jean-Claude Izzo; onscreen appearances of the Old Port and the Canebière, and immigrants in Marseilles films. Scene reviews are selected from 46 films, including œuvres by acclaimed directors such as Jacques Audiard, Jean-Jacques Beineix, Luc Besson’s Taxi franchise, Bertrand Blier, Richard Curtis, Jacques Demy, Jean Epstein, John Frankenheimer, William Friedkin, Jean-Luc Godard, Norman Jewison, Joshua Logan, Jean-Pierre Melville, Lázló Moholy-Nagy, Manoel de Oliveira, Jean Renoir, Ridley Scott, and Berlin School auteur Angela Schanelac.
Why Would Anyone Wear That?
Fascinating Fashion Facts
With a blend of wisdom and wit, Why Would Anyone Wear That? explores extreme fashions from around the world. The Victorian era was by no means alone in strange sartorial choices. Throughout history, men and women have turned to clothing and accessories to adorn and accentuate parts of the body. Some of the fashions, like bloomers, were surprisingly functional. Others, like powdered wigs and hobble skirts, were inconvenient and uncomfortable. And a few particularly painful practices could even permanently disfigure the wearer, like brass coils worn in Burma to lengthen the neck and the custom of binding of women’s feet to fit tiny lotus slippers in Song dynasty China. Presenting dozens of the most peculiar fashions, including shoes, hats, jewelry, undergarments, and outerwear, the book provides insightful commentary, placing the garments and accessories in the proper historical, social, and cultural context.
If you’ve ever wondered why the codpiece was created or the leisure suit went out of style, this book will answer that question and many more. Fully illustrated and packed with fun facts, Why Would Anyone Wear That? introduces readers to the fascinating stories behind some of the world’s weirdest fashions.
World Film Locations: Helsinki
Part of Intellect’s World Film Locations series, World Film Locations: Helsinki explores the relationship between the city, cinema and Finnish cultural history. Cinematic representations of Helsinki range from depictions of a northern periphery to a space of cosmopolitanism, from a touristic destination to a substitute for Moscow and St. Petersburg during the Cold War. The city also looks different depending on one’s perspective, and World Film Locations: Helsinki illustrates this complexity by providing a visual collection of cinematic views of Helsinki. This cinematic city is a collective work where individual pieces construct a whole, and one which we, as viewers, then shape according to our perspectives. The contributors emphasize the role of the city in identity and cultural politics throughout Finnish film history and its central role as the locus for negotiating Finland’s globalization.
World Film Locations: Mumbai
World Film Locations: Beijing
In a series of spotlight essays and illustrated scene reviews, a cast of seasoned scholars and fresh new voices explore the vast range of films – encompassing drama, madcap comedy, martial arts escapism and magical realism – that have been set in Beijing. Unveiling a city of hidden courtyards, looming skyscrapers and traditional Hutong neighbourhoods, these contributors depict a distinctive urban culture that reflects the conflict and tumult of a nation in transition. With considerations of everything from the back streets of Beijing Bicycle to the forbidden palace of The Last Emperor to the tourist park of The World, this volume is a definitive cinematic guide to an ever-changing and endlessly fascinating capital city.
World Film Locations: Reykjavík
Though the creative community of Reykjavík, Iceland, has earned a well-deserved reputation for its unique artistic output – most notably the popular music that has emerged from the city since the 1980s – Reykjavík’s filmmakers have received less attention than they merit. World Film Locations: Reykjavík corrects this imbalance, shedding new light on the role of cinema in a country that, partly because of its small population, produces more films per capita than any other in the world.
The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund – before which the country’s film industry barely existed – through to today. In a series of illuminating scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship between Iceland and its capital city; youth culture and night life; the relationship between film and the local music community; cinematic representations of Scandinavian crime; and filmmakers’ response to the 2008 banking crisis. Together, these varied contributions show how films shot in Reykjavík have been shaped both by Iceland’s remoteness from the rest of the world and by Icelandic filmmakers’ sense that the city remains forever on the brink of desolate and harsh wilderness.
World Film Locations: Vienna
World Film Locations: Vienna provides a panorama of international motion pictures shot on location in Austria's once imperical capital. Informative reviews of 46 film scenes and evocative essays examine for the first time Vienna's relationship to cinema outside the waltz fantasies shot in the studios of Hollywood, London, Paris, Berlin... and Vienna. Illustrations and screen-grabs are set alongside current images, as well as city maps locating ‘cinematic Vienna’. A Vienna at the crossroads of a turbulent history, as a source of great music and literature, and a site of world-famous architecture ranging from gothic cathedrals and baroque palaces to Jugendstil (Vienna's art nouveau) to the eco-challenges of the postmodern is revealed. Spotlight essays cover the images that evoke the end of the Austro-Hungarian Empire; the pioneering filmmaking of Willi Forst and Walter Reisch in the 1930s; Vienna's role in the entertainment cinema of the Third Reich; opulent royal epics of the 1950s and the city as backdrop for international moviemaking; Jewish filmmakers and their take on lost cultural imagery; and a startling New Wave cinema from filmmakers such as Michael Haneke, Barbara Albert and Ulrich Seidl.
World Film Locations: Berlin
World Film Locations: Melbourne
An illuminating and visually led guide to a selection of the films set wholly or in part in Melbourne, World Film Locations: Melbourne covers the big screen representations of life in the city from the Victorian era to the present day. Short analyses of iconic scenes and themed essays focusing on key directors and recurring themes and locations combine to highlight the city's relationship to cinema. Illustrated throughout with full colour film stills and photographs of the locations as they are now – from architectural landmarks to largely unexplored outer-suburbs – the book also contains city maps for those wishing to explore Melbourne's richly diverse cinematic streets.
From visions of Ned Kelly, via tales of sporting drama to the coming-of-age films of the 1980s and beyond, this accessible trip around the birthplace of the Australian film industry will both firmly cement Melbourne's reputation as a richly diverse creative hotbed and enhance the standing of the films and filmmakers associated with the city.
World Film Locations: New Orleans
With more and more filmmakers taking advantage of its rich and varied settings, New Orleans has earned star-studded status as the 'Hollywood of the South'. From the big-screen adaptation of the stage classic A Streetcar Named Desire to the Elvis Presley musical King Creole, many well-known films have a special connection with the Big Easy, and this user-friendly guide explores the integral role of New Orleans in American film history.
World Film Locations: New Orleans features essays that reflect on the city’s long-standing relationship with the film industry. Among the topics discussed are popular depictions of Hurricane Katrina on film, the prevalence of the supernatural in New Orleans cinema and recent changes to city ordinances that have made New Orleans even more popular as a film destination. As the most frequently filmed area of New Orleans, the French Quarter is given particular attention in this volume with synopses of scenes shot or set there, including The Big Easy, Interview with the Vampire and the much-loved Bond film Live and Let Die. Additional synopses highlight numerous other film scenes spanning the city, and all are accompanied by evocative full-colour stills. The historic neighbourhoods and landmarks of New Orleans have provided the backdrop for some of the most memorable moments in film history, and this book offers fans a guided tour of the many films that made the city their home.
Writing on Drawing
Essays on Drawing Practice and Research
An increased public and academic interest in drawing and sketching, both traditional and digital, has allowed drawing research to emerge recently as a discipline in its own right. In light of this development, Writing on Drawing presents a collection of essays by leading artists and drawing researchers that reveal a provocative agenda for the field, analysing the latest work on creativity, education and thinking from a variety of perspectives. Writing on Drawing is a forward-looking text that provokes enquiry and shared understanding of contemporary drawing research and practice. An essential resource for artists, scientists, designers and engineers, this volume offers consolidation, discussion and guidance for a previously fragmented discipline.