Voice as a vessel of the collective unconscious

References

1. Christof, Catharine (2017), Rethinking Religion in the Theatre of Grotowski, London and New York: Routledge and Taylor & Francis Group.
   [Google Scholar]
2. Dowling, Niamh (2011), ‘Teatr Piesn Kozla and its integration into Western European theatre training’, Theatre, Dance and Performance Training, 2:2, pp. 243–59, https://doi.org/10.1080/19443927.2011.602832.
   [Google Scholar]
3. Flaszen, Ludwik (2010), Grotowski & Company, Wroclaw: Icarus.
   [Google Scholar]
4. Grotowski, Jerzy ([1989] 2001), ‘Performer’, in L. Wolford and R. Schechner (eds), The Grotowski Sourcebook, London and New York: Routledge, pp. 294–305.
   [Google Scholar]
5. Interviewed Performer 1: Bang, Nini Julia (2016), in person interview with I. Krawczyk, Grotowski Institute in Wroclaw, 10 November.
6. Interviewed Performer 2: Kurdej, Katarzyna (2016), in person interview with I. Krawczyk, Capitol Musical Theatre in Wroclaw, 20 December.
7. Krawczyk, Ilona (2021), ‘Embodying voice in training and performance: A process-oriented performance’, doctoral thesis, Huddersfield: University of Huddersfield.
   [Google Scholar]
8. Krawczyk, Ilona and Spatz, Ben (2021), ‘Dreaming voice: A dialog’, in C. Kapadocha (ed.), Somatic Voices in Performance Research and Beyond, London: Routledge, pp. 140–55.
   [Google Scholar]
9. Laster, Dominika (2012), ‘Embodied memory: Body–memory in the performance research of Jerzy Grotowski’, New Theatre Quarterly, 28:3, pp. 211–29, https://doi.org/10.1017/s0266464x12000413.
   [Google Scholar]
10. Laster, Dominika (2016), Grotowski’s Bridge Made of Memory: Embodied Memory, Witnessing, and Transmission in the Grotowski Work, Calcutta: Seagull Books.
    [Google Scholar]
11. Mindell, Arnold (1989), Working with the Dreamingbody, London: Arkana.
    [Google Scholar]
12. Mindell, Arnold (1990), Dreambody: The Body’s Role in Revealing the Self, Santa Monica, CA: Sigo Press.
    [Google Scholar]
13. Moten, Fred (2018), The Universal Machine, Durham, NC: Duke University Press, https://doi.org/10.1215/9780822371977.
    [Google Scholar]
14. Perry, Gemma, Polito, Vince, Sankaran, Narayan and Forde Thompson, William (2022), ‘How chanting relates to cognitive function, altered states and quality of life’, Brain Sciences, 12:11, https://doi.org/10.3390/brainsci12111456.
    [Google Scholar]
15. Spatz, Ben (2022), ‘whiteness’, Performance Philosophy, 7:2, pp. 169–72, https://doi.org/10.21476/PP.2022.72349.
    [Google Scholar]
16. Staniewski, Włodzimierz and Hodge, Alison (2004), Hidden Territories: The Theatre of Gardzienice, London: Routledge.
    [Google Scholar]
17. ‘Vessel’ (n.d.), Cambridge English Dictionary, Cambridge: Cambridge English Dictionary, https://dictionary.cambridge.org/dictionary/english/vessel. Accessed 10 October 2024.
    [Google Scholar]
18. Wehr, Demaris S. (1989), Jung and Feminism: Liberating Archetypes, Boston, MA: Beacon Press.
    [Google Scholar]
19. Zubrzycki, Anna and Bral, Grzegorz (2010), ‘Song of the Goat theatre: Finding flow and connection’, New Theatre Quarterly, 26:3, pp. 248–60, https://doi.org/10.1017/s0266464x10000448.
    [Google Scholar]
20. Agamben, Giorgio (2004), The Open: Man and Animal, Stanford, CA: Stanford University Press.
    [Google Scholar]
21. Erçin, Nazlıhan E. (2018), ‘From-ness: The identity of the practitioner in the laboratory’, Journal of Interdisciplinary Voice Studies, 3:2, pp. 195–202, https://doi.org/10.1386/jivs.3.2.195_1.
    [Google Scholar]
22. Magnat, Virginie (2014), Grotowski, Women, and Contemporary Performance: Meetings with Remarkable Women, London: Routledge.
    [Google Scholar]
23. Magnat, Virginie (2016), ‘Women, transmission, and creative agency in the Grotowski diaspora’, in K. Syssoyeva and S. Proudfit (eds), Women, Collective Creation, and Devised Performance, New York: Palgrave Macmillan, pp. 221–35, https://doi.org/10.1057/978-1-137-55013-2_14.
    [Google Scholar]
24. Schubert, Franz (1825), Ave Maria, D. 839, Leipzig: Edition Peters.
    [Google Scholar]
25. Spatz, Ben (2020), Making a Laboratory: Dynamic Configurations with Transversal Video, Brooklyn, NY: punctum books, https://doi.org/10.21983/P3.0295.1.00.
    [Google Scholar]
26. Zalmanov, Šemuel (1978), ‘Yearning Tune’, Hassidic Tunes of Dancing and Rejoicing, USA: Smithsonian Folkways Recordings.
    [Google Scholar]