Motion comics: Modes of adaptation and the issue of authenticity | Intellect Skip to content
1981
Volume 1, Issue 2
  • ISSN: 2042-7875
  • E-ISSN: 2042-7883

Abstract

Motion comics can be considered as an emerging form of digital animation that typically appropriates and remediates an existing comic book narrative and artwork into a screen-based animated narrative. One such example of motion comic adaptation is The Watchmen, which was released on DVD and is also available on the iTunes online store as a digital download. This article argues that this new hybrid media raises unique considerations in terms of adaptation, and therefore provides a brief summary of key debates in adaptation studies, with a particular emphasis on the issue of authenticity. This is followed by a study of conventional adaptation practices from a comic book source and the emerging digital post-production approaches of animators and creative practitioners in the motion comic field, including a discussion on the importance of sound.

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/content/journals/10.1386/ap3.1.2.357_1
2012-06-27
2024-04-25
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http://instance.metastore.ingenta.com/content/journals/10.1386/ap3.1.2.357_1
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  • Article Type: Article
Keyword(s): adaptation; Alan Moore; animation; authenticity; buffy; comics; motion comics; Watchmen
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