Skip to content
1981
Volume 27, Issue 2
  • ISSN: 0263-0672
  • E-ISSN: 2157-1430
Preview this article:

There is no abstract available.

Loading

Article metrics loading...

/content/journals/10.1080/02630672.2005.9689652
2024-05-28
2026-04-12

Metrics

Loading full text...

Full text loading...

References

  1. BillingtonS. (1979). “Suffer Fools Gladly” The Fool in Medieval England and in the Play Mankind. The Fool and the Trickster: Studies in Honour of Enid Welsford. WilliamsP. V.A. Cambridge: D.S. Brewer Ltd.
    [Google Scholar]
  2. BurkeP. (1994). Popular Culture in Early Modern Europe. Cambridge: Cambridge University Press.
    [Google Scholar]
  3. ByromM. (1972). Punch and Judy: Its Origin and Evolution. Aberdeen: Shiva Publications.
    [Google Scholar]
  4. CameronA. (1984). Daughters of Copper Woman. London: The Women's Press Ltd.
    [Google Scholar]
  5. ErasmusD. (1998). Praise of Folly. HoytHopewell Hudson Ware: Wordworth Editions Ltd.
    [Google Scholar]
  6. FoD. (1988). Mistero Buffo: Comic Mysteries EmeryE. London: Methuen.
    [Google Scholar]
  7. GarnerA. (1980). The Guizer, A Collection of Stories About Fools. London: Fontana.
    [Google Scholar]
  8. GiffordD. J. (1979). “Iconographical Notes Towards a Definition of the Medieval Fool”. The Fool and the Trickster: Studies in Honour of Enid Welsford. WilliamsP. V.A. Cambridge: D.S. Brewer Ltd.
    [Google Scholar]
  9. GraingerR. (1995). The Glass of Heaven. The Faith of the Dramatherapist. London: Jessica Kingsley Publishers.
    [Google Scholar]
  10. Hoerr CharlesL. (1945). “The Clown's Function” in. Journal of American Folklore. 58, 2534.
    [Google Scholar]
  11. JonesP. (1996). Drama as Therapy, Theatre as Living. London: Routledge.
    [Google Scholar]
  12. LandyR. J. (1993). Persona and Performance, The Meaning of Role in Drama, Therapy and Everyday Life. London: Jessica Kingsley Publishers.
    [Google Scholar]
  13. MainT. (1989). The Ailment and other psychoanalytic essays. London: Free Association Books.
    [Google Scholar]
  14. McCullochA. (1998). Acute Problems, A survey of quality of care in acute psychiatric wards. London: The Sainsbury Centre for Mental Health.
    [Google Scholar]
  15. ParisJ. (2005). “Borderline Personality Disorder” in. Canadian Medical Association Journal 172, 12. 15831579.
    [Google Scholar]
  16. ReadL. duS. (1995). “Beginnings of Theatre in Africa and the Americas”. The Oxford Illustrated History of Theatre. BrownJ. R. Oxford: Oxford University Press.
    [Google Scholar]
  17. StantonS BanhamM. (1996). Cambridge Paperback Guide to Theatre. Cambridge: Cambridge University Press.
    [Google Scholar]
  18. TyrerP BatemanA. W. (2004). “Drug treatment for personality disorders”. Advances in Psychiatric Treatment. Journal of Continuing Professional Development. 10, Issue 5 389397.
    [Google Scholar]
  19. WelsfordE. (1968). The Fool: His Social and Literary History London: Faber and Faber.
    [Google Scholar]
  20. WilesD. (1979). Shakespeares's Clown: Actor and Text in the Elizabethan Playhouse. Cambridge: Cambridge University Press.
    [Google Scholar]
  21. WillefordW. (1969). The Fool and His Scepter: A Study of Clowns, Jesters and Their Audience. Kingsport: Kingsport Press.
    [Google Scholar]
  22. The Fool and the Trickster: Studies in Honour of Enid Welsford. WilliamsP. V.A. Cambridge: D.S. Brewer Ltd 1979.
    [Google Scholar]
/content/journals/10.1080/02630672.2005.9689652
Loading
  • Article Type: Article
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error
Please enter a valid_number test