Dressing for disaster: Edo firefighter uniforms and the kabuki tradition

References

1. Bagot, P. (2014), ‘From the end of Edo to the present day’, in S. Galliot, P. Bagot, Anne and Julien (eds), Tattoo, Paris: Musée du Quai Branly, pp. 97–101.
   [Google Scholar]
2. Bohnke, C. (2021), ‘The disappearance of Japan’s “third gender”’, JSTOR Daily, 22 December, https://daily.jstor.org/the-disappearance-of-japans-third-gender/. Accessed 10 March 2023.
   [Google Scholar]
3. Collier, D. (2022), ‘The tattooed firefighters of Edo’, Kintaro Publishing News, 28 February, https://kintaro-publishing.com/blogs/news/the-tattooed-firefighters-of-edo?_pos=1&_sid=cbd5d81dd&_ss=r. Accessed 10 March 2023.
   [Google Scholar]
4. Duus, P. (1998), Modern Japan, 2nd ed., Boston, MA: Houghton Mifflin.
   [Google Scholar]
5. Elisonas, J. (1994), ‘Notorious places: A brief excursion into the narrative topography of early Edo’, in J. L. McClain, J. M. Merriman and U. Karou (eds), Edo and Paris: Urban Life and the State in the Early Modern Era, Ithaca, NY: Cornell University Press, p. 254.
   [Google Scholar]
6. Folks, M. (2015), Taboo: Ukiyo-e and the Japanese Tattoo, New York: Ronin Gallery.
   [Google Scholar]
7. Howell, D. L. (1994), ‘Ainu ethnicity and the boundaries of the early modern Japanese state’, Past & Present, 142:1, pp. 69–93.
   [Google Scholar]
8. Kelly, W. W. (1994), ‘Incendiary actions: Fires and firefighting in the Shogun’s capital and the people’s city’, in J. L. McClain, J. M. Merriman and U. Kaoru (eds), Edo and Paris: Urban Life and the State in the Early Modern Era, Ithaca, NY: Cornell University Press, pp. 310–31.
   [Google Scholar]
9. Kitamura, T. (2003), Tattoos of the Floating World: Ukiyo-e Motifs in the Japanese Tattoo, Amsterdam: Hotei Publishing.
   [Google Scholar]
10. Leiter, S. L. (1997), ‘The Kanamaru-za: Japan’s Oldest Kabuki theatre’, Asian Theatre Journal, 14:1, pp. 56–92.
    [Google Scholar]
11. Matsunosuke, N. (1997), Edo Culture: Daily Life and Diversions in Urban Japan, 1600–1868 (trans. G. Groemer), Honolulu, HI: University of Hawai’i Press.
    [Google Scholar]
12. McClain, J. L., Merriman, J. M. and Kaoru, U. (eds) (1994), Edo and Paris: Urban Life and the State in the Early Modern Era, Ithaca, NY: Cornell University Press.
    [Google Scholar]
13. Mostow, J. S. (2003), ‘The gender of Wakashu and the grammar of desire’, in J. S. Mostow, N. Bryson and M. Graybill (eds), Gender and Power in the Japanese Visual Field, Honolulu, HI: University of Hawai’i Press, pp. 49–70.
    [Google Scholar]
14. Nouët, N. (1990), The Shogun’s City: A History of Tokyo (trans. J. Mills and M. Mills), Folkestone: Paul Norbury Publications.
    [Google Scholar]
15. Pflugfelder, G. M. (2012), ‘The nation-state, the age/gender system, and the reconstitution of erotic desire in nineteenth-century Japan’, The Journal of Asian Studies, 71:4, pp. 963–74.
    [Google Scholar]
16. Sanders, C. R. (1989), Customizing the Body: The Art and Culture of Tattooing, Philadelphia, PA: Temple University Press.
    [Google Scholar]
17. Screech, T. (2002), The Lens within the Heart: The Western Scientific Gaze and Popular Imagery in Late Edo Japan, London: Routledge.
    [Google Scholar]
18. Shōriya, A. (n.d.), ‘Ichimuraza’, Kabuki21, https://kabuki21.com/ichimuraza.php. Accessed 19 November 2023.
    [Google Scholar]
19. van Assche, A. (ed.) (2005), Fashioning Kimono: Dress and Modernity in Early Twentieth-Century Japan, Milan: 5 Continents Editions.
    [Google Scholar]
20. van Dinter, M. H. (2005), The World of Tattoo: An Illustrated History, Amsterdam: KIT Publishers.
    [Google Scholar]
21. Yagou, A. (2011), ‘Foreword: Uniforms in design-historical perspective’, Journal of Design History, 24:2, pp. 101–04.
    [Google Scholar]
22. Yamamoto, Y. (2014), ‘From early times to the tattoo boom during the Edo period’, in S. Galliot, P. Bagot, Anne and Julien (eds), Tattoo, Paris: Musée du Quai Branly, pp. 88–96.
    [Google Scholar]