The politics of participatory choreographic practice in urban public space | Intellect Skip to content
1981
Volume 10, Issue 1
  • ISSN: 2040-5669
  • E-ISSN: 2040-5677

Abstract

MESH is an improvised participatory dance practice developed by dance artist Vanessa Grasse in 2017 and performed in urban public spaces. This article brings together discourses from site performance and contemporary participatory performance practices to examine site adaptivity, mobility and dialogue. I distinguish between site-adaptive practices in urban settings which simply meet the demands of the neo-liberal environment, and those which engage with site in a way that necessitates discursive and ethical modes of criticality. I suggest that trends born out of the social and ethical turns in contemporary performance can be seen to be informing strategies for relational choreographic practices in urban public space. I explore how Mesh illustrates this by analysing the methods and strategies used by Grasse and the dancers to disrupt social norms and to foster social interaction.

Loading

Article metrics loading...

/content/journals/10.1386/chor.10.1.75_1
2019-05-01
2024-05-27
Loading full text...

Full text loading...

http://instance.metastore.ingenta.com/content/journals/10.1386/chor.10.1.75_1
Loading
  • Article Type: Article
Keyword(s): adaptivity; choreography; mobility; participation; site; urban space
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error