The Engendered Spectator – A Spectator-Oriented Process in Dramatherapy to Reveal the Inner Spectator of the Client

References

1. ArtaudA. (1996). Le Theatre et Son Double AmarE. Tel Aviv: Babel and Bitan Publishers (first published 1995).
   [Google Scholar]
2. BoalA. (1995). The Rainbow of Desire JacksonA. London: Routledge.
   [Google Scholar]
3. BrechtB. (1967a). Schriften zum Theater 1, Gesammelte Werke Band 15 Frankfurt Am Mein: Suhrkamp (first published 1963).
   [Google Scholar]
4. BrechtB. (1967b). “Kleines Organon für das Theater 19488”. Schriften zum Theater 2, Gesammelte Werke Band 16 BrechtB. Suhrkamp: Frankfurt Am Mein 661–700.
   [Google Scholar]
5. BrechtB. (1967c). “Stanislawski-Studien 1951–1954”. Schriften zum Theater 2, Gesammelte Werke Band 16 BrechtB. Suhrkamp: Frankfurt Am Mein 843–865.
   [Google Scholar]
6. BrookP. (1995). The Open Door New York: Theatre Communications Group.
   [Google Scholar]
7. FurmanL. (1988). “Theatre as Therapy: The Distancing Effect Applied to Audience”. Arts in Psychotherapy 15, no. 3 245–249.
   [Google Scholar]
8. GraingerR. (1990). Drama and Healing—The Roots of Dramatherapy London: Jessica Kingsley Publishers.
   [Google Scholar]
9. GraingerR. DugganM. (1997). “Image and Archetype—Aristotle and Artaud”. Imagination, Identification and Catharsis in Theatre and Therapy GraingerR. DugganM. London: Jessica Kingsley Publishers 80–98.
   [Google Scholar]
10. Heymann- KrengeR The Engendered Spectator, non-published Dissertation London: Roehampton University.
    [Google Scholar]
11. HillmanJ. (1993). “What about the Watcher”. We've Had a Hundred Years of Psychotherapy—and the World's Getting Worse HilmanJ. VenturaM. New York: HarperCollins Publishers 83–89.
    [Google Scholar]
12. JenningsS. (1998). Introduction to Dramatherapy-Theatre and Healing London: Jessica Kingsley Publishers.
    [Google Scholar]
13. JenningsS. (1999). “Theatre-Based Supervision”. Supervision and Dramatherapy Tselikas-PortmannE. London: Jessica Kingsley Publisher 62–79.
    [Google Scholar]
14. JonesP. (1993). “The Active Witness”. Handbook of Inquiry in the Art Therapies PayneH. London: Jessica Kingsley Publishers 41–55.
    [Google Scholar]
15. JonesP. (1996). Drama as Therapy, Theatre as Living London: Routledge.
    [Google Scholar]
16. LahadM. (2000). Creative Supervision—The Use of Expressive Art Methods in Supervision and Art Supervision London: Jessica Kingsley Publishers.
    [Google Scholar]
17. LandyR. J. (1996a). “The Use of Distancing in Dramatherapy-1983”. Essays in Dramatherapy—The Double Life LandyR. J. London: Jessica Kingsley Publishers 13–27.
    [Google Scholar]
18. LandyR. J. (1996b). “Puppets, Dolls, Objects, Masks and Make-up-1984”. Essays in Dramatherapy-The Double Life LandyR. J. London: Jessica Kingsley Publishers 44–53.
    [Google Scholar]
19. LandyR. J. (1996c). “One on One—The Role of the Dramatherapist Working with Individuals, 1990”. Essays in Dramatherapy—The Double Life LandyR. J. London: Jessica Kingsley Publishers 84–98.
    [Google Scholar]
20. LandyR. J. (1996d). “The Research Agenda for the Creative Art Therapies, 1993”. Essays in Dramatherapy—The Double Life LandyR. J. London: Jessica Kingsley Publishers 137–139.
    [Google Scholar]
21. MitchellS. (1999). “Reflections on Dramatherapy as Initiation through Ritual Theatre”. Process in the Arts Therapies CattanachA. London: Jessica Kingsley Publishers 10–35.
    [Google Scholar]
22. MoustakasC. (1999). Phenomenological Research Methods London: Sage.
    [Google Scholar]
23. SchaverienJ. (1989). “The Picture within the Frame”. Pictures at an Exhibition GiloryA. DalleyT. London and New York: Routledge 147–155.
    [Google Scholar]
24. SchaverienJ. (1992). “The Scapegoat and the Talisman: Transference in Art Therapy”. Images of Art Therapy DalleyT. CaseC. London: Routledge 74–107(first published in 1987).
    [Google Scholar]
25. SchaverienJ. (1995). “The Engendered Gaze”. Desire and the Female Therapist SchaverienJ. London: Routledge 196–212.
    [Google Scholar]