On auditory choreography: How walking anticipates sound and movement resonates

References

1. Alais, David, and Blake, Randolph. (eds) (2005), Binocular Rivalry, Cambridge:: The MIT-Press;.
   [Google Scholar]
2. Bankoff, Greg,, Frerks, Georg, and Hilhorst, Dorothea. (red.) (2004), Mapping Vulnerability: Disasters, Development, and People, London:: Earthscan;.
   [Google Scholar]
3. Burrows, Jonathan. (2010), A Choreographer's Handbook, London:: Routledge;.
   [Google Scholar]
4. Caravan Productions (2016);, 'Hear'. , Caravan Productions, Premier 14 November, https://www.caravanproduction.be/artists/benjamin-vandewalle/hear. Accessed 17 November 2019 .
   [Google Scholar]
5. Cjevic, Bojana. (2005);, 'Concept, theory and ideology of performance and performativity in XX century music'. , http://www.newsound.org.rs/pdf/en/ns27/19. B. Cvejic, M.A. Thesis.pdf. Accessed 12 December 2019 .
6. Cjevic, Bojana. (2015), Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance, New York:: Palgrave Macmillan;.
   [Google Scholar]
7. Douglas, Harper. (2019), https://www.etymonline.com/word/choreography. Accessed 12 December 2019 .
8. Erlmann, Veit. (2015), Keywords in Sound (eds D. Novak, and M. Sakakeeny.), USA:: Duke University Press;.
   [Google Scholar]
9. Flush, Thomas,, Koch, Sabine C., and Summa, Michela., et al. (eds) (2012), Body Memory, Metaphor and Movement, Amsterdam:: John Benjamin Publishing;.
   [Google Scholar]
10. Hatuka, Tali. (2010), Violent Acts and Urban Space in Contemporary Tel Aviv: Revisioning Moments, Austin:: University of Texas Press;.
    [Google Scholar]
11. Ihde, Don. ([1934] 2007), Listening and Voice: Phenomenologies of Sound: Second Edition, New York:: State University Press;.
    [Google Scholar]
12. Kasulis, Thomas P.. (2002), Intimacy of Integrity: Philosophy and Cultural Difference, Hawaï:: University of Hawaï's Press;.
    [Google Scholar]
13. Labelle, Brandon. (2010), Acoustic Territories: Sound Culture and Everyday Life, London:: Bloomsbury;.
    [Google Scholar]
14. Labelle, Brandon. (2014), Lexicon of the Mouth: Poetics and Politics of Voice and the Oral Imaginary, London:: Bloomsbury;.
    [Google Scholar]
15. Lepecki, Andre. (2017), Post-Dance (eds D. Anderson,, M. Edvardsen, and M. Spanberg.), Stockholm:: MDT;.
    [Google Scholar]
16. Louppe, Laurence. ([1997]: 2010), Poetics of Contemporary Dance, (trans. by Sally Gardner.), Hampshire:: Dance Books Ltd;.
    [Google Scholar]
17. MacCaw, Dick.. (ed) (2011), The Laban Sourcebook, Oxon:: Taylor & Francis, Ltd;.
    [Google Scholar]
18. Marian, Jean-Luc. (2002), Being Given: Toward a Phenomenology of Givenness (trans. J. L. Kosky.), Stanford:: Stanford University Press;.
    [Google Scholar]
19. Pavis, Patrice. (1998), Dictionary of Theatre: Terms, Concepts and Analysis (trans. C. Shantz.), Toronto:: University of Toronto Press;.
    [Google Scholar]
20. Portanova, Stamatia. (2013), Moving without a Body: Digital Philosophy and Choreographing Thoughts, Cambridge:: The MIT Press;.
    [Google Scholar]
21. Raichel, Daniel R.. (2006), The Science and Application of Acoustics, New York:: Springer;.
    [Google Scholar]
22. Rhoades, Rodney A., and Bell, David R.. (2013), Medical Physiology: Principles for Clinical Medicine, Philadelphia:: Lippincott Williams & Wolters;.
    [Google Scholar]
23. Riddoch, Malcom. (2019);, 'Imagining the sounds themselves'. , in Mark, Grimshaw-Aagaard,; Mads Hansen, and Martin Knakkergaard. (eds), The Oxford Handbook of Sound and Imagination, vol. 1, Oxford:: Oxford University Press;, pp. 55-78.
    [Google Scholar]
24. Solnit, Rebecca. (2001), Wanderlust: A History of Walking, London:: Verso;.
    [Google Scholar]
25. Solnit, Rebecca. (2005), A Fieldguide to Getting Lost, New York:: Penguin Group;.
    [Google Scholar]
26. Team USA (2013);, 'Understanding neutral spine position and the core muscles'. , Team USA, https://www.teamusa.org/USA-Synchronized-Swimming/Features/2013/July/24/Under-standing-Neutral-Spine-Position-and-the-Core-Muscles. Accessed 17 November 2019 .
    [Google Scholar]
27. Truax, Barry. (2019);, 'Imagining acoustic spaces through listening and acoustic ecology'. , in Mark Grimshaw-Aagaard,, Mads Hansen, and Martin Knakkergaard. (eds), The Oxford Handbook of Sound and Imagination, vol. 1, Oxford:: Oxford University Press;, pp. 653-69.
    [Google Scholar]
28. Voegelin, Salome. (2014), Sonic Possible Worlds: Hearing the Continuum of Sound, London:: Bloomsbury Academic;.
    [Google Scholar]
29. Persyn, Leonie. (2019);, 'On auditory choreography: How walking anticipates sound and movement resonates'. , Choreographic Practices, 10:2, pp. 197-212, doi: https://doi.org/10.1386/chor_00003_1
    [Google Scholar]