‘When Will You Return’: The trans-border tangos of ‘Heri Jun Zailai’¹

References

1. Anon. (1939a), ‘“Heri Jun Zailai” no shot,ai: Chiang [Kai-shek] wo nagusameru uta da’ ni Tamagawa bikkuri seisaku happyō, sugu torikeshi’ (‘Truths about “Heri Jun Zailai”: A song that comforts Chiang [Kai-shek]: Tamagawa shocked: Its creative output has been abolished’), Yomiuri Shinbun, 23 September, Evening edition, p. 2.
   [Google Scholar]
2. Anon. (1939b), ‘Ōyo wa “Heri Jun Zailai” jidai: Ensen shisō no enka sokai wo kanzen ni fūbi’, Tairiku Shinpō (大陸新報), 29 September, Morning edition, p. 7.
   [Google Scholar]
3. Anon. (1940a), ‘Gang ri qiao jinian kaiyuan jie guoge yu Heri Jun Zailai qichang’ (‘Japanese living in Hong Kong sang national anthem and Heri Jun Zailai to commemorate the founding of the empire’), Libao, 11 November, p. 4.
   [Google Scholar]
4. Anon. (1940b), ‘Tui fei yinqu Heri Jun Zailai zhong xuan bu tongling yanjin’ (‘The Central Propaganda Department has issued a strict ban on the decadent and obscene song “Heri Jun Zailai”’), Libao, 3 November, p. 4.
5. Anon. (1955), ‘Nicchū te wo tsunagu “Bōmeiki” tainichi satsuei ōen no orei ni honkon roke kyasei eiga shōkai’ (‘Movie Exile, created amicably by Japan and China; Supporting each other during shoots in Japan and Hong Kong’), Yomiuri Shinbun, 19 January, Evening edition, p. 2.
   [Google Scholar]
6. Anon. (2020), ‘Heri Jun Zailai’, Guoli Taiwan Lishi Bowuguan (國立台灣歷史博物館), https://audio.nmth.gov.tw/audio/zh-TW/Item/Detail/5dd422d8-7332-4fab-b8c5-8751f7b9f5c2, Accessed 9 September 2020.
7. Ashimura, Tomoko (芦村朋子) (2006), Heri Jun Zailai (‘When will you come back’), Tokyo: Kōbunsha.
   [Google Scholar]
8. Au, Tony Ting-Ping (區丁平) (1991), Hohyat Gwan Joiloi (Au Revoir Mon Amour) (Film), Hong Kong: Golden Harvest & Paragon.
   [Google Scholar]
9. Azami, Toshio (生明俊雄) (2018), Tango to Nihonjin (‘Tango and the Japanese’), Tokyo: Shūeisha.
   [Google Scholar]
10. Cai, Chusheng (蔡楚生) (1939), Gudao Tiantang (‘Orphan island paradise’), (Film), Hong Kong: Dadi Yingye Gongsi.
    [Google Scholar]
11. Cai, Dengshan (蔡登山) (2011), Fanhua luo jin: Yang chang caizi yu xiao bao wenren (‘The golden days are gone: Shanghai talents and tabloid writers’), Taipei: Xiuwei zixun.
    [Google Scholar]
12. Chin, Chien (秦劍) (1966), Heri Jun Zailai (Till The End of Time) (Film), Hong Kong: Shaw Brothers.
    [Google Scholar]
13. Doe, Ching (陶秦) (1959), Long Xiang Feng Wu (Calender Girl) (Film), Hong Kong: Motion Picture & General Investment.
    [Google Scholar]
14. Fukagawa, Yoshihiro (深川栄洋) (2017), Itsu Mata, Kimi to (Heri Jun Zailai) (‘When will you return’) (Film), Japan: Showgate.
    [Google Scholar]
15. Hatano, Ken’ichi (波多野乾一) (1939), ‘Heri Jun Zailai’, Asahi Shinbun, 30 September, p. 7.
    [Google Scholar]
16. Hosokawa, Shūhei (細川周平) (2016), ‘Senzen Nihonteki tango bunka: Ikoku jōsho omomuki Chūgoku shumi’ (‘Japanese tango culture before World War I: “Chinese” taste and Exoticism’) (trans. L. Guolei), Nichigo gakushū kenkyū, 3, pp. 7–13.
    [Google Scholar]
17. Hung, Sukwan (洪叔雲) (1940), Hohyat Gwan Joiloi (‘When will you return’) (Film), Hong Kong: Nanyang Film Company.
    [Google Scholar]
18. Inagaki, Hiroshi (1952), Shanhai No Onna (‘Shanghai woman’) (Film), Japan: Toho.
    [Google Scholar]
19. Li, Yan (李岩) (2015), ‘Jun guilai xi?: Dakai “Heri Jun Zailai” de “sijie”’ (‘Have you come back?: Untie a tight knot of “Heri Jun Zailai”’), Nanjing yunshu xueyuan xue bao (Yinyue yu biaoyan ban), 4, pp. 94–100, 108.
    [Google Scholar]
20. Liao, Yen Jen Yvonne (2017), ‘Western music and municipality in 1930s and 1940s Shanghai’, unpublished doctoral dissertation, London: King’s College London.
    [Google Scholar]
21. Lin, Taiwei (林太崴) (2015), Wan le lao Taiwan: Bu cha dian de 78 zhuan shengyin luxing, women 100 suile! (‘Play around Old Taiwan: 78 RPM records sound travel without amplifier, we are 100 years old now!’) Taipei: Wu nan tushu chuban gufen youxian gongsi.
    [Google Scholar]
22. Nakazono, Eisuke (中薗英助) (1988), Heri Jun Zailai Monogatari (‘The story of “Heri Jun Zailai”’), Tokyo: Kawade Shobō Shinsha.
    [Google Scholar]
23. Nishimura, Masao (西村正男) (2011), ‘Eiga “Tōkakō” ni okeru Chūgokusei’ (‘The Chineseness in the film, ‘Tōkakō’’), Mimei, 29, pp. 59–82.
    [Google Scholar]
24. Nishimura, Masao (西村正男) (2018a), ‘Konkō Ekkyō Orientarizumu: Meigui Meigui Wo Ai Ni no Genkyoku to Kavā vājon o Megutte’ (‘Mixture, crossing borders, and orientalism: On the original and cover versions of “Rose, Rose, I Love You”’), in Henshū Iinkai (ed.), Ekkyō suru Chūgoku bungaku Ekkyō suru Chūgoku bungaku: Aratana Bōken o Motomete (‘Transnational Chinese literature: seeking new adventures’), Tokyo: Tōhō Shoten, pp. 311–25.
    [Google Scholar]
25. Nishimura, Masao (西村正男) (2018b), ‘Syu Hoichi no kyokonsha Sun Dezhi: Sono shi to ongaku katsudō’ (‘Sun Dezhi, the fiancée of Zhou Fengyi: Her death and musical activities’), in S. Nakazatomi, S. Pan (eds), Shunsui Shukō to Nicchū bungaku kōryū: Syu Sakujin, Hyoshin, Hama Kazue, Kokusai Shinpojium Ronbunshū (‘Symposium proceedings: Manuscripts of Chun Shui and literary exchange between Japan and China: Zhou Zuoren, Bing Xin, and Hama Kazue’), Fukuoka: Kyushu Daigaku QR Program, ‘Jinshakei Ajia Kenkyū Kasseika Jūten Shien’, ‘Shin shiryō hakken ni tomonau Higashiajia bunka kenkyū no takaku-teki tenkai, oyobi kokusai kenkyū kyoten no kōchiku’, pp. 199–205.
    [Google Scholar]
26. Niwa, Fumio (丹羽文雄) (1940), Shūreishō (‘Autumnal chills’), Tokyo: Sunagoya Shobō.
    [Google Scholar]
27. Osada, Tsuneo (長田恒雄) (1939), ‘“Heri Jun Zailai” no mondai’ (‘The critique of “Heri Jun Zailai”’), Nihon bungei shinbun, 10 November, p. 6.
    [Google Scholar]
28. Saeki, Kiyoshi (佐伯清) (1950), Itsuno Hi Kimi Kaeru (‘When will you return’) (Film), Japan: Shintoho.
    [Google Scholar]
29. Segawa, Masahisa (2005), Jazu de Odotte: Hakurai Ongaku Geinōshi (‘Dancing with jazz: The performance history of imported music’), Tokyo: Simul shuppankai.
    [Google Scholar]
30. Tây, Bụi (2018), ‘Tại Nhà hát Tây đêm 8 Juillet’ (‘At the western theater on the night of July 8th’), Tay Bui, http://taybui.blogspot.com/2018/12/tai-nha-hat-tay-em-8-juillet-1937.html. Accessed 9 September 2020.
31. Teichiku Entateinmento (テイチクエンタテイメント) (2015), ‘Yamaguchi Yoshiko (Ri Kōran) Heri Jun Zailai’, CD panfuretto (CD pamphlet).
32. Wong, Kar Wai (王家衛) (2013), Yidai Zongshi (The Grandmaster), Hong Kong: Annapurna Pictures & Others.
    [Google Scholar]
33. Yang, Evan (易文) (1956), Hudie Furen (‘Madame Butterfly’), China.
    [Google Scholar]
34. Zhongguo Changpian Shanghai Gongsi (中国唱片上海公司) (2008), Shanghai lao ge 1931–1949 (‘Nostalgic melodies of Shanghai 1931–1949’), CD, China: Zhongguo Changpian Shanghai Gongsi.
    [Google Scholar]
35. Zhongguo Changpian She Bianji (中国唱片社編輯) (1964), Zhongguo changpian chang kucun jiu changpian muban mulu: Neibu ziliao (‘Catalog of old records’ master discs in the Chinese record factory’), Shanghai: Zhongguo Changpian She.
    [Google Scholar]