Porous choreographies of living and dancing | Intellect Skip to content
1981
Volume 13, Issue 1
  • ISSN: 2040-5669
  • E-ISSN: 2040-5677

Abstract

This editorial discusses how performance and dance artists and theorists articulate and embody cohabitation and collaboration across geographies, cultural contexts and species. These current practices and concerns within the fields of dance, somatic practice and performance are contextualized here in relation to the current global, social and political context; societies living with COVID-19 and with the current or impending effects of the climate crisis. This discussion provides the basis for an introduction to the contributions featured in this edition of .

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/content/journals/10.1386/chor_00038_2
2022-07-01
2024-05-26
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References

  1. Ambayec, Alecks,, Gaspar, Renata,, Goudouna, Sozita,, Kühling, Jan-Tage, and Probst, Simon. ( 2021;), ‘ Changing perspectives on performance collaboration: Problematizing more-than-human subjectivities. ’, Global Performance Studies, 4:2, https://doi.org/10.33303/gpsv4n2a4. Accessed 25 May 2022.
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  2. Jenson, Rebecca. ( 2022;), ‘ Deep Sea Dances. ’, Choreographic Practices, 13:1, pp. 97115.
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  3. Liboiron, Max. ( 2021), Pollution is Colonialism, Durham:: Duke University Press;.
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  4. Mulvihill, Julie A.. ( 2018;), ‘ Collaboration. ’, Journal of Dance Education, 18:3, pp. 11219.
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  5. Porges, Stephen W.. ( 2020;), ‘ The COVID-19 pandemic is a paradoxical challenge to our nervous system: A polyvagal perspective. ’, Clinical Neuropsychiatry, 17:2, pp. 13538.
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