Skip to content
1981
Volume 2, Issue 1
  • ISSN: 2040-5669
  • E-ISSN: 2040-5677

Abstract

This article investigates the concept and experience of intimacy in creative process, specifically through the complex interaction of human improvisation and digital technologies in performance situations. By looking first at conceptions of intimacy and then at reports by artists working at the performance/technology interface, this article examines how working creatively against resistance can increase the sense of intimacy in the moment of performance. The article goes on to look, in detail, at how these concepts play out in two contemporary performance works: one by the author and one by Dutch theatre artist Dries Verhoeven.

Loading

Article metrics loading...

/content/journals/10.1386/chor.2.25_1
2012-02-01
2024-12-06
Loading full text...

Full text loading...

/content/journals/10.1386/chor.2.25_1
Loading
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error