Full text loading...
This article places two Marvel Cinematic Universe (MCU) films, Avengers: Infinity War (Russo and Russo 2018) and Avengers: Endgame (Russo and Russo 2019), in dialogue with the Marvel comic books on which they are based. As this article demonstrates, in their depiction of Thanos and the partial species extinction event, the films deviate substantially from their source material to reflect a contemporary cultural interest and growing anxiety over the real-world threat of species extinction. However, as this article argues, Avengers: Infinity War’s and Avengers: Endgame’s ecocritical potential are limited, owing partly to the villain’s role in superhero films and comic books more broadly. Limits also owe to the anthropocentric viewpoint that underwrites much of superhero fiction. Superheroes may serve a conservative function as an upholder of the social order, but, as this article shows, in Avengers: Infinity War and Avengers: Endgame, as well as films and television series in the MCU set thereafter, this function often comes at the detriment of the conservation of nature and species-other-than-human.
Article metrics loading...
Full text loading...
Publication Date:
https://doi.org/10.1386/ajpc_00067_1 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.