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and Benedetta Morsiani2
The Queen Moremi Ajasoro (QMA) cultural and leadership pageant is rooted in Yorùbá consciousness and cultural heritage. The QMA introduces contestants to Yorùbá histories, myths and cultural values, emphasizing a holistic conception of both Iwa (‘moral character’) and Ewa (‘beauty’). The pageant provides a space not only for the interpretation of Yorùbá knowledge systems but also for cultural empowerment and preservation. This article explores how the QMA pageant offers a way to negotiate and challenge colonial-based, social hierarchies in the conception of beauty in the contemporary Nigerian state. At the same time, the pageant also reinforces some European beauty standards. We examine the dynamics and interplay of western cultural domination, Nigerian multiethnic state politics and traditional culture through the making of a Yorùbá Queen.
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https://doi.org/10.1386/csfb_00092_1 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.