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Based on a personal bonding experience I had with a roof beam during a temporary residency in Brussels, I look into possibilities of bonding as a practice through drawing. Bonding with a roof beam describes a particular process through which I gradually meet the surroundings in tactile proximities. I discuss that this process suggests an interplay between emotive and material aspects of bonding. Evolving through a series of experiments of drawing and three-dimensional studies, this paper presents three sets of works: the drawing of the roof beam reveals a corporeal presence, preparatory bonding and drawing of the preparatory bonding no 1. These works elaborate on this interplay by seeking embodied relations between materials, tools and techniques of drawing with regard to tactile proximities, suggesting embodied spatio-temporalities and in-between spaces. I discuss that each individual work reconfigures the space of the drawing, as well as the experience of drawing, engaging in a discussion on matter, materiality and corporeality. Through the experiments, I argue that this drawing practice offers a liminal space of possibilities within the artefactual works by which a drafter finds a way to approach space by desire for an embodied materiality. In relation, I suggest that the bonding process becomes tactical in a state of transience as it offers ways to relate oneself to a place by desire.