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1981
Volume 7, Issue 1
  • ISSN: 2057-0384
  • E-ISSN: 2057-0392

Abstract

Review of: , Maryclare Foá, Jane Grisewood, Birgitta Hosea and Carali McCall (2020)

London, New York and Dublin: Bloomsbury Visual Arts, Bloomsbury Publishing Plc, 264 pp.,

ISBN 978-1-7883-1384-1, h/bk, £85.00

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/content/journals/10.1386/drtp_00085_5
2022-04-01
2024-10-06
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References

  1. De Zegher, Catherine. (ed.) ( 2001), Drawing Papers 20: Performance Drawings, exhibition catalogue, New York:: The Drawing Centre;.
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  2. Foá, Maryclare. ( 2011;), ‘ Sounding out: Performance drawing in response to the outside environment. ’, Ph.D. dissertation, London:: University of the Arts London;.
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  3. Grisewood, Jane. ( 2010;), ‘ Marking time: Investigating drawing as a performative process for recording temporal presence and recalling memory through the line, the fold and repetition. ’, Ph.D. dissertation, London:: University of the Arts London;.
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  4. Hosea, Birgitta. ( 2012;), ‘ Substitutive bodies and constructed actors: A practice-based investigation of animation as performance. ’, Ph.D. dissertation, London:: University of the Arts London;.
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  5. McCall, Carali. ( 2014;), ‘ The line is a brea(d)thless length: Introducing the physical act of running as drawing. ’, Ph.D. dissertation, London:: University of the Arts London;.
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  • Article Type: Other review
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