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1-2: In Transit: Mapping Digital and Transnational Narratives across Tunisian Borderlands
  • ISSN: 2040-4344
  • E-ISSN: 2040-4352

Abstract

This article examines shipwreck fiction through the lens of cultural studies and decolonial theory, focusing on the representation of archetypal migrant figures and their complex, often traumatic journeys across the desert and the Mediterranean Sea in Abu Bakr Khaal’s (2014) and Walid Amri’s (2023). Moving beyond the reductive classifications of migrants as merely ‘refugees’ or ‘economic migrants’ – categories that fail to capture the complexity of their lived experiences – this study centres on the concept of ‘mixed migrations’. In doing so, it challenges dominant narratives surrounding migration in North Africa, particularly Tunisia, and seeks to offer a more humanizing portrayal of both individual and collective experiences of those who risk their lives on the so-called ‘death boats’. Drawing on trauma studies and Patricia McManus’s concept of ‘negative commitment to the present’, the article foregrounds a current mode of dystopia that is intrinsically connected to the legacies of the past. This endeavour also demonstrates how and employ metaphors, allegories and hybrid genres to construct narratives from within – aesthetic forms that resist and reimagine the liminal and often violent border regimes shaping current migration debates. Ultimately, the analysis reveals how these texts illuminate the intrinsic links between migration and broader systemic issues such as war and conflict, dictatorship, terrorism, poverty, climate change and the unequal distribution of global wealth between the ‘North’ and the ‘South’.

Funding
This study was supported by the:
  • British Academy International Writing Workshops 2022
  • ‘Migrants in transit: A transdisciplinary writing programme for emerging scholars of migration in Tunisia’ (Award WW22\100216)
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/content/journals/10.1386/cjmc_00112_1
2025-09-22
2026-04-20

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