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Voice as Movement and a Spiritual “in-between”
  • ISSN: 2051-7068
  • E-ISSN: 2051-7076

Abstract

This article delves into the complex interplay between tradition and modernity, exploring the profound spiritual undercurrents within Chinese artistic expression, specifically through the lens of traditional poetry and Kunqu dance. At the core of this investigation is the potential of Kunqu’s embodied practice, which weaves together poetic voice and dance movement, to transcend mere aesthetic pursuits and become a conduit for spiritual experience, fostering self-awareness and a deeper connection with nature. Employing an interdisciplinary framework that combines theoretical insights with practical experience, this research examines the symbiotic relationship between voice and movement within Kunqu Opera. Through critical analysis and eco-somatic practice, it addresses pivotal questions concerning the connection between poetry and Kunqu dance, the significance of poetic voice and the potential for a renewed practice that integrates poetic voice and Kunqu dance to facilitate a spiritual journey rooted in historical, philosophical and aesthetic foundations. The findings suggest that reimagining Kunqu through an eco-somatic lens not only rejuvenates these traditional arts but also underscores their relevance in addressing contemporary spiritual and ecological challenges across cultural boundaries. This study aims to expand the understanding of cultural practices as vehicles for spiritual exploration, advocating for a more nuanced appreciation of traditional arts within the modern spiritual landscape.

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/content/journals/10.1386/dmas_00054_1
2025-04-29
2026-04-15

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