Skip to content
1981
Fashioning Culture: Transforming Perspectives from Oceania
  • ISSN: 2040-4417
  • E-ISSN: 2040-4425

Abstract

In recent years, the recognition of creative industries such as art, design, media and fashion has thrust these sectors into the spotlight as valuable tools for economic development and integration into global markets. By establishing themselves as creative hotspots, developing countries grow small- and medium-sized enterprises (SMEs) and promote creative entrepreneurs who are involved in transforming culture. While an emphasis on incorporating ‘culture’ into design might also be seen as stultifying or essentializing culture, stakeholders working in the region consistently emphasize the significance of incorporating local cultures into their creations. In this article, we draw on interviews with Pacific designers and fashion festival organizers to demonstrate the range of ways in which ‘culture’ is woven into the story of Pacific fashion. In doing so, we highlight the ways in which participants are ‘remaking’ cultural identity and expression by ‘spinning it into something new’, keeping cultural connections alive and personal for those involved in these industries, while also allowing makers to situate their brand or product in the global market. Furthermore, we suggest that involvement in the world of fashion on a global scale represents an opportunity for participants to explore more inclusive and diverse versions of Pacific identity than those sanctioned or imagined outside the world of fashion.

Loading

Article metrics loading...

/content/journals/10.1386/csfb_00023_1
2021-06-01
2024-10-11
Loading full text...

Full text loading...

References

  1. Barrowclough, Diana, and Kozul-Wright, Zeljka. ( 2008;), ‘ Voice, choice and diversity through creative industries: Towards a new development agenda. ’, in D. Barrowclough, and Z. Kozul-Wright. (eds), Creative Industries and Developing Countries, New York:: Routledge;, pp. 336.
    [Google Scholar]
  2. Bolton, Lissant. ( 2003;), ‘ Gender, status and introduced clothing in Vanuatu. ’, in C. Colchester. (ed.), Clothing the Pacific, Oxford:: Berg;, pp. 11940.
    [Google Scholar]
  3. Bolton, Lissant. ( 2007;), ‘ “Island dress that belongs to us all”: Mission dresses and the innovation of tradition in Vanuatu. ’, in E. Ewart, and M. O’Hanlon. (eds), Body Arts and Modernity, Wantage:: Sean Kingston;, pp. 16582.
    [Google Scholar]
  4. Bradley, Linda A.. ( 2012;), ‘ Fusion fashion: East met West in Hawaiian textiles. ’, Journal for Interdisciplinary and Cross-Cultural Studies, 6, pp. B1B21.
    [Google Scholar]
  5. Brimacombe, Tait. ( 2016;), ‘ Trending trousers: Debating Kastom, clothing and gender in the Vanuatu mediascape. ’, The Asia Pacific Journal of Anthropology, 17:1, pp. 1733.
    [Google Scholar]
  6. Cummings, Maggie. ( 2013;), ‘ Looking good: The cultural politics of the Island dress for young women in Vanuatu. ’, The Contemporary Pacific, 25:1, pp. 3365.
    [Google Scholar]
  7. GoFundMe ( 2019;), ‘ The first CHamorus at London Pacific Fashion Week. ’, GoFundMe, 18 August, https://au.gofundme.com/f/gumagela. Accessed 28 October 2019.
    [Google Scholar]
  8. Grabski, Joanna. ( 2009;), ‘ Making fashion in the city: A case study of tailors and designers in Dakar, Senegal. ’, Fashion Theory, 13:2, pp. 21542.
    [Google Scholar]
  9. Hansen, Karen T.. ( 2004;), ‘ The world in dress: Anthropological perspectives on clothing, fashion, and culture. ’, Annual Review of Anthropology, 33:1, pp. 36992.
    [Google Scholar]
  10. Jansen, M. Angela, and Craik, Jennifer. ( 2016;), ‘ Introduction. ’, in M. A. Jansen, and J. Craik. (eds), Modern Fashion Traditions: Negotiating Tradition and Modernity Through Fashion, London:: Bloomsbury Publishing;, pp. 121.
    [Google Scholar]
  11. Khaire, Mukti, and Hall, Erika V.. ( 2016;), ‘ Medium and message: Globalization and innovation in the production field of Indian fashion. ’, Organization Studies, 37:6, pp. 84565.
    [Google Scholar]
  12. Laboto, Ramon. ( 2010;), ‘ Creative industries and informal economies: Lessons from Nollywood. ’, International Journal of Cultural Studies, 13:4, pp. 33754.
    [Google Scholar]
  13. Langevang, Thilde. ( 2016;), ‘ Fashioning the future: Entrepreneuring in Africa’s emerging fashion industry. ’, The European Journal of Development Research, 29:4, pp. 893910.
    [Google Scholar]
  14. London Pacific Fashion Week (LPFW) ( 2018;), ‘ London Pacific Fashion Collective BBC World News Interview. ’, Facebook, 24 October, https://www.facebook.com/watch/?v=1659019467482409. Accessed 15 October 2019.
    [Google Scholar]
  15. London Pacific Fashion Week (LPFW) ( 2019a;), ‘ Home page. ’, https://londonpacificfashionweek.com/. Accessed 17 October 2019.
  16. London Pacific Fashion Week (LPFW) ( 2019b;), ‘ Meet the LPFC Designers 2019. ’, https://londonpacificfashionweek.com/lpfc-designers-2019. Accessed 2 October 2019.
  17. London Pacific Fashion Week (LPFW) ( 2019c;), ‘ Welcoming our emerging fashion designer to our #LPFW September Show featuring #U’anga representing the #Cook Islands. ’, Facebook, 15 April, https://www.facebook.com/LPFltd/posts/2384285118289170:0. Accessed 30 October 2019.
  18. Rovine, Victoria L.. ( 2009;), ‘ Viewing Africa through fashion. ’, Fashion Theory, 13:2, pp. 13339.
    [Google Scholar]
  19. Smiles, Seona. ( 2019;), ‘ Island designs in the big smoke. ’, Mailife, 1 February, https://www.pressreader.com/fiji/mailife/20190201/282978221332157. Accessed 10 October 2019.
    [Google Scholar]
  20. Spark, Ceridwen. ( 2014;), ‘ An Oceanic revolution?: Stella and the construction of new femininities in Papua New Guinea and the Pacific. ’, The Australian Journal of Anthropology, 25:1, pp. 5472.
    [Google Scholar]
  21. Spark, Ceridwen. ( 2015;), ‘ Working out what to wear in Papua New Guinea: The politics of fashion in Stella. ’, The Contemporary Pacific, 27:1, pp. 3970.
    [Google Scholar]
  22. United Nations Conference on Trade and Development (UNCTAD) ( 2010), Creative Economy Report 2010, UNDP and UNCTAD;, https://unctad.org/en/Docs/ditctab20103_en.pdf. Accessed 28 August 2019.
    [Google Scholar]
  23. Spark, Ceridwen, and Brimacombe, Tait. ( 2021;), ‘ “Not a trend. It’s a tradition”: Remaking Pacific identity and culture at London Pacific Fashion Week 2019. ’, Critical Studies in Fashion & Beauty, 12:1, pp. 11130, https://doi.org/10.1386/csfb_00023_1
    [Google Scholar]
/content/journals/10.1386/csfb_00023_1
Loading
/content/journals/10.1386/csfb_00023_1
Loading

Data & Media loading...

  • Article Type: Article
Keyword(s): culture; expression; fashion; global; identity; Pacific
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error