Skip to content
1981
Volume 35, Issue 1-2
  • ISSN: 1059-440X
  • E-ISSN: 2049-6710

Abstract

Indonesian documentary filmmaking has been riding the global wave of unprecedented interest in the creation, distribution and viewing of environmental documentaries. One of the frontrunners is investigative journalist and filmmaker Dandhy Laksono (b. 1976). With his production house, Watchdoc, and other collaborators since the late 2000s, he has created an extraordinary quantity of thought-provoking environmental and sociopolitical documentaries, many of which have received millions of views. In addition to public screenings in hundreds of Indonesian villages, the popularity of these documentaries has been driven by their streaming on online platforms, particularly YouTube. I argue that Laksono’s work is not merely about nature but about the politics of the environment. The film director not only criticizes political and social structures and practices with a destructive impact on the natural environment but also presents alternative, more sustainable visions for our planet based on Gunter Pauli’s model of the Blue Economy. His documentaries address these environmental politics and alternative visions not only through their content but also through their participatory modes of representation and distribution. This article discusses the politics of the participatory by focusing on the aesthetic modes of address for inviting audience involvement; the promotion of the commons as a cause or ideal in communication and social and environmental affairs; the representation and expression of diverse social, cultural and political voices, including those of marginalized groups; the use of public screenings and interactive media for the sharing and creating of content, and the social debates, connections and actions established through these communicative processes.

Funding
This study was supported by the:
  • KONEKSI (Collaboration for Knowledge, Innovation, and Technology Australia and Indonesia) (Award KONEKSI/1447/CRG/2023/13-LPPSP)
Loading

Article metrics loading...

/content/journals/10.1386/ac_00074_1
2024-07-29
2025-01-18
Loading full text...

Full text loading...

References

  1. Acehkitacom (2015), ‘Dua jurnalis ini keliling Indonesia bersepeda motor’, 1 January, https://acehkita.com/dua-jurnalis-ini-keliling-indonesia-bersepeda-motor/. Accessed 8 February 2022.
  2. Aguayo, Angela J. (2019), Documentary Resistance: Social Change and Participatory Media, Oxford: Oxford University Press.
    [Google Scholar]
  3. Bonneuil, Christophe and Fressoz, Jean-Baptiste (2017), The Shock of the Anthropocene, New York: Verso.
    [Google Scholar]
  4. Burgess, Jean and Green, Joshua (2009), YouTube: Online Video and Participatory Culture, Cambridge, MA: Polity Press.
    [Google Scholar]
  5. CNN Indonesia (2019), ‘Dandhy: Kasus saya lebih kecil dari cuitan tentang Papua’, 28 September, https://www.cnnindonesia.com/nasional/20190927200237-12-434827/dandhy-kasus-saya-lebih-kecil-dari-cuitan-tentang-papua. Accessed 21 March 2023.
  6. Davis, Heather and Turpin, Etienne (2015), ‘Art and death: Lives between the fifth assessment and the sixth extinction’, in H. Davis and E. Turpin (eds), Art in the Anthropocene: Encounters among Aesthetics, Politics, Environments and Epistemologies, London: Open Humanities Press, pp. 329.
    [Google Scholar]
  7. Demos, T. J. (2016), Decolonizing Nature: Contemporary Art and the Politics of Ecology, Berlin: Sternberg Press.
    [Google Scholar]
  8. Duvall, John A. (2017), The Environmental Documentary: Cinema Activism in the 21st Century, London: Bloomsbury.
    [Google Scholar]
  9. European Union (2020), ‘EU-funded film Semesta to debut on Netflix on Indonesia’s Independence Day’, Delegation of the European Union to Indonesia and Brunei Darussalam, 29 July, https://www.eeas.europa.eu/delegations/indonesia/eu-funded-film-%E2%80%9Csemesta%E2%80%9D-debut-netflix-indonesia%E2%80%99s-independence-day_en?s=168. Accessed 6 April 2023.
    [Google Scholar]
  10. Fauzanafi, M. Zamzam (2013), ‘“We don’t work with video, we work with people”: Reflections on participatory video activism in Indonesia’, The Fibreculture Journal, 26, pp. 31419.
    [Google Scholar]
  11. Freedman, Eric (2020), ‘In the crosshairs: The perils of environmental journalism’, in D. B. Sachsman and J. A. M. Valenti (eds), Routledge Handbook of Environmental Journalism, London: Routledge, pp. 7082.
    [Google Scholar]
  12. Gandhawangi, Sekar (2021a), ‘Andhy dan Dandhy, meniti jalan pedang Watchdoc’, Kompas, 6 September, https://www.kompas.id/baca/sosok/2021/09/06/andhy-dan-dandhy-meniti-jalan-pedang-watchdoc. Accessed 21 March 2023.
    [Google Scholar]
  13. Gandhawangi, Sekar (2021b), ‘Menginspirasi perjuangan HAM lewat film dokumenter’, Kompas, 15 January, https://www.kompas.id/baca/gaya-hidup/2021/01/15/menginspirasi-perjuangan-ham-lewat-film-dokumenter/. Accessed 21 March 2023.
    [Google Scholar]
  14. Hanan, David (2004), ‘The films of Garin Nugroho’, Spectator, 24:2, pp. 3949.
    [Google Scholar]
  15. Hanan, David (2012), ‘Observational documentary comes to Indonesia: Aryo Danusiri’s Lukas’ Moment’, in T. Baumgärtel (ed.), Southeast Asian Independent Cinema, Hong Kong: Hong Kong University Press, pp. 10516.
    [Google Scholar]
  16. Heru, Andrijanto (2019), ‘Sexy Killers journalist named suspect over Papua tweet’, Jakarta Globe, 27 September, https://jakartaglobe.id/news/sexy-killers-journalist-named-suspect-over-papua-tweet. Accessed 21 March 2023.
    [Google Scholar]
  17. Hjorth, Larissa, Pink, Sarah, Sharp, Kristen and Williams, Linda (2016), Screen Ecologies: Art, Media, and the Environment in the Asia-Pacific Region, Cambridge, MA: MIT Press.
    [Google Scholar]
  18. Hughes, Helen (2014), Green Documentary: Environmental Documentary in the 21st Century, Bristol: Intellect.
    [Google Scholar]
  19. Inasshabihah (2019), ‘Ekonomi Biru untuk Indonesia Biru’, Centre for Religious and Cross-cultural Studies, Universitas Gadjah Mada, 6 August, https://crcs.ugm.ac.id/ekonomi-biru-untuk-indonesia-biru/. Accessed 8 February 2022.
  20. Jati, Indra and Laksono, Dandhy (2021), Kinipan, Indonesia: Watchdoc.
    [Google Scholar]
  21. Jong, Hans Nicholas (2018), ‘Indonesia to investigate death of journalist being held for defaming palm oil company’, Mongabay, 21 June, https://news.mongabay.com/2018/06/indonesia-to-investigate-death-of-journalist-being-held-for-defaming-palm-oil-company/. Accessed 20 March 2023.
  22. Jurriëns, Edwin (2016), ‘TV or not TV: Spelling the Indonesian media with Veven Sp Wardhana’, Journal of the Humanities and Social Sciences of Southeast Asia, 172:1, pp. 3365, https://doi.org/10.1163/22134379-17201020.
    [Google Scholar]
  23. Jurriëns, Edwin (2017), Visual Media in Indonesia: Video Vanguard, London: Routledge.
    [Google Scholar]
  24. Kitley, Philip (2000), Television, Nation, and Culture in Indonesia, Athens, OH: Ohio University Press.
    [Google Scholar]
  25. Laksono, Dandhy (2017), ‘Daw Suu and Ibu Mega’ (trans. H. Souisa), New Mandala, 19 September, https://www.newmandala.org/daw-suu-ibu-mega/. Accessed 21 March 2023.
  26. Laksono, Dandhy Dwi (2009), Indonesia for Sale, Surabaya: Pedati.
    [Google Scholar]
  27. Laksono, Dandhy Dwi (2010), Jurnalisme Investigasi, Bandung: Kaifa.
    [Google Scholar]
  28. Laksono, Dandhy (2015), Samin vs Semen, Indonesia: Watchdoc.
    [Google Scholar]
  29. Laksono, Dandhy and Suparta, Ucok (2019), Sexy Killers, Indonesia: Watchdoc.
    [Google Scholar]
  30. Lowenthal, Andrew (ed.) (2009), Videochronic: Video Activism and Video Distribution in Indonesia, Collingwood: EngageMedia.
    [Google Scholar]
  31. Newlands, Maxine (2020), ‘Environmental journalism in the Asia and Pacific region’, in D. B. Sachsman and J. A. M. Valenti (eds), Routledge Handbook of Environmental Journalism, London: Routledge, pp. 31627.
    [Google Scholar]
  32. Nichols, Bill (2017), Introduction to Documentary, 3rd ed., Bloomington, IN: Indiana University Press.
    [Google Scholar]
  33. Nissa, Chairun (2018), Semesta (Islands of Faith), Indonesia: Tanakhir Films.
    [Google Scholar]
  34. Pauli, Gunter (2010), The Blue Economy: 10 Years, 100 Innovations, 100 Million Jobs, Taos, NM: Paradigm Publications.
    [Google Scholar]
  35. Pittaway, David Anthony (2022), ‘An ecological context that scars: Reflections on three nature documentaries of 2020’, Journal of Film & Video, 74:3–4, pp. 6477.
    [Google Scholar]
  36. Plunkett, Leo (2020), Tanah Ibu Kami (Our Mothers’ Land), Indonesia: The Gecko Project and Mongabay.
    [Google Scholar]
  37. Ray, Sandeep (2021), Celluloid Colony: Locating History and Ethnography in Early Dutch Colonial Films of Indonesia, Singapore: NUS Press.
    [Google Scholar]
  38. Sasono, Eric (2019), ‘Publicness and the public in contemporary Indonesian documentary film cultures’, doctoral thesis, London: Kings College London.
    [Google Scholar]
  39. Seymour, Nicole (2018), Bad Environmentalism: Irony and Irreverence in the Ecological Age, Minneapolis, MN: University of Minnesota Press.
    [Google Scholar]
  40. Souisa, Hellena Yoranita (2020), ‘Broadcasting paradox? A study of content diversity and ownership in contemporary Indonesian television’, doctoral thesis, Melbourne: The University of Melbourne.
    [Google Scholar]
  41. Strassler, Karen (2020), Demanding Images: Democracy, Mediation, and the Image-Event in Indonesia, Durham, NC: Duke University Press.
    [Google Scholar]
  42. Szerszynski, Bronislaw (2007), ‘The post-ecologist condition: Irony as symptom and cure’, Environmental Politics, 16:2, pp. 33755.
    [Google Scholar]
  43. Tapsell, Ross (2017), Media Power in Indonesia: Oligarchs, Citizens and the Digital Revolution, Lanham, MD: Rowman and Littlefield International.
    [Google Scholar]
  44. The World Bank (2017), ‘What is the Blue Economy?’, 6 June, https://www.worldbank.org/en/news/infographic/2017/06/06/blue-economy. Accessed 8 February 2022.
  45. Valenti, JoAnn Myer (2020), ‘When environmental documentary films are journalism’, in D. B. Sachsman and J. A. M. Valenti (eds), Routledge Handbook of Environmental Journalism, London: Routledge, pp. 99112.
    [Google Scholar]
  46. Watchdoc (2014), Onde Mandeh, Indonesia: Watchdoc.
    [Google Scholar]
  47. Wibawa, Satrya and Wardana, Agung (2022), ‘Coal, oligarch, and the Indonesian environment in the documentary film Sexy Killers’, in J. P. Telles, J. C. Ryan and J. L. Dreisbach (eds), Environment, Media, and Popular Culture in Southeast Asia, Singapore: Springer, pp. 13549.
    [Google Scholar]
  48. Wijaya, Sastra (2021), ‘Rumah produksi asal Indonesia Watchdoc raih penghargaan Magsaysay Award dari Filipina’, ABC News, 31 August, https://www.abc.net.au/indonesian/2021-08-31/watchdoc-dapat-magsaysay-award/100418690. Accessed 21 March 2023.
  49. Yerri (2020), ‘The case of Assa Asso: Filming protests is not treason’, Video4Change, 13 July, https://video4change.org/solidarity-filmmaker-assa-asso/. Accessed 21 March 2023.
/content/journals/10.1386/ac_00074_1
Loading
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error
Please enter a valid_number test