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1981
Volume 16, Issue 2
  • ISSN: 2040-4417
  • E-ISSN: 2040-4425

Abstract

Review of: , curated by Florence Müller with scenography by Agence Galuchat, Palazzo Esposizioni, Rome, 14 May–13 August 2025

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/content/journals/10.1386/csfb_00104_5
2025-12-16
2026-04-13

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References

  1. Augello, Matteo (2022), Curating Italian Fashion: Heritage, Industry, Institutions, London: Bloomsbury Visual Arts.
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  2. García, Luz Neira (2018), ‘Fashion: Cultural heritage and the Made In’, ZoneModa Journal, 8:1, pp. 6375, https://doi.org/10.6092/issn.2611-0563/8222.
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  3. Palazzo delle Esposizioni (2025), ‘Dal Cuore alle Mani: Dolce & Gabbana’, press release, 14 May–13 August, https://www.palazzoesposizioniroma.it/pagine/dal-cuore-alle-mani-dolce-gabbana-stampa. Accessed 9 August 2025.
  4. Piancazzo, Flavia, Noris, Alice, Sabatini, Nadzeya and Cantoni, Lorenzo (2024), ‘Italy, an extraordinary commonplace? Stereotypes and imaginaries of Italianness in online communication by fashion brands’, Fashion Theory, 28:5–6, pp. 75587, https://doi.org/10.1080/1362704x.2024.2379996.
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  5. Scaturro, Sarah (2018), ‘Confronting fashion’s death drive: Conservation, ghost labor, and the material turn within fashion curation’, in A. Vänskä and H. Clark (eds), Fashion Curating: Critical Practice in the Museum and Beyond, London: Bloomsbury, pp. 2138.
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  6. Vänskä, Annamari and Gurova, Olga (2024), Understanding Fashion Scandals: Social Media, Identity, and Globalization, London: Bloomsbury.
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