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Exposing Vulnerability
More LessThis book explores the diversity of perspectives afforded by the emerging body of Scandinavian films produced by women. The author focuses on women filmmakers' use of their own vulnerability in representing Scandinavian experiences with globally relevant contemporary issues such as race, gender, mental illness, bullying and the trauma of migration, and highlights the frictions between the positive and negative manifestations of such vulnerability. Though Scandinavia is reputed for its ambitious and innovative film tradition, film scholarship has largely ignored women’s bold contributions to the canon. Exposing Vulnerability is a cultural and socio-political analysis of contemporary film by Scandinavian women as they use their lives and work to reconfigure the cinematic, the political and the ethical.
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Europe Faces Europe
How is Europe identified in narratives from its eastern periphery? This is the core question of this volume. Its chapters map narratives of Europe rooted in East Europe, as they circulate in phenomenological philosophy, news journalism, social movements, literary texts, visual art and popular music. Whereas debate and research on European identity is normally conducted in self-congratulatory terms by core institutions in the centre, the focus here is on how Europeanness is narrated in one of its most dynamic regions: Eastern Europe. A closer scrutiny of how such East European narratives critically rework inherited conceptions reveals a range of strategies for interpreting European identity in this transitory phase of history.
Open Access PDF of this title is available from OAPEN, at this link Europe Faces Europe.
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Englishness, Pop and Post-War Britain
More LessEnglish pop music was a dominant force on the global cultural scene in the decades after World War II – and it served a key role in defining, constructing and challenging various ideas about Englishness in the period. Kari Kallioniemi covers a stunning range of styles of pop – from punk, reggae and psychedelia to jazz, rock, Brit Pop and beyond – as he explores the question of how various artists (including such major figures as David Bowie and Morrissey), genres and pieces of music contributed to the developing understanding of who and what was English in the transformative post-war years.
Publication Forum (Finland) lists this book as a Level 2 publication, where ‘the highest-level publications are directed as a result of extensive competition and demanding peer-review’.For Intellect’s full listings in this catalogue, please click here.
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Entering Transmasculinity
More Less[Entering Transmasculinity is a holistic study of the intersecting and overlapping discourses that shape transgender identities. In the book, matthew heinz offers an examination of mediated and experienced transmasculine subjectivities and aims to capture the apparent contradictions that structure transmasculine experience, perception and identification. From the relationship between transmasculinity’s emancipatory potential and its simultaneously homogenizing implications, to issues of gender-queerness, sexual minorities, normativity and fatherhood, Entering Transmasculinity is the first book to synthesise the disparate areas of academic study into a theory of the transmasculine self and its formation.
, Entering Transmasculinity is a holistic study of the intersecting and overlapping discourses that shape transgender identities. In the book, matthew heinz offers an examination of mediated and experienced transmasculine subjectivities and aims to capture the apparent contradictions that structure transmasculine experience, perception and identification. From the relationship between transmasculinity’s emancipatory potential and its simultaneously homogenizing implications, to issues of gender-queerness, sexual minorities, normativity and fatherhood, Entering Transmasculinity the first book to synthesise the disparate areas of academic study into a theory of the transmasculine self and its formation.]
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Educating Film-makers
Authors: Duncan Petrie and Rod StonemanA timely consideration of both the history and the current challenges facing practice-based film training, Educating Film-Makers is the first book to examine the history, impact and significance of film education in Britain, Europe and the United States. Film schools, the authors show, have historically focused on the cultivation of the film-maker as a cultural activist, artist or intellectual – fostering creativity and innovation. But more recently a narrower approach has emerged, placing a new emphasis on technical training for the industry. The authors argue for a more imaginative engagement and understanding of the broader social importance of film and television, suggesting that critical analysis and production should be connected. Examining current concerns facing practice-based film education in the digital era, this book is indispensable for both film teachers and students alike.
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European Cultures in Sport
Authors: Arnd Kruger and James RiordanSport occupies a key position in the cultural profile of a nation. This study forms a comparative guide to sport across Europe, in terms of its relative political and social status, its development, and the ways in which it has contributed to national achievement. Covering sport in ten major European states, each native contributor to the study presents: • a brief historical background: major sports successes, Olympic positions, sporting traditions, • organisation of sport: its structure and financing, • elite sport: how talent is spotted, nurtured and remunerated, sports academies, national qualification schemes, • the role of science and medicine in sport,
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The Exciting Life of Being a Woman
Authors: Amelia Lee and Feminist WebsThe Exciting Life of Being a Woman is the feminist survival manual you wish you had read as a teenager. It is written by Feminist Webs, a cross-generational youth project for girls and young women based in Manchester, UK. Drawing on the history, practices and activities of Feminist Webbers, The Exciting Life of Being a Woman provides inspiration for women of all ages to live their life in creative and empowered ways. It includes illustrations, comics, youth work activities, personal writing and much more.
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Europe and Love in Cinema
Europe and Love in Cinema explores the relationship between love and Europeanness in a wide range of films from the 1920s to the present. A critical look at the manner in which love—in its broadest sense—is portrayed in cinema from across Europe and the United States, this volume exposes constructed notions of "Europeanness" that both set Europe apart and define some parts of it as more "European" than others. Through the international distribution process, these films in turn engage with ideas of Europe from both outside and within, while some, treated extensively in this volume, even offer alternative models of love. A bracing collection of essays from top film scholars, Europe and Love in Cinema demonstrates the centrality of desire to film narrative and explores multiple models of love within Europe's frontiers.
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European Media Governance
A multitude of factors affect how the European media industry is governed, including commercialisation, concentration, convergence and globalisation. George Terzis’ collection, European Media Governance, is the first volume to concentrate on analysing and explaining how European countries are slowly conceding control of the media from the government to the market, professional and public forces.
This impressive volume provides a detailed examination of all aspects of media governance, including media ownership structures, government policies, citizen’s organisations and union’s accountability systems, for 32 European countries. European Media Governance includes recent research into technological developments and provides sources for more information in each country. In addition to this incredibly diverse scale of research and analysis, the book provides a companion website with regular updates. Terzis’ European Media Governance addresses all aspects of media governance in Europe, reflecting contemporary developments in both the countries analysed and their media, creating a comprehensive and reliable source.
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European Culture and the Media
Authors: Ib Bondebjerg and Peter GoldingWe are witnessing a dynamic reshaping of the European 'mediascape'. This has been underway for more than a decade since the fall of the Berlin wall in 1989, the growing impact of globalisation, and the birth of new technologies and new media, or the convergence between old and new media. A new and more intense 'mediatisation' of society and everyday life is emerging. This is happening alongside the rapid reconstruction of the cultural and economic landscape of Europe itself. In this transformation the communicative and ideological dimensions, the digitalisation of technology, and changes in culture - 'the imaginary', the discursive universe of politics and communication, are all crucial areas for research. The cultural industries, (film, television, books, magazines, entertainment and music), but also the world of news, actuality, 'infotainment' and the internet, are key areas for the study of what we may begin to understand as a changing European culture in all its complexity and with all its differences and conflicts. The media and the cultural industries are among the fastest growing sectors in the global economy.
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