The Modes and Intentions of Biography

This paper explores a range of modes, intentions and problems of Baha'i biography, in order to offer some initial observations on the ways in which biographical literatures frame understandings of the individual in the context of community. It distinguishes between documentary, hagiological and critical modes of biography as these have emerged in the diverse literature of the world's religious traditions, as well as in the secular literature of the modern period. It suggests that much Baha'i biography has continued the traditions of remembrance and exempla, although more critical works have also begun to appear. The quest to write spiritual biographies that explore a subject's inner life and journey remains difficult, due mostly to limitations on sources, since few subjects give adequate exposure to their inner thoughts. Rather than privilege one tradition above any other, Baha'i biographies have to date drawn on the skills of the craft elaborated across generations, religions and cultures, while beginning to draw also on Baha'i scripture for inspiration productive of new insights into how lived lives can be depicted in literature.