‘It doesn’t feel right to say how much I enjoyed this’: Listener perspectives on ethics in true crime podcasts | Intellect Skip to content
1981
Volume 44, Issue 2
  • ISSN: 0810-2686
  • E-ISSN: 2517-620X

Abstract

This research seeks a clearer understanding of listener perspectives on issues of ethics in true crime podcasts (TCPs). To do so, the study first divides TCPs into three subgenres: and . Then, it uses a mixed methods content analysis of listener reviews ( = 1200) of TCPs to ascertain listeners’ value systems and preferences when assessing podcasts, the role of ethics in audience evaluations of TCPs and the impact of subgenre on listener response. It finds that a large subsection of the reviewer audience (29.7 per cent) privileged ethics as a key criterion for evaluating and reviewing podcasts and that listeners’ level of engagement with issues of ethics is specific, careful and nuanced. It also finds that subgenre can play a role in shaping engagement with content, with and formats more likely to result in listeners relating to content as entertainment.

Funding
This study was supported by the:
Loading

Article metrics loading...

/content/journals/10.1386/ajr_00104_1
2022-11-01
2024-04-25
Loading full text...

Full text loading...

References

  1. ABC ( 2019;), ‘ 2019 ABC podcast survey. ’, 3 October, https://about.abc.net.au/media-room/abc-podcast-survey-reveals-just-how-engaged-podcast-audiences-are/. Accessed 1 July 2022.
  2. Boling, K. S.. ( 2019;), ‘ True crime podcasting: Journalism, justice or entertainment?. ’, The Radio Journal: International Studies in Broadcast and Audio Media, 17:2, pp. 16178, https://doi.org/10.1386/rjao_00003_1. Accessed 28 June 2022.
    [Google Scholar]
  3. Boling, K., and Hull, K.. ( 2018;), ‘ Undisclosed information: Serial is My Favorite Murder – Examining motivations in the true crime podcast audience. ’, Journal of Radio & Audio Media, 25:1, pp. 92108, https://doi.org/10.1080/19376529.2017.1370714. Accessed 5 October 2022.
    [Google Scholar]
  4. Browder, L.. ( 2006;), ‘ Dystopian romance: True crime and the female reader. ’, The Journal of Popular Culture, 39:2, pp. 92853.
    [Google Scholar]
  5. Bruzzi, S.. ( 2016;), ‘ Making a genre: The case of the contemporary true crime documentary. ’, Law and Humanities, 10:2, pp. 24980, https://doi.org/10.1080/17521483.2016.1233741. Accessed 5 October 2022.
    [Google Scholar]
  6. Chouliaraki, L.. ( 2006), The Spectatorship of Suffering, London:: Sage Publications;.
    [Google Scholar]
  7. Christie, N.. ( 1986;), ‘ The ideal victim. ’, in E. A. Fattah. (ed.), From Crime Policy to Victim Policy, London:: Palgrave Macmillan;, https://doi.org/10.1007/978-1-349-08305-3_2. Accessed 5 October 2022.
    [Google Scholar]
  8. Hajibayova, L.. ( 2019;), ‘ Investigation of Goodreads’ reviews: Kakutanied, deceived or simply honest?. ’, Journal of Documentation, 75:3, pp. 61226, https://doi.org/10.1108/JD-07-2018-0104. Accessed 5 October 2022.
    [Google Scholar]
  9. Katz, J. E., and Rice, R. E.. ( 2002), Social Consequences of Internet Use: Access, Involvement, and Interaction, Cambridge, MA:: MIT Press;.
    [Google Scholar]
  10. Lindgren, M.. ( 2016;), ‘ Personal narrative journalism and podcasting. ’, The Radio Journal: International Studies in Broadcast and Audio Media, 14:1, pp. 2341.
    [Google Scholar]
  11. Lindgren, M.. ( 2021;), ‘ Intimacy and emotions in podcast journalism: A study of award-winning Australian and British podcasts. ’, Journalism Practice, https://doi.org/10.1080/17512786.2021.1943497. Accessed 5 October 2022.
    [Google Scholar]
  12. McHugh, S.. ( 2016;), ‘ How podcasting is changing the audio storytelling genre. ’, The Radio Journal: International Studies in Broadcast and Audio Media, 14:1, pp. 6582, https://doi.org/10.1386/rjao.14.1.65_1. Accessed 28 June 2022.
    [Google Scholar]
  13. McHugh, S.. ( 2021;), ‘ The narrative podcast as digital literary journalism: Conceptualizing S-Town. ’, Literary Journalism Studies, 13:1&2, pp. 10129.
    [Google Scholar]
  14. McHugh, S.. ( 2022), The Power of Podcasting: Telling Stories through Sound, Sydney:: UNSW Press;.
    [Google Scholar]
  15. McMurtry, L. G.. ( 2016;), ‘ “I’m not a real detective, I only play one on radio”: Serial as the future of audio drama. ’, The Journal of Popular Culture, 49:2, pp. 30624.
    [Google Scholar]
  16. Morris, J. W.. ( 2021;), ‘ Infrastructures of discovery: Examining podcast ratings and rankings. ’, Cultural Studies, 35:4&5, pp. 72849, https://doi.org/10.1080/09502386.2021.1895246. Accessed 5 October 2022.
    [Google Scholar]
  17. Pâquet, L.. ( 2021;), ‘ Seeking justice elsewhere: Informal and formal justice in the true crime podcasts Trace and The Teacher’s Pet. ’, Crime, Media, Culture, 17:3, pp. 42137, https://doi.org/10.1177/17416590209542. Accessed 5 October 2022.
    [Google Scholar]
  18. Park, S.,, McGuinness, K.,, Fisher, C.,, Lee, J. Y.,, McCallum, K., and Nolan, D.. ( 2022), Digital News Report: Australia 2022, Canberra:: News & Media Research Centre, University of Canberra;, https://doi.org/10.25916/1xkk-jb37, https://apo.org.au/sites/default/files/resource-files/2022-06/apo-nid317946_0.pdf. Accessed 1 July 2022.
    [Google Scholar]
  19. Posetti, J.,, Shabbir, N.,, Maynard, D.,, Bontcheva, K., and Aboulez, N.. ( 2021), The Chilling: Global Trends in Online Violence against Women Journalists, London:: UNESCO;, https://www.researchgate.net/profile/Nabeelah-Shabbir/publication/352561848_The_Chilling_Global_trends_in_online_violence_against_women_journalists/links/60d07b5492851ca3acb83d2e/The-Chilling-Global-trends-in-online-violence-against-women-journalists.pdf. Accessed 1 July 2022.
    [Google Scholar]
  20. Punnett, I. C.. ( 2019), Toward a Theory of True Crime Narratives, Abingdon:: Routledge;.
    [Google Scholar]
  21. Rae, M.,, Russell, E. K., and Nethery, A.. ( 2019;), ‘ Earwitnessing detention: Carceral secrecy, affecting voices, and political listening in The Messenger podcast. ’, International Journal of Communication, 13, pp. 103655, https://doi.org/1932–8036/20190005. Accessed 5 October 2022.
    [Google Scholar]
  22. Rodgers, K.. ( 2022;), ‘ “F*cking politeness” and “staying sexy” while doing it: Intimacy, interactivity and the feminist politics of true crime podcasts. ’, Feminist Media Studies, https://doi.org/10.1080/14680777.2022.2098799. Accessed 5 October 2022.
    [Google Scholar]
  23. Sang, Y.,, Lee, J. Y., and Park, S.. ( 2020), Podcast Trends and Issues in Australia and Beyond: Global Perspectives, Canberra:: News & Media Research Centre;, https://apo.org.au/node/308947. Accessed 1 July 2022.
    [Google Scholar]
  24. Scott, R.,, Robertson, M., and Freckelton, I.. ( 2021;), ‘ “True crime” stories and psychiatrists’ ethical responsibilities. ’, Australasian Psychiatry, 29:4, pp. 396401.
    [Google Scholar]
  25. Sherrill, L. A.. ( 2020;), ‘ The “Serial effect” and the true crime podcast ecosystem. ’, Journalism Practice, 16:7, pp. 147394, https://doi.org/10.1080/17512786.2020.1852884. Accessed 5 October 2022.
    [Google Scholar]
  26. Stratton, G.. ( 2019;), ‘ Wrongful conviction, pop culture, and achieving justice in the digital age. ’, in D. Akrivos, and A. Antoniou. (eds), Crime, Deviance and Popular Culture, New York:: Palgrave;, pp. 177201.
    [Google Scholar]
  27. Sommers, Z.. ( 2016;), ‘ Missing white woman syndrome: An empirical analysis of race and gender disparities in online news coverage of missing persons. ’, The Journal of Criminal Law & Criminology, 106:2, pp. 275314.
    [Google Scholar]
  28. van Driel, M.. ( 2022;), ‘ Genre expectations and discourse community membership in listener reviews of true crime-comedy podcast My Favorite Murder. ’, Language and Literature, 31:2, pp. 15067, https://doi.org/10.1177/​09639470221080800. Accessed 5 October 2022.
    [Google Scholar]
  29. Vicary, A. M., and Fraley, R. C.. ( 2010;), ‘ Captured by true crime: Why are women drawn to tales of rape, murder and serial killers?. ’, Social Psychological and Personality Science, 1:1, pp. 8186, https://doi.org/​10.1177/1948550609355486. Accessed 5 October 2022.
    [Google Scholar]
  30. Vitis, L., and Ryan, V.. ( 2021;), ‘ True crime podcasts in Australia: Examining listening patterns and listener perceptions. ’, Journal of Radio & Audio Media, 27 September, https://doi.org/ 10.1080/19376529.2021.1974446. Accessed 5 October 2022.
    [Google Scholar]
  31. Vogt, N.. ( 2016;), ‘ Podcasting: Fact sheet. ’, Pew Research Center, 15 June, http://www.journalism.org/2016/06/15/podcasting-fact-sheet/. Accessed 1 July 2022.
    [Google Scholar]
  32. Wasserman, H.. ( 2013;), ‘ Journalism in a new democracy: The ethics of listening. ’, Communication, 39:1, pp. 6784, https://doi.org/10.1080/02500167.2013.772217. Accessed 5 October 2022.
    [Google Scholar]
  33. Wimmer, R., and Dominick, J.. ( 2006), Mass Media Research: An Introduction, Boston, MA:: Wadsworth;.
    [Google Scholar]
  34. Yardley, E.,, Wilson, D., and Kennedy, M.. ( 2017;), ‘ “TO ME ITS [sic] REAL LIFE”: Secondary victims of homicide in newer media. ’, Victims & Offenders, 12:3, pp. 46796, https://doi.org/10.1080/15564886.2015.1105896. Accessed 5 October 2022.
    [Google Scholar]
  35. Yardley, E.,, Kelly, E., and Robinson-Edwards, S.. ( 2019;), ‘ Forever trapped in the imaginary of late capitalism? The serialized true crime podcast as a wake-up call in times of criminological slumber. ’, Crime Media Culture, 15:3, pp. 50321, https://doi.org/10.1177/1741659018799375. Accessed 5 October 2022.
    [Google Scholar]
  36. Graham, C., and Stevenson, K.. ( 2022;), ‘ “It doesn’t feel right to say how much I enjoyed this”: Listener perspectives on the ethics in true crime podcasts. ’, Australian Journalism Review, 44:2, pp. 21128, https://doi.org/10.1386/ajr_00104_1
    [Google Scholar]
http://instance.metastore.ingenta.com/content/journals/10.1386/ajr_00104_1
Loading
/content/journals/10.1386/ajr_00104_1
Loading

Data & Media loading...

  • Article Type: Article
Keyword(s): entertainment; ethics; narrative; podcasts; review; true crime
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error