Skip to content
1981
Volume 5, Issue 3
  • ISSN: 2049-3010
  • E-ISSN: 2049-3029

Abstract

Abstract

This article discusses the relationship between theatre and democracy in the Athenian city-state. The multivocal form of theatre and its dialogical character were essential to a functioning democracy. In tragedy, the dialogical and participatory aspect also involved the staging of ambivalence, linguistic ambiguities, the characters’ misunderstandings, their selfish hubris and fatal choices. Tragedy shows the democratic potential of theatre to open up the acknowledgement that no single voice or way of living is absolutely or completely true. Tragedy was also an option when it came to giving marginalized groups (women, youth, slaves and foreigners) a voice, and challenging hegemonic perspectives and traditional conceptions; however, I will also show how both these institutions fortified men’s dominance in society.

Loading

Article metrics loading...

/content/journals/10.1386/atr.5.3.153_1
2017-09-01
2025-05-19
Loading full text...

Full text loading...

/content/journals/10.1386/atr.5.3.153_1
Loading
  • Article Type: Article
Keyword(s): citizens; democracy; ethos; modernity; myth; performance; rationality; theatre
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error
Please enter a valid_number test