1981
Volume 13, Issue 1
  • ISSN: 1474-273X
  • E-ISSN: 2040-0896

Abstract

Abstract

As tutors at Winchester School of Art we have worked through a series of copy projects over the past four years. We began remaking historic art objects including Anthony Caro’s Early One Morning (1962) and Jean Tinguely’s Homage to New York (1960). Works were fabricated collectively with undergraduate fine art students and staged at an end of term event. The project developed to reconstruct apparatus to make copies, including François Willème’s Photosculpture apparatus: a paradigm for nineteenth-century modernity that provides a genealogy for three-dimensional (3D) prototyping and is arguably an antecedent of cybernetic culture. Obsolete technological positions were restaged in order to better understand current cultures. Over this process, which we characterize as a material historiography, we have worked collaboratively with archaeologists at the University of Southampton to share practice and knowledge around both contemporary visualization technologies and ancient processes, most recently working speculatively through the production process of carved Neolithic artefacts. Both projects draw together technical and contextual teaching and define new uses of space and collective research structures.

Loading

Article metrics loading...

/content/journals/10.1386/adch.13.1.19_1
2014-04-01
2023-02-07
Loading full text...

Full text loading...

http://instance.metastore.ingenta.com/content/journals/10.1386/adch.13.1.19_1
Loading
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error