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1981
Volume 2, Issue 1
  • ISSN: 2040-5669
  • E-ISSN: 2040-5677

Abstract

A solo dance improviser/video artist spends four months in Paris to extend and refine his creative practice of making video self-portraits by improvising for stationery camera and then editing on Final Cut Pro. His process – and the website blog he keeps during his stay – raise questions on the aesthetics and methodologies of making dance for the screen and on the conundrum for a working artist of framing himself or herself within the realm of practice as research (PaR).

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/content/journals/10.1386/chor.2.87_1
2012-02-01
2024-12-08
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