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1981
Volume 9, Issue 1
  • ISSN: 2040-5669
  • E-ISSN: 2040-5677

Abstract

Abstract

Part narrative, part documentation, and part choreographic score, this article emphasizes the empathic imperative of spending time over time in nature. Choreographer Merián Soto shares her early experiences with Branch Dancing, a form that ‘came’ to her while approaching stillness, balance, and invisibility in the Wissahickon woods in Philadelphia, and branch dancing’s first major work, the One Year Wissahickon Park Project, consisting of 16 seasonal performances in nature in 2007–08.

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/content/journals/10.1386/chor.9.1.169_1
2018-04-01
2024-06-17
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