‘Those Were the Days’: The live televisual revival of the musical and retro family sitcom in the post-network era

References

1. Bevan, Alex. ( 2019), Aesthetics of Nostalgia TV: Production Design and the Boomer Era, New York:: Bloomsbury Academic;.
   [Google Scholar]
2. Bolter, Jay David, and Grusin, Richard. ( 2001), Remediation: Understanding New Media, Cambridge, MA:: MIT Press;.
   [Google Scholar]
3. Boym, Svetlana. ( 2001), The Future of Nostalgia, New York:: Basic Books;.
   [Google Scholar]
4. Brown, Stephen. ( 2001), Marketing: The Retro Revolution, London:: Sage Publications;.
   [Google Scholar]
5. Bunch, Ryan. ( 2017;), ‘ “You can’t stop the tweet”: Social media and networks of participation in the live television musical. ’, in J. Hillman-McCord. (ed.), iBroadway, Basingstoke:: Palgrave Macmillan;, pp. 173–205.
   [Google Scholar]
6. Buonanno, Milly. ( 2016;), ‘ Thematic issue on the end of television (not yet): Editor’s introduction. ’, Cogitatio Press, 4:3, pp. 95–98.
   [Google Scholar]
7. Clemens, Danny. ( 2019;), ‘ “All in the Family”, “Good Times” live special: What to know about Jimmy Kimmel, Norman Lear holiday show. ’, ABC7NY, 18 December, https://abc7ny.com/all-in-the-family-review-live-good-times-jimmy-kimmel/5749595/. Accessed 20 July 2020.
   [Google Scholar]
8. Cross, Gary. ( 2015) Consumed Nostalgia: Memory in the Age of Fast Capitalism, New York:: Columbia University Press;.
   [Google Scholar]
9. Deggans, Eric. ( 2014;), ‘ Hate the idea of “Peter Pan Live?”: NBC is counting on it. ’, NPR, 4 December, https://www.npr.org/2014/12/04/368308833/hate-the-idea-of-peter-pan-live-nbc-is-counting-on-it. Accessed 7 August 2017.
   [Google Scholar]
10. Fallon, Kevin. ( 2014;), ‘ The cast of “Peter Pan Live!” knows you hatewatched “The Sound of Music. ”’, Daily Beast, 2 December, https://www.thedailybeast.com/the-cast-of-peter-pan-live-knows-you-hatewatched-the-sound-of-music Accessed 7 August 2017.
    [Google Scholar]
11. Fitzpatrick, Kathleen. ( 2006), The Anxiety of Obsolescence: The American Novel in the Age of Television, Nashville, TN:: Vanderbilt University Press;.
    [Google Scholar]
12. Friedman, Lauren. ( 2016;), ‘ Why nostalgia marketing works so well with millennials, and how your brand can benefit. ’, Forbes, 2 August, www.forbes.com/sites/laurenfriedman/2016/08/02/why-nostalgia-marketing-works-so-well-with-millennials-and-how-your-brand-can-benefit/#36dd89ba3636. Accessed 14 February 2018.
    [Google Scholar]
13. Futterman, Erica. ( 2013;), ‘ DiGiorno Pizza live-tweeted NBC’s “The Sound of Music” in “unplanned event” and it was amazing. ’, BuzzFeed, 6 December, https://www.buzzfeed.com/ericafutterman/digiorno-pizza-live-tweeted-nbcs-the-sound-of-music-in-unpla. Accessed 14 August 2017.
    [Google Scholar]
14. Galvin, Kristen. ( 2020;), ‘ Tracking hypernostalgia: Soundtrack albums and the return of the cassette in American film and television. ’, in P. Reinsch, and L. Westrup. (eds), The Soundtrack Album: Listening to Media, New York:: Routledge;, pp. 190–208.
    [Google Scholar]
15. Grainge, Paul. ( 2000;), ‘ Nostalgia and style in retro America: Moods, modes, and media recycling. ’, Journal of American & Comparative Cultures, 23:1, pp. 27–34.
    [Google Scholar]
16. Hare, Breeanna. ( 2013;), ‘ “Sound of Music Live!” hits a sour note. ’, CNN, 6 December, http://www.cnn.com/2013/12/06/showbiz/tv/sound-of-music-live-nbc/index.html. Accessed 10 June 2017.
    [Google Scholar]
17. Holdsworth, Amy. ( 2011), Television, Memory and Nostalgia, Basingstoke:: Palgrave Macmillan;.
    [Google Scholar]
18. Kompare, Derek. ( 2005), Rerun Nation: How Repeats Invented American Television, New York:: Routledge;.
    [Google Scholar]
19. Lasaleta, Jannine D.,, Sedikides, Constantine, and Vohs, Kathleen D.. ( 2014;), ‘ Nostalgia weakens the desire for money. ’, Journal of Consumer Research, 41:3, pp. 713–29.
    [Google Scholar]
20. Lavigne, Carlen. ( 2014), Remake Television: Reboot, Re-use, Recycle, Lanham, MD:: Lexington Books;.
    [Google Scholar]
21. Leonard, David, and Guerrero, Lisa. (eds) ( 2013), African Americans on television: Race-ing for Ratings, Santa Barbara, CA:: Praeger;.
    [Google Scholar]
22. Lizardi, Ryan. ( 2014;), ‘ The nostalgic revolution will be televised. ’, in C. Lavigne. (ed.), Remake Television: Reboot, Re-use, Recycle, Lanham, MD:: Lexington Books;, pp. 37–52.
    [Google Scholar]
23. Niemeyer, Katharina. (ed.) ( 2014), Media and Nostalgia: Yearning for the Past, Present and Future, Basingstoke:: Palgrave Macmillan;.
    [Google Scholar]
24. Otterson, Joe. ( 2020;), ‘ “Live in Front of a Studio Audience” team talks working through trump impeachment announcement. ’, Variety, 25 June, https://variety.com/2020/tv/news/live-in-front-of-a-studio-audience-norman-lear-1234689928/. Accessed 9 July 2020.
    [Google Scholar]
25. Pallister, Kathryn. ( 2019), Netflix Nostalgia: Streaming the Past on Demand, Lanham, MD:: Lexington Books;.
    [Google Scholar]
26. Pickering, Michael, and Keightley, Emily. ( 2014;), ‘ Retrotyping and the marketing of nostalgia. ’, in K. Niemeyer. (ed.), Media and Nostalgia: Yearning for the Past, Present and Future, Basingstoke:: Palgrave Macmillan;, pp. 83–94.
    [Google Scholar]
27. Pierson, David. ( 2014;), ‘ AMC’s Mad Men and the politics of nostalgia. ’, in K. Niemeyer. (ed.), Media and Nostalgia: Yearning for the Past, Present and Future, Basingstoke:: Palgrave Macmillan;, pp. 139–51.
    [Google Scholar]
28. Reynolds, Simon. ( 2012), Retromania: Pop Culture’s Addiction to Its Own Past, London:: Faber and Faber;.
    [Google Scholar]
29. Saraiya, Sonia. ( 2016;), ‘ “Grease: Live’s” technical triumph: A dazzling production almost makes up for lackluster leads. ’, Salon, 1 February, https://www.salon.com/2016/02/01/grease_lives_technical_triumph_a_dazzling_production_almost_makes_up_for_lackluster_leads/. Accessed 7 August 2017.
    [Google Scholar]
30. Scannell, Paddy. ( 2009;), ‘ The dialectic of time and television. ’, in E. Katz, and P. Scannell. (eds), The End of Television? Its Impact on the World (So Far), London:: Sage;, pp. 219–33.
    [Google Scholar]
31. Schirra, Steven,, Sun, Huan, and Bentley, Frank. ( 2014;), ‘ Together alone: Motivations for live-tweeting a television series. ’, CHI-Conference, 3A, pp. 2441–50.
    [Google Scholar]
32. Schneider, Michael. ( 2019;), ‘ Inside the “Live in Front of a Studio Audience” rehearsal: Flubs, tears, laughs and disclaimers. ’, Variety, 18 December, https://variety.com/2019/tv/news/live-in-front-of-a-studio-audience-jimmy-kimmel-norman-lear-good-times-all-in-the-family-1203446627/. Accessed 20 June 2020.
    [Google Scholar]
33. Turner, Graeme, and Tay, Jinna. ( 2010;), ‘ Not the apocalypse: Television future in the digital age. ’, International Journal of Digital Television, 1:1, pp. 31–50.
    [Google Scholar]
34. Zook, Kristal B.. ( 1999), Color by Fox: The Fox Network and the Revolution in Black Television, New York:: Oxford University Press;.
    [Google Scholar]
35. Galvin, Kristen. ( 2020;), ‘ “Those Were the Days”: The live televisual revival of the musical and retro family sitcom in the post-network era. ’, The Australasian Journal of Popular Culture, 9:2, pp. 231–46, https://doi.org/10.1386/ajpc_00029_1
    [Google Scholar]