f Painting the town red? One hundred years of public muralism and the left: An introductory essay

References

1. Althusser, Louis ([1979] 2020), ‘Ideology and ideological state apparatuses (notes towards an investigation)’, On Ideology, London and New York: Verso, pp. 1–60.
   [Google Scholar]
2. Anderson, Perry (1983), In the Tracks of Historical Materialism, London: Verso.
   [Google Scholar]
3. Atashroo, Hazel (2017), ‘Beyond the “Campaign for a popular culture”: Community art, activism and cultural democracy in 1980s London’, Ph.D. thesis, Southampton: University of Southampton.
   [Google Scholar]
4. Atashroo, Hazel (2019) ‘Weaponising peace: The Greater London Council, cultural policy and “GLC peace year 1983”’, Contemporary British History, 33:2, pp. 170–86, https://doi.org/10.1080/13619462.2018.1519420.
   [Google Scholar]
5. Benjamin, Walter (1973), ‘Theses on the philosophy of history’, in H. Arendt (ed.), Illuminations, London: Fontana Press, pp. 245–56.
   [Google Scholar]
6. Bernstein, Barton J. (ed.) (1968), Towards a New Past: Dissenting Essays in American History, New York: Pantheon Books.
   [Google Scholar]
7. Bishop, Claire (2012), Artificial Hells: Participatory Art and the Politics of Spectatorship, London: Verso.
   [Google Scholar]
8. Brenner, Anita (1929), Idols behind Alters: Modern Mexican Art and Its Cultural Roots, New York: Biblio and Tannen.
   [Google Scholar]
9. Breton, André, Rivera, Diego and Trotsky, Leon ([1938] 2003), ‘Towards a free revolutionary art’, in C. Harrison and P. Wood (eds), Art in Theory, 1900–2000: An Anthology of Changing Ideas, 2nd ed., Malden, MA, Oxford and Carlton: Blackwell, pp. 532–35.
   [Google Scholar]
10. Carter, Warren (ed.) (2018), ‘Mexican muralism reconsidered’, Art after Empire: From Colonialism to Globalisation, Manchester: Manchester University Press in association with The Open University, pp. 59–97.
    [Google Scholar]
11. Carter, Warren (2019), ‘The slow fuse of the revolutionary mural: Diego Rivera, poststructuralism and historical revisionism’, Acta Academiae Artium Vilnensis, 94, pp. 39–58.
    [Google Scholar]
12. Carter, Warren (forthcoming), Figuring the New Deal: Politics and Ideology in Treasury Section Painting and Sculpture in Washington, D.C., 1934–1943, Leiden: Brill.
    [Google Scholar]
13. Charlot, Jean (1963), The Mexican Mural Renaissance, 1920–1925, New York: Hacker Art Books.
    [Google Scholar]
14. Cockcroft, Eva Sperling, Barnet-Sánchez, Holly and Social Public Arts Resource Center (2001), Signs from the Heart: California Chicano Murals, Albuquerque, NM: Social and Public Art Resource Center, University of New Mexico Press.
    [Google Scholar]
15. Coffey, Mary K. (2013), How a Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State, Durham, NC and London: Duke University Press.
    [Google Scholar]
16. Contreras, Belisario R. (1983), Tradition and Innovation in New Deal Art, London: Associated University Presses.
    [Google Scholar]
17. Craven, David (1997), Diego Rivera: As Epic Modernist, New York: G.K. Hall.
    [Google Scholar]
18. Craven, David (2014), ‘Lineages of the Mexican revolution (1910–1940)’, Third Text, 28:3, pp. 223–34.
    [Google Scholar]
19. Deutsche, Rosalyn (1988), ‘Uneven development: Public art in New York City’, October, 47: Winter, pp. 3–52.
    [Google Scholar]
20. Diehl, Carol (2021), Banksy, Cambridge, MA: The MIT Press.
    [Google Scholar]
21. Fisher, Mark (2009), Capitalist Realism: Is There No Alternative?, Winchester and Washington, DC: O Books.
    [Google Scholar]
22. Fishman, William J. (1985), ‘A people’s Journée: The battle of cable street (October 4^th 1936)’, in F. Krant (ed.), History from Below: Studies in Popular Protest and Popular Ideology in Honour of George Rudé, Montreal, Québec: Concordia University, pp. 381–94.
    [Google Scholar]
23. Folgarait, Leonard (1998), Mural Painting and Social Revolution in Mexico, 1920–1940: Art of the New Order, Cambridge: Cambridge University Press.
    [Google Scholar]
24. Golan, Romy (2009), Muralnomad: The Paradox of Wall Painting, Europe 1927–1957, London: Yale University Press.
    [Google Scholar]
25. Hall, Stuart (1979), ‘The great moving right show’, Marxism Today, January, pp. 14–20.
    [Google Scholar]
26. Hall, Stuart (2014), ‘Introduction to the verso classics edition’, in Poulantzas, Nicos, State, Power, Socialism (trans. P. Camiller), London: Verso.
    [Google Scholar]
27. Hall, Stuart, Critchner, Chas, Jefferson, Tony, Clarke, John and Roberts, Brian (2013), Policing the Crisis, Mugging, the State and Law and Order, 2nd ed., London: Palgrave Macmillan.
    [Google Scholar]
28. Hardt, Michael (2023), The Subversive Seventies, New York: Oxford University Press.
    [Google Scholar]
29. Harris, Jonathan (1995), Federal Art and National Culture: The Politics of Identity in New Deal America, Cambridge: Cambridge University Press.
    [Google Scholar]
30. Hatherley, Owen (2013), ‘Murals’, in The Work in Progress (eds), Reclaim the Mural, The politics of London’s Murals, London: Whitechapel Gallery, pp. 10–12.
    [Google Scholar]
31. Hemingway, Andrew (2002), Artists on the Left, American Artists and the Communist Movement 1926–1956, New Haven, CT and London: Yale University Press.
    [Google Scholar]
32. Hemingway, Andrew (2004), Lecture in Connection with The Art of Philip Guston: 1913–1989 Exhibition, London: Royal Academy.
    [Google Scholar]
33. Hemingway, Andrew (2017), ‘Theoretical apologia’, in Landscape Between Ideology and the Aesthetic: Marxist Essays on British Art and Art Theory, 1750–1850, Chicago, IL: Haymarket Books, pp. 1–37.
    [Google Scholar]
34. Hurlburt, Laurance (1989), The Mexican Muralists in the United States, Albuquerque, NM: University of New Mexico Press.
    [Google Scholar]
35. Hyman, James (2001), The Battle for Realism: Figurative Art in Britain During the Cold War, New Haven, CT: Yale University Press.
    [Google Scholar]
36. Knight, Alan (1992), ‘Revisionism and revolution: Mexico compared to England and France, past and present’, Past & Present, 134, February, pp. 159–99.
    [Google Scholar]
37. Lazier, Benjamin (2011), ‘Earthrise; or, the globalization of the world picture’, The American Historical Review, 116:3, pp. 602–30.
    [Google Scholar]
38. Lee, Anthony (1999), Painting on the Left: Diego Rivera, Radical Politics, and San Francisco’s Public Murals, Berkeley, CA and London: University of California Press.
    [Google Scholar]
39. Leuchtenburg, William (1963), Franklin D. Roosevelt and the New Deal, 1932–1940, New York: Harper and Row.
    [Google Scholar]
40. Massey, Doreen (2007), World City, London: Polity Press.
    [Google Scholar]
41. McKinzie, Richard D. (1973), The New Deal for Artists, Princeton, NJ: Princeton University Press.
    [Google Scholar]
42. Murray, Nancy (1986), ‘Anti-racists and other demons’, Race & Class, 27:3, pp. 1–19.
    [Google Scholar]
43. Patterson, Jody (2020), Modernism for the Masses: Painters, Politics, and Public Murals in New York in the 1930s, New Haven, CT and London: Yale University Press.
    [Google Scholar]
44. Pollock, Jackson ([1947] 2003), ‘Two statements’, in C. Harrison and P. Wood (eds), Art in Theory, 1900–2000: An Anthology of Changing Ideas, 2nd ed., Malden, MA, Oxford and Carlton: Blackwell, pp. 570–71.
    [Google Scholar]
45. Potts, Alex (2013), ‘Realism and materialism in postwar European art’, in W. Carter, B. Haran and F. J. Schwartz (eds), Renew Marxist Art History, London: Art Books Publishing Ltd., pp. 400–19.
    [Google Scholar]
46. Poulantzas, Nicos (2014), State, Power, Socialism (trans. P. Camiller), London: Verso.
    [Google Scholar]
47. Renton, David (1998), ‘Necessary myth or collective truth? Cable Street revisited’, Changing English, 5:2, pp. 189–94.
    [Google Scholar]
48. Riegl, Alois ([1903] 1996), ‘The modern cult of monuments: Its essence and its development’, in N. Stanley Price, M. K. Talley Jr. and A. Melucco Vaccaro (eds), Historical and Philosophical Issues on the Conservation of Cultural Heritage, Los Angeles, CA: Getty Conservation Institute, pp. 69–83.
    [Google Scholar]
49. Rochfort, Desmond (1993), Mexican Muralists: Orozco, Rivera, Siqueiros, San Francisco, CA: Chronicle.
    [Google Scholar]
50. Rolston, Bill (2011), ‘¡Hasta La Victoria!: Murals and resistance in Santiago, Chile’, Identities, 18:2, pp. 113–37, https://doi.org/10.1080/1070'289X.2011.609437.
    [Google Scholar]
51. Rosen, Harold (1998), ‘A necessary myth: Cable street revisited’, Changing English, 5:1, pp. 27–34.
    [Google Scholar]
52. Ross, Stanley R. (1955), Francisco I. Madero: Apostle of Mexican Democracy, New York: Columbia University Press.
    [Google Scholar]
53. Ruiz, Ramon (1980), The Great Rebellion: Mexico, 1905–1924, New York: W. W. Norton.
    [Google Scholar]
54. Schapiro, Meyer (1936), ‘The public use of art’, Art Front, 2:10, pp. 4–6.
    [Google Scholar]
55. Schlesinger, Jr, Arthur (1957–60), The Age of Roosevelt, vol. 3, Boston, MA: Houghton Mifflin.
    [Google Scholar]
56. Sholette, Gregory (2007), ‘Dark matter, activist art and the counter-public sphere’, in M. Beaumont, A. Hemingway, E. Leslie and J. Roberts (eds), As Radical as Reality Itself. Essays on Marxism and Art for the 21st Century, Bern: Peter Lang AG International Academic Publishers, pp. 431–53.
    [Google Scholar]
57. Siqueiros, David A. ([1922] 1975), ‘A declaration of social, political and aesthetic principles’, in Art and Revolution (trans. S. Calles), London: Lawrence and Wishart, pp. 24–25.
    [Google Scholar]
58. Siqueiros, David A., Rivera, Diego, Guerrero, Xavier, Revueltas, Fermín, Orozco, José Clemente, Guadarrama, Ramon Alva, Cueto, German, and Merida, Carlos ([1924] 2012), ‘Manifesto of the syndicate of technical workers, painters and sculptors’, in A. Alejandro, et al. (eds), Mexican Muralism: A Critical History, Berkeley, CA and London: University of California Press, pp. 319–21.
    [Google Scholar]
59. Sivanandan, A. (1982), ‘From resistance to rebellion’, in A Different Hunger: Writings on Black Resistance, London and Concord, MA: Pluto Press, pp. 3–54.
    [Google Scholar]
60. Stallabrass, Julian (2013), ‘Elite art in an age of Populism’, in A. Dumbadze and S. Hudson (eds), Contemporary Art: 1989 to the Present, Oxford: John Wiley and Sons, pp. 39–49.
    [Google Scholar]
61. Tannenbaum, Frank (1929), The Mexican Agrarian Revolution, Washington, DC: The Brookings Institute.
    [Google Scholar]
62. Tibol, Raquel (1979), Arte y politica: Diego Rivera, Mexico City: Grijalbo.
    [Google Scholar]
63. Trotsky, Leon ([1925] 2005), Literature and Revolution (ed. W. Keach), Chicago, IL: Haymarket Books.
    [Google Scholar]
64. Wiedel-Kaufmann, Ben (2020), ‘To the Wall: London, Murals and 1975–1986’, Ph.D. thesis, Plymouth: University of Plymouth, https://doi.org/10.24382/745.
    [Google Scholar]
65. Williams, Raymond (2014), Keywords: A Vocabulary of Culture and Society, London: Fourth Estate.
    [Google Scholar]
66. Wolfe, Bertram D. (1939), Diego Rivera: His Life and Times, New York: Alfred A. Knopf.
    [Google Scholar]
67. Siqueiros, David A, et al. ([1922] 2003), ‘A declaration of social, political and aesthetic principles’, in C. Harrison and P. Wood (eds), Art in Theory, 1900–2000: An Anthology of Changing Ideas, 2nd ed., Malden, MA, Oxford and Carlton: Blackwell, pp. 406–07.
    [Google Scholar]