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Joshua Sofaer
Joshua Sofaer works across boundaries, borders and disciplines to create artworks that engage with all levels of society. In cultural institutions or on the street, for art galleries or personal homes, staged as operas or cast as golden sculptures, Sofaer’s work weaves with and through social fabric to consider the ideas that hold us together.
Co-published with the Live Art Development Agency, this lavishly illustrated volume is the first in-depth study of the artist’s work, featuring discussions with producers and participants, documentary images and a new photographic essay, interviews with the artist himself, and thirteen commissioned essays by scholars, curators and artists from the perspectives of performance studies, archaeology and opera criticism. With a mixture of intellect, humour and striking design, Joshua Sofaer: Performance | Objects | Participation analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices. It explores the binding aesthetics of his approach as a model for contemporary practice, and it considers the impact of his work on audiences, institutions and pedagogy, as well as on fine art and performance ecologies as a whole.
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JARMAN (all this maddening beauty) and other plays
[JARMAN (all this maddening beauty) and Other Plays is a collection of three radically poetic works for live performance by OBIE award–winning playwright Caridad Svich. The playtexts include a lyrical meditation on the legacy of iconic queer artist Derek Jarman, a meditation on displacement and human suffering (Carthage/Cartagena) and an intimately operatic reflection on Penelope and Odysseus (The Orphan Sea). Accompanied by scholarly essays placing the plays in context, this book showcases the beautiful strangeness and profound resistance in Svich’s work.
, JARMAN (all this maddening beauty) and Other Plays is a collection of three radically poetic works for live performance by OBIE Award–winning playwright Caridad Svich. The playtexts includes a lyrical meditation on the legacy of iconic queer artist Derek Jarman, a meditation on displacement and human suffering (Carthage/Cartagena) and an intimately operatic reflection on Penelope and Odysseus (The Orphan Sea). Accompanied by scholarly essays placing the plays in context, this book showcases the beautiful strangeness and profound resistance in Svich’s work.
'Svich is one of the finest poet/playwrights of this generation. . . . She is a playwright whose plays perform like dramatic poems that are wondrous to the ear and moving to the heart.' – Seth Gordon, Repertory Theatre of St. Louis]
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