Building Fields of Play: An examination of the use of notational analysis to reinterpret dynamic and sequential movement from Rugby Union to inform the creation of a new dance work

References

1. Anon. ( 2016), in McLay, Grant , ‘ Movement catcher. ’, Ph.D. thesis, Brisbane:: Queensland University of Technology;.
   [Google Scholar]
2. Araújo, Duarte,, Davids, Keith, and Hristovski, Robert. ( 2006;), ‘ The ecological dynamics of decision making in sport. ’, Psychology of Sport and Exercise, 7:6, pp. 653–76.
   [Google Scholar]
3. Barbour, Karen N.. ( 2011), Dancing Across the Page: Narrative and Embodied Ways of Knowing, Bristol:: Intellect;.
   [Google Scholar]
4. Bar-Eli, Michael,, Plessner, Henning, and Raab, Markus. ( 2011), Judgement, Decision-making and Success in Sport, Malden, MA and Chichester:: Wiley-Blackwell;.
   [Google Scholar]
5. Batson, Glenna, and Wilson, Margaret. ( 2014), Body and Mind in Motion: Dance and Neuroscience in Conversation, Bristol:: Intellect;.
   [Google Scholar]
6. Blades, Hetty. ( 2015;), ‘ Scoring choreographic poetics. ’, Choreographic Practices, 6:2, pp. 261–78.
   [Google Scholar]
7. Bleeker, Maaike. ( 2016), Transmission in Motion: The Technologizing of Dance, New York:: Routledge;.
   [Google Scholar]
8. Bouchard, Durell, and Badler, Norman. ( 2015;), ‘ Segmenting motion capture data using a qualitative analysis. ’, in Proceedings of the Motion Games, Paris, France, 16–18 November, Paris:: ACM SIGGRAPH;, pp. 23–30.
   [Google Scholar]
9. Brennan, Mary Alice. ( 1999;), ‘ Every little movement has a meaning all its own: Movement analysis in dance research. ’, in S. H. Fraleigh. (ed.), Researching Dance: Evolving Modes of Inquiry, London:: Dance Books;, pp. 283–308.
   [Google Scholar]
10. Burrows, Jonathan. ( 2010), A Choreographer’s Handbook, New York:: Taylor & Francis;.
    [Google Scholar]
11. Butterworth, Jo, and Wildschut, Liesbeth. ( 2009), Contemporary Choreography: A Critical Reader, New York:: Routledge;.
    [Google Scholar]
12. Camurri, Antonio,, Morasso, Pietro,, Tagliasco, Vincenzo, and Zaccaria, Renato. ( 1986;), ‘ Dance and movement notation. ’, in P. Morasso, and V. Tagliasco. (eds), Human Movement Understanding: From Computational Geometry to Artificial Intelligence, New York:: Elsevier;, pp. 83–124.
    [Google Scholar]
13. Claxton, Guy. ( 2012;), ‘ Turning thinking on its head: How bodies make up their minds. ’, Thinking Skills and Creativity, 7:2, pp. 78–84.
    [Google Scholar]
14. Davies, Eden. ( 2001), Beyond Dance: Laban’s Legacy of Movement Analysis, London:: Brechin Books;.
    [Google Scholar]
15. Gamble, Paul. ( 2013), Strength and Conditioning for Team Sports: Sport-specific Physical Preparation for High Performance, Abingdon:: Routledge;.
    [Google Scholar]
16. Guest, Ann Hutchinson. ( 2004), Labanotation: The System of Analysing and Recording Movement, New York:: Routledge;.
    [Google Scholar]
17. Hamilton, Jillian, and Jaaniste, Luke. ( 2010;), ‘ A connective model for the practice-led research exegesis: An analysis of content and structure. ’, Journal of Writing in Creative Practice, 3:1, pp. 31–44.
    [Google Scholar]
18. Hildebrandt, Antje. ( 2017;), ‘ After the future: Choreography as a practice of editing. ’, Choreographic Practices, 8:2, pp. 297–309.
    [Google Scholar]
19. Hill, Raewyn. ( 2008;), ‘ The choreography of rugby. ’, DANZ Quarterly, 12:3, p. 29.
    [Google Scholar]
20. Horsman, Greg. ( 2014), Coppélia, Playhouse QPAC Theatre, Brisbane, 24 April–10 May.
    [Google Scholar]
21. Kassing, Gayle, and Jay, Danielle M.. ( 2003), Dance Teaching Methods and Curriculum Design, Champaign, IL:: Human Kinetics;.
    [Google Scholar]
22. Kirsh, David. ( 2014;), ‘ Random dance company. ’, Distributed Cognition , http://www.randomdance.org/r_research. Accessed 22 May 2014.
23. Laban, Rudolf von. ( 1980), The Mastery of Movement, Plymouth:: Dance Books;.
    [Google Scholar]
24. Lepecki, André. ( 2006), Exhausting Dance: Performance and the Politics of Movement, New York and London:: Routledge;.
    [Google Scholar]
25. Light, Richard, and Georgakis, Steve. ( 2007;), ‘ Invasion games in physical education: Assessing knowledge-in-action in using the team sport assessment procedure. ’, in T. Loughland. (ed.), Proceedings of the Authentic Assessment Practices for Student Learning Conference, The University of Sydney, Australia, 16–17 August, Sydney:: The University of Sydney;, pp. 35–50.
    [Google Scholar]
26. Light, Richard L.,, Harvey, Stephen, and Mouchet, Alain. ( 2014;), ‘ Improving “at-action” decision-making in team sports through a holistic coaching approach. ’, Sport Education and Society, 19:3, pp. 258–75.
    [Google Scholar]
27. McFee, Graham. ( 2004), Sport, Rules and Values: Philosophical Investigations into the Nature of Sport, New York:: Routledge;.
    [Google Scholar]
28. McKechnie, Shirley. ( 2000;), ‘ Dance research: Background to the research project unspoken knowledges. ’, Dance Forum, 10, pp. 7–9.
    [Google Scholar]
29. McKechnie, Shirley, and Stevens, Catherine. ( 2009;), ‘ Knowledge unspoken: Contemporary dance and the cycle of practice-led research, basic and applied research, and research-led practice. ’, in H. Smith, and R. T. Dean. (eds), Practice-led Research, Research-led Practice, Edinburgh:: Edinburgh University Press Ltd;, pp. 84–103.
    [Google Scholar]
30. McLay, Grant. ( 2015), Fields of Play, Dance 15, Gardens Theatre, Queensland University of Technology, Brisbane, 3–7 November.
    [Google Scholar]
31. Nichols, Deborah S.,, Glenn, Terri M., and Hutchinson, Karen J.. ( 1995;), ‘ Changes in the mean center of balance during balance testing in young adults. ’, Physical Therapy, 75:8, pp. 699–706.
    [Google Scholar]
32. Nijinsky, Vaslav. ( 1913), Jeux, Ballets Russes, Théâtre des Champs-Élysées, Paris;, 15 May.
    [Google Scholar]
33. O’Donoghue, Peters. ( 2010), Research Methods for Sports Performance Analysis, Milton Park, Abingdon and New York:: Routledge;.
    [Google Scholar]
34. Pakes, Anna. ( 2018;), ‘ Knowing through dance-making: Choreography, practical knowledge and practice-as-research. ’, in J. Butterworth, and L. Wildshut. (eds), Contemporary Choreography: A Critical Reader, London and New York:: Routledge;, pp. 11–24.
    [Google Scholar]
35. Palazzi, Maria, and Zuniga Shaw, Norah. ( 2009;), ‘ Synchronous objects for one flat thing, reproduced. ’, in H. Hoppe. (ed.), Proceeding of the Special Interest Group on Computer Graphics and Interactive Techniques, Conference on Motion Games, New Orleans, Louisiana, 4–7 August, New Orleans:: Art Gallery; 37, p. 1.
    [Google Scholar]
36. Passos, Pedro,, Araújo, Duarte, and Davids, Keith. ( 2013;), ‘ Self-organisation processes in field-invasion team sports: Implications for leadership. ’, Sports Medicine, 43:1, pp. 1–7.
    [Google Scholar]
37. Phelan, Peggy. ( 1993), Unmarked: The Politics of Performance, New York and London:: Routledge;.
    [Google Scholar]
38. Reason, Matthew, and Reynolds, Dee. ( 2010;), ‘ Kinesthesia, empathy, and related pleasures: An inquiry into audience experiences of watching dance. ’, Dance Research Journal, 42:2, pp. 49–75.
    [Google Scholar]
39. Reynolds, Dee, and Reason, Matthew. ( 2012), Kinesthetic Empathy in Creative and Cultural Practices, Bristol:: Intellect;.
    [Google Scholar]
40. Roses-Thema, Cynthia Ann. ( 2007;), ‘ Reclaiming the dancer: Embodied perception in a dance performance. ’, Ph.D. thesis, Tempe, AZ:: Arizona State University;.
    [Google Scholar]
41. Schack, Thomas. ( 2010;), ‘ Building blocks and architecture of dance. ’, in B. Bläsing,, M. Puttke, and T. Schack. (eds), The Neurocognition of Dance: Mind, Movement and Motor Skills, Hove:: Psychology Press;, pp. 11–39.
    [Google Scholar]
42. Schön, Donald A.. ( 1983), The Reflective Practitioner: How Professionals Think in Action, New York:: Basic Books;.
    [Google Scholar]
43. Spooner, Cally. ( 2016), On False Tears and Outsourcing, Performance installation in New Museum Lobby Gallery, New York, 27 May–19 June.
    [Google Scholar]
44. Stevens, Catherine, and McKechnie, Shirley. ( 2005;), ‘ Minds and Motion: Dynamical systems in choreography, creativity, and dance. ’, in J. Birringer, and J. Fenger. (ed), Dance and Cognition, Berlin:: LIT;, pp. 241–52.
    [Google Scholar]
45. Strømgren, Jo. ( 1997), Dance Tribute to the Art of Football, Jo Strømgren Kompani, Bergen Autumn;.
    [Google Scholar]
46. Sutil, Nicolás Salazar. ( 2015), Motion and Representation: The Language of Human Movement, Cambridge, MA:: The MIT Press;.
    [Google Scholar]
47. Swain, Rob. ( 2011), Directing: A Handbook for Emerging Theatre Directors, London:: Methuen Drama;.
    [Google Scholar]
48. Thomson, Paula, and Jaque, Victor, S.. ( 2016;), ‘ Overexcitability and optimal flow in talented dancers, singers, and athletes. ’, Roeper Review, 38:1, pp. 32–39.
    [Google Scholar]
49. Zhao, Liwei, and Badler, Norman. ( 2005;), ‘ Acquiring and validating motion qualities from live limb gestures. ’, Graphical Models, 67:1, pp. 1–16.
    [Google Scholar]
50. Zuniga Shaw, Norah. ( 2014;), ‘ Animate inscriptions, articulate data and algorithmic expressions of choreographic thinking. ’, Choreographic Practices, 5:1, pp. 95–119.
    [Google Scholar]
51. McLay, Grant,, McGowan, Lee,, Moyle, Gene, and Frossard, Laurent. ( 2020;), ‘ Building Fields of Play: An examination of the use of notational analysis to reinterpret dynamic and sequential movement from Rugby Union to inform the creation of a new dance work. ’, Choreographic Practices, 11:1, pp. 163–185, doi: https://doi.org/10.1386/chor_00017_1
    [Google Scholar]