Somatic ethnographic research: Achoreographic process informed byAlexander Technique

References

1. Alexander, F. Matthias. ( 2004), Constructive Conscious Control of the Individual, , 2nd ed.., London:: Mouritz;.
   [Google Scholar]
2. Andrews, Meade. ( 2016), author’s workshop notes, Toronto , 2 April.
3. Andrews, Meade. ( 2020), e-mail to author , 20 April.
4. Bales, Melanie, and Nettl-Fiol, Rebecca. ( 2008), The Body Eclectic: Evolving Practices in Dance Training, Urbana, IL:: University of Illinois Press;.
   [Google Scholar]
5. Barbier, Louis. ( 2017), journal notes, Toronto , 3 March.
6. Barbour, Karen Nicole. ( 2011), Dancing Across the Page: Narrative and Embodied Ways of Knowing, Chicago, IL:: Intellect Books;.
   [Google Scholar]
7. Barlow, Wilfred. ( 1985;), ‘ Introduction to the 1985 Edition. ’, in F. M. Alexander. (ed.), Use of the Self, , 2nd ed.., London:: Orion Books Ltd;, pp. 3–5.
   [Google Scholar]
8. Bryant, Rebecca. ( 2015), author’s rehearsal notes, Toronto , 17 December.
9. Conable, Barbara, and Conable, William. ( 1991), How to Learn the Alexander Technique: A Manual for Students, Portland, OR:: Andover Press;.
   [Google Scholar]
10. Eddy, Martha. ( 2002;), ‘ Dance and somatic inquiry in studios and community dance programs. ’, Journal of Dance Education, 2:4, pp. 119–27.
    [Google Scholar]
11. Eddy, Martha. ( 2009;), ‘ A brief history of somatic practices and dance: Historical development of the field of somatic education and its relationship to dance. ’, Journal of Dance and Somatic Practices, 1:1, pp. 5–27.
    [Google Scholar]
12. Fortin, Sylvie, and Girard, Fernande. ( 2005;), ‘ Dancers’ application of the Alexander Technique. ’, Journal of Dance Education, 5:4, pp. 125–31.
    [Google Scholar]
13. Gelb, Michael. ( 1995), Body Learning: An Introduction to Alexander Technique, New York:: Henry Holt and Co;.
    [Google Scholar]
14. Hunter, Lynette. ( 2009;), ‘ Valuing performance/practice as academic knowledge. ’, in S. R. Riley, and L. Hunter. (eds), Mapping Landscapes for Performance as Research, Basingstoke:: Palgrave Macmillan;, pp. 199–205.
    [Google Scholar]
15. Johnson, Pam. ( 2015), author’s workshop notes, Toronto , 20 March.
16. Johnson, Pam. ( 2016a), e-mail to author , 16 March.
17. Johnson, Pam. ( 2016b), in-person interview with author, Toronto , 28 June.
18. Johnson, Pam. ( 2016c), informal discussion, Toronto , 16 June.
19. Jones, Frank Pierce. ( 1979), Body Awareness in Action: A Study of Alexander Technique, New York:: Schocken Books;.
    [Google Scholar]
20. Lee, Susan. ( 2016a), journal notes, Toronto , 17 June.
21. Lee, Susan. ( 2016b), in-person interview with author, Toronto , 30 June.
22. Lee, Susan. ( 2017), informal discussion, Toronto , 3 March.
23. Lior, Mika. ( 2016a), informal discussion, Toronto , 15 June.
24. Lior, Mika. ( 2016b), informal discussion, Toronto , 16 June.
25. Liska, Suzanne. ( 2016a), journal notes, Toronto , 15–23 June.
26. Liska, Suzanne. ( 2016b), Woven (first creative process), Mika Lior, Madison Burgess, Susan Lee and Zita Nyarady, IGAC Artscape Youngplace , Toronto:, 23 June.
27. Liska, Suzanne. ( 2017), Woven (final showing), Louis Barbier, Susan Lee, Suzanne Liska and Mateo Galindo Torres, York University’s McLean Studio , Toronto:, 3 March.
28. Liska, Suzanne. ( 2019), journal notes, Toronto , 6 October.
29. Madden, Cathy. ( 2014), Integrative AT Practice for Performing Artists: Onstage Synergy, Bristol:: Intellect Ltd;.
    [Google Scholar]
30. Ness, Sally Ann. ( 1996;), ‘ Dancing in the field: Notes from memory. ’, in S. A. Ness, and S. L. Foster. (eds), Corporealities: Dancing Knowledge, Culture and Power, New York:: Routledge;, pp. 129–54.
    [Google Scholar]
31. Nettl-Fiol, Rebecca, and Vanier, Luke. ( 2011), Dance and the Alexander Technique: Exploring the Missing Link, Urbana, IL:: University of Illinois Press;.
    [Google Scholar]
32. Novack, Cynthia. ( 1990), Sharing the Dance: CI Improvisation and American Culture, Madison, WI:: University of Wisconsin Press;.
    [Google Scholar]
33. Nyarady, Zita. ( 2016a), in-person interview with author, Toronto , 24 June.
34. Nyarady, Zita. ( 2016b), journal notes, Toronto , 23 June.
35. Paxton, Steve. ( 1993;), ‘ Drafting interior techniques. ’, Contact Quarterly, 18:1, pp. 61–66.
    [Google Scholar]
36. Paxton, Steve. ( 2001;), ‘ Improvisation is a word for something that can’t keep a name. ’, in A. Cooper Albright, and A. Dils. (eds), Moving History/Dancing Cultures, Middleton, CT:: Wesleyan University Press;, pp. 421–26.
    [Google Scholar]
37. Paxton, Steve. ( 2016), e-mail to author , 10 March.
38. Sinclair, Susan. ( 2016), in-person interview with author, Toronto , 18 February.
39. Spatz, Ben. ( 2015), What a Body Can Do, New York:: Routledge;.
    [Google Scholar]
40. Torres, Mateo Galindo. ( 2017), journal notes, Toronto , 8 February.
41. Watson, Ian. ( 2009;), ‘ An actor prepares: Performance as research (PAR) in the theatre. ’, in S. R. Riley, and L. Hunter. (eds), Mapping Landscapes for Performance as Research, Basingstoke:: Palgrave Macmillan;, pp. 84–90.
    [Google Scholar]
42. Liska, Suzanne. ( 2020;), ‘ Somatic ethnographic research: A choreographic process informed by Alexander Technique. ’, Choreographic Practices, 11:1, pp. 75–99, doi: https://doi.org/10.1386/chor_00013_1
    [Google Scholar]